[lace] katrina

2005-09-02 Thread Eva Von Der Bey
Dear people in Louisiana, Missisippi, Alabama, from suffering New Orleans
and destroyed Biloxy, my heart and thoughts are with you.
I still remember my sister shoveling sand in flooded Dresden only three
years ago, trying in vane to defend a school against the water, leaving the
city at the last possible moment with husband and two children, wading
beside the car over the flooded bridge to find where the road was.   
But this, and the drowned valleys in bavaria, austria and switzerland were
nothing against what you suffer. How dreadful sad, and even sader that those
who help are in danger from  the mob, from those who try to get a personal
advantage from such a desaster.
I hope you get help, hope your President is strong enough to accept foreign
help (generators, helicopters, whatever might be useful).
Most of our today's newspapers found harsh words about Mr Trittin's really
disgusting comments. In this moment, it's absolutly unimportend wether he
might be right or wrong or whatever. It's just not the time for anything
besides solidarity, grief, and help where possible. Like the newspapers and
myself, most of my friends and collegueas are ashamed of this politician
(not for the first time).
We are sad about so many lost lifes and destroyed homes and broken dreams.
In our plant in Mobile, Alabama, no collegueas are missing, but some lost
their homes, afak. The company doubles every donation from employees (as was
done after the tsunami in december). Money can't substitute anything lost.
Only perhaps prevent further losses.
Please, don't mistake the lousy words of one bad politician for the large
majority of a country or a continent. In one world, such a tragedy has a
meaning for all.
So sorry for all who suffer, from hurrican and too much water, or too little
water and food elsewhere.
Eva, from Germany

 

 

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[lace] Honiton (was that table ribbon)

2005-09-02 Thread Miriam

Hi,

I Have done Honiton in colour with Caroline Biggins at a course in 
Dartingrton. I made a rose in yellow and green and used Piper's silk for 
it.  The result was beautiful and everyone admired it. Thinking now about 
it perhaps I should have enlarged it a tiny bit, but also the original 
worked well. Luckily a have a scan of the piece because I don't know where 
I have placed my rose. It is in the hourse and hiding together with my pricker.


Miriam
in Israel


Tamara wrote: Granted, I've never seen Honiton
(regular, micro or macro) made in more than one colour but the advanced
people need a challenge too, no? (or should it be non?, given the
venue of the Convention? g)

Anyone who went to The Lace Guild's Myth and Mystery exhibition will tell
you that there was Honiton lace in colour, including The Green Man which was
used for a cover of Lace.  There were also some examples in more traditional
white, which used a coloured coarse thread - often a metallic.

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RE: [lace] katrina

2005-09-02 Thread Carolyn Hastings
Dear Eva,

This isn't exactly lace, but as you have offered your comments ...

As one American, I thank you for your kind words.  I personally feel very
upset at the apparent lack of planning and urgency in responding to the
growing crisis -- especially on our federal level.  And news about the
offers of international aid, and reluctance of our government to accept, was
burried deep in our Boston newspaper -- so I think most people don't even
know that we could have the use of extra helicopters, for instance, from
Canada.  Many countries have offered resources.  Meanwhile, people have no
water, no waste facilities, no food, and are stranded in 90+ degree heat.

Mr. Trittin's words aren't known to most people -- I hadn't seen a whisper
of it and had to search on line.  I have to say that although his words are
harsh, and his timing is not good,  similar things are being uttered by
Americans here -- just tempered by a lot of sympathy and dismay.  We do need
to confront reality, and it **is** going to be painful.

Regards,
Carolyn

Carolyn Hastings
Stow, MA USA 

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
 On Behalf Of Eva Von Der Bey
 Sent: Friday, September 02, 2005 3:13 AM
 To: [EMAIL PROTECTED]
 Subject: [lace] katrina
 
