Currently there is an exciting costume exhibit at the Met in which mannequins 
in 18th century attire are set up in salacious poses in the period rooms of 
the Wrightsman Galleries. The emphasis is on seeing the costumes and the 
furniture together. However an opera designer assisted with it and all the 
mannequins appear to be flirting, losing money at cards and carrying on adulterous 
affairs in the true spirit of the 18th century. My favorite room is one in which a 
mannequin has fainted and is lying on the floor. The appeal is that the scene 
is of a ball where many of the costumes are adorned with silver and gold 
lace. The lighting is in the form of electified chandeliers, and gives you the 
effect of how these metallic laces must have glowed in candlelight. The metallic 
laces are very beautiful in this setting.

Apart from that, I know I will receive the information from the lace 
cognoscenti that the laces, artfully arranged into engageantes, etc. are in many cases 
not authentic to the era. I can assure you this is not because the Met 
doesn't know what laces are authentic to the era but rather because we have certain 
"unspecial" laces for dressing mannequins. The authentic lace works of art 
cannot be handled in such a cavalier manner. They are instead stored in acid free 
materials in special enameled drawers with filtration systems in a state of 
the art textile center with scientifically controlled humidity levels where 
they are moved only on "gray boards" so that they will not be subjected to the 
stress of gravity. They would never be gathered and pinned and subjected to the 
stress of being in such an exhibit. For some images of the exhibit, which do 
not do it justice you can go to:
http://www.metmuseum.org/special/Dangerous_Liaisons/fashion_images.htm
It is very popular, so one should endeavor to go when no one else is there or 
be prepared to elbow your way to the front. 

Devon

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