when you are
done. You can refer to page 6 in Lia Baumeister-Jonker's book on
Chantilly - excellent reference work.
Sylvia Andrews
- Original Message -
From: David Collyer [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, July 27, 2004 11:46 AM
Subject: [lace] A simple question
Dear Friends,
Many thanks to all those who took the trouble to answer my question re
passing through large numbers of passives prior to a gimp and picot.
Isn't it amazing all the ideas one can get from just such a little
question? That's where Arachne is invaluable. It's answers such as these
[EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Date: 7/30/2004 7:48:03 AM
Subject: [lace] A simple Question
Dear Friends,
Many thanks to all those who took the trouble to answer my question re
passing through large numbers of passives prior to a gimp and picot.
Isn't it amazing all the ideas one can
Dear Friends,
Here's a question I just thought up today after quite a few years of lace
making now.
In working this very complex Chantilly cloth, I find a problem which also
often arises in Bucks Point. The number of passives between the work and
the picots on the edge (can never remember
Hello David and everyone
When you work through your 14 pairs at the picot side g are you weaving
through them or are you wrapping the weaver pair over most? If you aren't
trying the latter, that might help prevent breaking of threads. I read in
Pam Nottingham's book on Bucks that with more than 5
David writes:
The number of passives between the work and
the picots on the edge (can never remember which is headside and which is
footside :) can vary from 2 pairs to 14 pairs. I find that when I'm using
the very fine 2/20 silk and I have to tension up the 14 or so pairs,
that's
when I'm
At 12:27 PM -0400 7/28/04, Panza, Robin wrote:
From: Bev Walker
When you work through your 14 pairs at the picot side g are you weaving
through them or are you wrapping the weaver pair over most?... Weave through
the pairs closest to the picot and wrap the weavers only, on the bulk of the
threads
David,
Could humidity or the lack thereof be an issue? I have had more problems with thread
breakage when I lived in more arid environments and would use a plant mister to
periodically spray my threads. My lace is very happy now that I've moved to a much
more humid environment -- although I
From: Bev Walker
When you work through your 14 pairs at the picot side g are you weaving
through them or are you wrapping the weaver pair over most?... Weave through
the pairs closest to the picot and wrap the weavers only, on the bulk of the
threads where you have a whole lot of them at the
On Wed, 28 Jul 2004 02:46:54 +1000, David wrote:
In working this very complex Chantilly cloth, I find a problem which also
often arises in Bucks Point. The number of passives between the work and
the picots on the edge (can never remember which is headside and which is
footside :) can vary from
G'day Bev.
Weave through the pairs closest to
the picot and wrap the weavers only, on the bulk of the threads where you
have a whole lot of them at the headside.
Hadn't thought of that - sounds like a great time saver too. I'd been
weaving all the way. Now could you please just explain in a
Hi David (and list)
Yes, to your first idea, one worker over, one under - which gives what I
call a wrapped effect, or more correctly is twined, especially if you go
around each pair in this manner - but yes you can go one over one under
all pairs (or several groups) except the several nearest
Hi everyone
I wrote:
all pairs (or several groups) except the several nearest the headside to
make the picot (which you would CTC through per usual).
and I meant CTC through the passives (per usual) *not* the picot (in case
anyone reads the foregoing, and is confused...)
--
bye for now
Bev in
Jo Christodoulides [EMAIL PROTECTED] wrote:Date: Thu, 29 Jul 2004 06:29:04 +0100
(BST)
From: Jo Christodoulides
Subject: Re: [lace] A simple question
To: Steph Peters
Oh, my giddy aunt! A Pythonated Treker!! Hee, hee, hee! I love it!
Jo in Cyprus, who can NEVER think of a good signature
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