 
 Dear people in Louisiana, Missisippi, Alabama, from suffering 
 New Orleans and destroyed Biloxy, my heart and thoughts are 
 with you. I still remember my sister shoveling sand in 
 flooded Dresden only three years ago, trying in vane to 
 defend a school against the water, leaving the city at the 
 last possible moment with husband and two children, wading
 beside the car over the flooded bridge to find where the road was.   
 But this, and the drowned valleys in bavaria, austria and 
 switzerland were nothing against what you suffer. How 
 dreadful sad, and even sader that those who help are in 
 danger from  the mob, from those who try to get a personal 
 advantage from such a desaster. I hope you get help, hope 
 your President is strong enough to accept foreign help 
 (generators, helicopters, whatever might be useful). Most of 
 our today's newspapers found harsh words about Mr Trittin's 
 really disgusting comments. In this moment, it's absolutly 
 unimportend wether he might be right or wrong or whatever. 
 It's just not the time for anything besides solidarity, 
 grief, and help where possible. Like the newspapers and 
 myself, most of my friends and collegueas are ashamed of this 
 politician (not for the first time). We are sad about so many 
 lost lifes and destroyed homes and broken dreams. In our 
 plant in Mobile, Alabama, no collegueas are missing, but some 
 lost their homes, afak. The company doubles every donation 
 from employees (as was done after the tsunami in december). 
 Money can't substitute anything lost. Only perhaps prevent 
 further losses. Please, don't mistake the lousy words of one 
 bad politician for the large majority of a country or a 
 continent. In one world, such a tragedy has a meaning for 
 all. So sorry for all who suffer, from hurrican and too much 
 water, or too little water and food elsewhere. Eva, from Germany
 
  
 
  
 
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Re: [lace] Macro-Honiton

2005-09-02 Thread Lorri Ferguson
Does anyone know how much one would have to 'blow it up', as in what % of
increase, this would be?
I have seen some beautiful Honiton patterns that I would like to do in a
larger size.

Lorri


  Take Debbie Beaver's class on Honiton Big and Bold!  She takes a
  traditional Honiton flower and blows it up to work it in sewing-machine
  thread (50/3 cotton?) in your choice of 3 colors.  THen you go on to
  other traditional shapes, like assorted leaves (botanical, not
  tallies), still in sewing-machine thread and color.  This gives the
  novice a chance to learn the techniques of Honiton without the
  frustration of dealing with ultra-fine thread at the same time (for
  novices, the techniques and the fine thread are probably both new).

  Robin P.

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Re: [lace] That table ribbon - Books

2005-09-02 Thread Jeriames
In a message dated 9/1/05 11:13:10 PM Eastern Daylight Time, 
[EMAIL PROTECTED] writes:


 I have run across a book in my library with a print date of 2002 in Denmark 
 by Brigit Poulsen titled LAY THE TABLE-WITH BOBBIN LACE.  It has every 
 thing from table runners to napkins to placemats,etc,etc. The lace is 
 beautiful 
 and not only for the contest but I am going to do it for my own table. It has 
 been stuck on one of my book shelves and I am happy to have found it and 
 using it.
 Thanks to Brigit and happy lacing to all you gentle Spiders.
 Mary Derrick Southern Regional Director
 or Jacksonville ,FL
 

Dear Lacemakers and IOLI Volunteer Officers  Volunteer Directors, 

Thank you, Mary!

Here, we have a problem of lack of informative printed material for a contest 
that mainly involves U.S. or Canadian members of IOLI.  These members are 
most likely to have a second language of French or Spanish.  Yet, the custom of 
use of the lace table ribbons seems to be in Germany, Denmark, etc.  
Interesting challenge!
---
A couple weeks ago, Tess recommended Ursula Stadtke's hardback book 
Nordische Tischbander or Nordiske Festremser or Nordiska Festremsor.  
These 
titles reflect the 3 languages of the book - German, Danish, Swedish.  This was 
published by Barbara Fay in Germany in 1997, ISBN 3-925184-77-5, and I paid $29 
for the book in 2003 - exchange rate would make it more expensive now.  (Van 
Sciver offers at $35.)  The cover photo is of a round table (white linen 
tablecloth) with a blue table ribbon in the shape of an X.  The ends drop 
down at 
the edge by one motif, with pointed ends decorated by woven blue ribbon bows.  
I think it would be helpful to lacemakers to see a picture!  Perhaps someone 
with the book could put the picture of this cover on a web site?

An experienced lacemaker could adapt patterns - prickings - in this book for 
use in the contest..  Some of the designs are quite fantastic.  I am going to 
try to type a shape of one of the table ribbons, but do not know what shape 
they will be in when you receive them.  Besides the X, there is the shape of 
a 
tick-tac-toe grid (a pencil and paper game played in U.S.):

|   |
|---|
|---|
|   |

Another grid goes out so there are 3 vertical lace ribbons and 3 horizontal 
lace ribbons based on the above idea to make a square, and there is one that is 
shaped with rectangles to fit a long table, instead of a square one.  *These 
do not fit the Contest Rules*, but it gives an idea of how far some lacemakers 
have developed the concept of table ribbons.

Intermediate to advanced lacemakers who do not need to read explanatory text 
may enjoy a hardback book which has lovely table linens, published by 
Deutscher Kloppelverband e.V., Germany.  It is Spitzenmenu - Ein Kloppelbuch 
fur 
Tisch und Tafel, 2000, ISBN 3-934210-24-4, cost 74 Euros at the table of the 
German lacemakers, in Prague, 2004.  (Mail costs would be high, because it is 
printed on glossy heavy paper and is 8 1/2 x 12).  It was written by a group 
of 
lacemakers in Germany and is in German language.  It covers many types of 
table linens, and has a history section (it is most frustrating to be unable to 
read the text) with reproductions of paintings, from Renaissance period 
forward, 
of banquets and table settings.  Lots of interesting contemporary laces for 
the table are offered.  There is a pattern pack in the back, and some pricking 
patterns within the text that could be adapted for the contest.
---
I suggest you might try to borrow from InterLibrary Loan at your local 
public library (which has the capability to borrow a book from any library in 
the 
U.S. - or beyond - which has it).  The prickings in these books could be 
easily adapted to length and width of Contest Rules.  Ask your librarian for 
assistance -- I have given the information you might need to order these for 
viewing!  This service is offered in many nations, perhaps by different names, 
as I 
wrote in a long memo about InterLibrary Loans about 5 years ago.  This is the 
same service that scholars in universities use.  You may have to pay mailing 
fees between the libraries.  Usually, you are allowed to make copies of some 
pages - for education purposes.  This depends on the condition of the book.  
Rare 
books must be read in the local library; they cannot be taken out.

As a service, we have an IOLI lending library.  It would be beneficial if 
someone (Librarian?  Contest Chairman?) close to the issue would go through the 
library and find any books on the subject.  Then, contest entrants need 
reviews, which for speed could be put on the IOLI Web Site with the contest 
guidelines.

These 3 books do not appear to be in the IOLI Library lists, though I may 
have searched the  wrong way.  If there are funds budgeted to purchase books, 
and 
if the library receives a lot of requests to borrow books, perhaps someone 
would do research as to which 

[lace] New lace guild web site(DP)

2005-09-02 Thread Janice Blair
Dear Lacemakers,
I belong to two guilds in Illinois and I have the pleasure to announce  that 
Lacemakers and Collectors Exchange (L.A.C.E.) now have a  website.  This has 
been under construction for quite some time and with the able help of Carol 
Melton, a past member who now lives in 
Arizona, we have a very attractive site, IMHO.  Carol was the graphic artist 
who designed our logo of the purple bobbin and shuttle years ago. She designed 
the website and once it was up and running, handed it off to Sue Raymond.  Sue 
is our Webmistress and is responsible for making changes such as updating the 
events pages, which she has done now for our  September meeting. Please go and 
have a look, some links are still under construction.  Let me know if you have 
any problems viewing the site and I will pass the info on.
 http://www.lacemakersofillinois.org/cal.html
  
 Janice Blair
President, LACE



Janice Blair
Crystal Lake, 50 miles northwest of Chicago, Illinois, USA

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Re: [lace] New lace guild web site(DP)

2005-09-02 Thread Barbara Joyce
Very, very nice web site. One suggestion, though. The URL you supplied
brings up only the calendar page.

A better starting point would be:

http://www.lacemakersofillinois.org/index

Thanks for sharing this site with us. Lovely stuff! Catchy name, too.

Barbara Joyce
Snoqualmie, WA
USA


 Dear Lacemakers,
 I belong to two guilds in Illinois and I have the pleasure to announce  that
 Lacemakers and Collectors Exchange (L.A.C.E.) now have a  website.  This has
 been under construction for quite some time and with the able help of Carol
 Melton, a past member who now lives in
 Arizona, we have a very attractive site, IMHO.  Carol was the graphic artist
 who designed our logo of the purple bobbin and shuttle years ago. She designed
 the website and once it was up and running, handed it off to Sue Raymond.  Sue
 is our Webmistress and is responsible for making changes such as updating the
 events pages, which she has done now for our  September meeting. Please go and
 have a look, some links are still under construction.  Let me know if you have
 any problems viewing the site and I will pass the info on.
 http://www.lacemakersofillinois.org/cal.html
 
 Janice Blair
 President, LACE
 
 
 
 Janice Blair
 Crystal Lake, 50 miles northwest of Chicago, Illinois, USA
 
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RE: [lace] That table ribbon - Books

2005-09-02 Thread Laurie J. Hughes
Another source is Ulrike Loehr Voelcker's new book Dick durch Dünn (Thick
through thin) it's $34.95 at Van Sciver has lots of ribbon shaped things.
Two colors already in place.  Long Ribbons of different grounds with
elaborate gimp workings.

I think an intermediate to advanced beginner could do these patterns.

Lace In Peace, 
Laurie

Disclosure - she cites me as helping with the English translation for which
I am grateful, but I don't profit from it's sale.

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Re: [lace] Macro-Honiton

2005-09-02 Thread Brenda Paternoster

On 2 Sep 2005, at 15:42, Lorri Ferguson wrote:

Does anyone know how much one would have to 'blow it up', as in what % 
of

increase, this would be?
I have seen some beautiful Honiton patterns that I would like to do in 
a

larger size.

You probably need about 8 or 9 wraps of thread between pinholes.  If 
your 50/3 sewing cotton measures, say, 30 wraps/cm then you need to 
enlarge the pricking so the the pinhole spacing is on average 2.8mm.  
Can't be more specific than that as it depends on what the pinhole 
spacing is on the original, but sectional laces do have more room for 
manoever as pairs are added/subtracted as necessary.


Brenda


Lorri


  Take Debbie Beaver's class on Honiton Big and Bold!  She takes a
  traditional Honiton flower and blows it up to work it in 
sewing-machine

  thread (50/3 cotton?) in your choice of 3 colors.  THen you go on to
  other traditional shapes, like assorted leaves (botanical, not
  tallies), still in sewing-machine thread and color.  This gives the
  novice a chance to learn the techniques of Honiton without the
  frustration of dealing with ultra-fine thread at the same time (for
  novices, the techniques and the fine thread are probably both new).

  Robin P.

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Brenda
http://paternoster.orpheusweb.co.uk/

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[lace] Honiton, enlarged

2005-09-02 Thread Doris O'Neill
Honiton patterns originally sized for 180/2 cotton (as, for instance, in
Susanne Thompson's books), can be worked in DMC Broder Machine (Retors
D'Alsace) 150 cotton (with gimp size 40 sewing thread)  if the pattern is
increased by 50%:  that is, set the copier to 150%.   Colored threads
equivalent to that DMC thread should work as well. --- Doris  O'Neill---
[EMAIL PROTECTED] EarthLink: The #1 provider of the Real
Internet.

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[lace] Corrected address for web site (DP)

2005-09-02 Thread Janice Blair
Forwarding this suggestion as I was unable to make my computer save the correct 
address and I copied and pasted from the page I was on.
Janice



Janice I think you need to send this URL other wise it takes you 
directly to the calendar page instead of the home page.


http://www.lacemakersofillinois.org/



Janice Blair
Crystal Lake, 50 miles northwest of Chicago, Illinois, USA

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[lace] IOLI contest entries

2005-09-02 Thread Bev Walker
Hi everyone

 (we may have to chip in for customs duty, as well as overweight luggage

I do not think that pieces belonging to someone else that you cart across
the border into Canada would be taxable or dutiable - unless IOLI is going
to sell them? It is worth investigating from 'your end' ahead of time.
It might be like a travelling exhibit as from a museum or art gallery
- forms to fill out, and time taken up, but I don't think money is
involved. The overweight part, well - that is the carrier's problem - if
there is a lot of stuff to bring into the country, a broker might be the
better route.
just some free advice...
bye for now
Bev in Sooke BC (on Vancouver Island, west coast of Canada)

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Re: [lace] IOLI contest entries

2005-09-02 Thread Jeriames
In a message dated 9/2/05 7:28:56 PM Eastern Daylight Time, 
[EMAIL PROTECTED] writes:


 I do not think that pieces belonging to someone else that you cart across
 the border into Canada would be taxable or dutiable - unless IOLI is going
 to sell them? It is worth investigating from 'your end' ahead of time.
 It might be like a travelling exhibit as from a museum or art gallery
 - forms to fill out, and time taken up, but I don't think money is
 involved. The overweight part, well - that is the carrier's problem - if
 there is a lot of stuff to bring into the country, a broker might be the
 better route.
 just some free advice...
 bye for now
 Bev in Sooke BC (on Vancouver Island, west coast of Canada)
 

Dear Lacemakers,

This suddenly reminded me of the Australian museum collection of Palestinian 
costumes that were taken from a curator escorting them - to a back room for 
examination in, if I remember correctly, Los Angeles airport.  These 
disappeared 
right there, almost under the eyes of the curator.  The costumes were coming 
in to the U.S. for a museum exhibition, and were stolen while in the custody 
of Customs.  The story was fully reported on Arachne at the time.

Might it be more sensible to arrange for a reliable person nearer Montreal, 
who will be driving over the border, to take the American contest entries?   It 
is something to think about.  I think everyone would rest easier if the 
contest entries were covered by insurance.   Someone should be asking:  Does 
IOLI 
have an insurance policy that would cover such an international trip for 
valuable laces?

Jeri Ames in Maine USA
Lace  Embroidery Resource Center 

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[lace] Re: IOLI contest entries

2005-09-02 Thread Tamara P Duvall

On Sep 2, 2005, at 19:25, Bev Walker wrote:

I do not think that pieces belonging to someone else that you cart 
across

the border into Canada would be taxable or dutiable


Probably not, with the appropriate paperwork done ahead of time; I was 
funning. But, what about the (individual) entries that - as things 
stand now - Canadians would have to mail to US? With, possibly, several 
months of work involved (given the size of the piece), how many will be 
willing to tick off gift, under $15, on the custom's form? And then 
some entries may have to be brought back to US and sent back to the 
entrants in Canada, *doubling* the problems... Would make much better 
sense (IMO), if Canadians could stay within their own postal system.


Back in my Polish childhood, we used to sing: a song knows no borders 
or barriers and it may be true of lace also, but I wouldn't trust the 
customs - either side of the border - to recognise the truth of it :)


--
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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Re: [lace] IOLI contest entries

2005-09-02 Thread RicTorr8
In a message dated 9/2/2005 8:20:39 PM Mountain Daylight Time, 
[EMAIL PROTECTED] writes:
is something to think about.  I think everyone would rest easier if the 
contest entries were covered by insurance.   Someone should be asking:  Does 
IOLI 
have an insurance policy that would cover such an international trip for 
valuable laces?


That's a good point. Since I have worked with the insurance industry, though, 
I think it might be difficult to establish suitable limits to cover the 
items, coming as they will from an indeterminate number of various makers, each 
of 
whom, no doubt, considers her/his entry as beyond replacement value, as 
wellJeri's point leads me to I wonder, does anyone know if something 
comparable 
has ever been addressed at former conventions, and, if so, how? It would be 
easier for each person who was concerned about potential loss to insure the 
entry individually, although less satisfactory, obviously, from the 
institutional 
(and possibly financial) standpoint

Regards,
Ricki
Utah 

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Re: [lace] IOLI contest entries - Insurance

2005-09-02 Thread Jeriames
In a message dated 9/2/05 10:35:04 PM Eastern Daylight Time, [EMAIL PROTECTED] 
writes:


 Jeri's point leads me to I wonder, does anyone know if something comparable 
 
 has ever been addressed at former conventions, and, if so, how? It would be 
 easier for each person who was concerned about potential loss to insure the 
 entry individually, although less satisfactory, obviously, from the 
 institutional 
 (and possibly financial) standpoint
 

Yes, Ricki,  

But in my experience, not about an IOLI exhibition.  I have been an officer 
of a local EGA Chapter.  EGA (Embroiderers' Guild of America) has a blanket 
policy to cover entries in an exhibit.  The entrants have to fill out a form 
with 
description, value, etc. and the person in charge has to submit the forms and 
exhibition details to headquarters in advance of the exhibit in order to be 
covered.   

Also, I curated a museum exhibition of antique laces.  All were fully 
described and valued and the museum had them covered under their museum 
insurance 
policy from the moment they were in my hands until they were returned to owners 
- 
who signed a receipt they were returned in good condition..

These explanations from me are simple, because they do not have to be 
complicated for this discussion. 

Jeri Ames in Maine USA
Lace  Embroidery Resource Center

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[lace] Re: IOLI contest entries

2005-09-02 Thread Tamara P Duvall

On Sep 2, 2005, at 22:19, [EMAIL PROTECTED] wrote:

Might it be more sensible to arrange for a reliable person nearer 
Montreal,
who will be driving over the border, to take the American contest 
entries?   It

is something to think about.


The *optimal* solution would, I think, be for *everyone* (US and non) 
to send their entries directly to Montreal, with as little fuss as 
possible (I never mail my own lace via registered mail, for example, on 
the principle the less obtrusive, the smoother the road. But then I 
never value my lace so highly that I'm willing to spend extra money for 
insurance - useless, as several pople have told me - or any other bells 
and whistles like registered mail. Which only slows things down by a 
couple of weeks g)


But I don't think that's likely to happen... The reason entries are 
sent to the Contest Chairman (wherever the - willing - volunteer 
victim happens to be located) is so that they can be photographed 
well ahead of time. If they then hit the high spot (the prizes circle), 
everything's ready for the publication in the next Bulletin (because 
one's asked to send the *pattern and instructions* with the entry 
itself)... And there's no doubt that Debra (the Bulletin Editor *and* 
the Contest Chairman this year) is *superb* at photographing lace - I 
always leave it to her, and send pieces, rather than photos of them, 
when I submit a pattern for publication.


Trying to photograph *all* the entries (hopefully, very many g) in 
Montreal would have her running ragged (and we do not want to have her 
burn out prematurely - she's the best thing that's happened to the 
Bulletin in a long time). Sending the entries to someone in US who's 
closer to Montreal and who's likely to be driving rather than flying 
there is, IMO, neither here nor there (even if we were able to locate 
such a person); Debra arrives in Montreal and still has to photograph 
them all, and test the outcome on some (borrowed) computer, while 
there's no guarantee that a bored customs officer doesn't make things 
difficult for the person who's transporting them (and, probably, 3 
other lacemakers and their equipmnt, given the gas prices g)


Sending *Canadian* entries to Montreal may end up being the best and 
most sensible compronise.


Someone should be asking:  Does IOLI have an insurance policy that 
would cover such an international trip for valuable laces?


As far as I know, it doesn't. But, unlike the The Lace Guild/UK (which 
does have such insurance), while IOLI has a legal entity (enough to 
receive charitable status), it doesn't have permanent headquarters. It 
is staffed - entirely - by volunteers, so *all* locations (library, 
mebership, etc) change as the officers in charge change. The contact PO 
box (in Flanders NJ) is the only permanent factor in the whole jigsaw, 
and that only because someone - no longer the person who used to live 
in the vicinity - is willing to take a long trip every couple of weeks 
for the cause of lace...


I doubt any insurance company would be willing to take a bet on such an 
iffy proposition... OTOH...  If credit card companies were to pick up 
on the insurance business, who knows... :)  They seem to be willing to 
issue cards to dogs off the street, as long as they can dictate their 
terms, and balance their risks/losses by charging the reliable people 
more...


--
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Table bands

2005-09-02 Thread Noelene Lafferty
I've been browsing through my old collection of Anna
magazines, and have found two lovely table bands.

One is in April 1997 issue - a fairly simple Torchon
piece when made in Linen 50/3 with 33 pairs of
bobbins measures 8.5cm wide by 105 cm long.

The other is in October 2000, and is more a combination
of Beds leaves, plaits and picots.  This one was made
in 17/2 linen with 28 pairs of bobbins and measures 10 cm
by about 100 cm.  In this case the band has been mounted on
a strip of linen fabric, but it would great just like it is.

The length in both cases would, of course, be adjustable.

I am pretty sure either of these bands would meet the
criteria (both are a feast for the eyes, although of very
simple design).   Now, if I could only afford to belong to
the IOLI as well as my Australian lace groups!

Noelene in Cooma
[EMAIL PROTECTED]
http://members.ozemail.com.au/~nlafferty/

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[lace-chat] Re: Gossamer threads/evolution

2005-09-02 Thread Joy Beeson
At 10:06 PM 9/1/05 -0400, Tamara P Duvall wrote:

Spider silk *is* the strongest fibre (per diameter) known, and very 
light for its bulk. There are attempts to reproduce it but, so far as I 
know, commercial production is not yet viable. I would suspect, if 
enough of them were plied together, they'd do more than stop a mortar 
shelll... They'd bounce it right back, like a rubber band g

Ply *enough* threads together, and *any* fiber will stop a mortar shell.  

Thin air will stop a mortar shell if you have enough of it.  

But neither cotton nor air will make it *bounce*.  On the other hand, I don't 
think silk could burn up a high-speed missile -- as you can see air doing any 
clear night, if you look up long enough.  (Tried it in sleeping bags one night 
so we wouldn't get sore necks -- fell asleep before the show started.)  

-- 
Joy Beeson
http://home.earthlink.net/~joybeeson/
http://home.earthlink.net/~dbeeson594/ROUGHSEW/ROUGH.HTM 
http://home.earthlink.net/~beeson_n3f/ 
west of Fort Wayne, Indiana, U.S.A.
where lawn mowers stir up dust clouds.  

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Re: [lace-chat] Re: Gossamer threads/evolution

2005-09-02 Thread RicTorr8
Tamara wrote, in part: 

Spider silk *is* the strongest fibre (per diameter) known, and very 
light for its bulk. There are attempts to reproduce it but, so far as I 
know, commercial production is not yet viable. I would suspect, if 
enough of them were plied together, they'd do more than stop a mortar 
shelll... They'd bounce it right back, like a rubber band g
Interesting! Wouldn't that be something, if we could figure out how to spin 
spider webs into thread? That sounds like another suitable task for Arachne! 
:)) Geez, just think -- I could collect all those spider webs from around the 
hills here and spin them into gold! :))) I'll work on it, and report back if 
I make any progress! (It rmust require a VERY delicate touch and a VERY VERY 
lightweight spindle!!)

Regards,
Ricki
Utah

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Re: [lace-chat] smaller knitting needles

2005-09-02 Thread Heather Bogart
I actually recently cheaped out and bought thin wire and sanded down the 
ends. Got me 0.75 mm needles (I guess about a 6/0 in US sizes) for next to 
nothing with no shipping and a bit of sanding time.


It worked for me. :)

Heather -- who has planned a doiley on those needles in the very near 
future.


- Original Message - 
From: Joy Beeson [EMAIL PROTECTED]

To: [EMAIL PROTECTED]
Sent: Friday, September 02, 2005 2:51 PM
Subject: Re: [lace-chat] smaller knitting needles



At 09:16 AM 8/31/05 -0400, Lynn Carpenter wrote:


http://www.purseparadise.com/
http://www.baglady.com/
http://www.jklneedles.com/
http://www.mielkesfarm.com/


Bookmarked!

I used to get my 1.5 mm needles at Patternworks
 http://www.patternworks.com/ , but they don't
offer as wide a selection of tools as they used to and,
having enough needles, I haven't checked lately.

--
Joy Beeson


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Re: [lace-chat] Re: Gossamer threads/evolution

2005-09-02 Thread Ruth
Ricki, it was Rumplestiltskin who did the spinning into gold but it was 
straw, not spider webs LOL. If you figure out how to do it, however, 
let us all know ROTFLMAO as I'm sure there would be more than a few 
folks interested.

[EMAIL PROTECTED] wrote:

Tamara wrote, in part: 

  

Interesting! Wouldn't that be something, if we could figure out how to spin 
spider webs into thread? That sounds like another suitable task for Arachne! 
:)) Geez, just think -- I could collect all those spider webs from around the 
hills here and spin them into gold! :))) I'll work on it, and report back if 
I make any progress! (It rmust require a VERY delicate touch and a VERY VERY 
lightweight spindle!!)

Regards,
Ricki
Utah

-- 

Ruth
Omnia vincit Amor; 
et nos cedamus Amori. ~ Virgil

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Re: [lace-chat] Language Evolution

2005-09-02 Thread Brenda Paternoster
I've lived in north Kent all my life and although that's not an 
expression I use I knew immediately what anything to go to the snob 
meant as I read your message.  A snob is a shoemaker's last.  My Little 
Oxford dictionary only gives the 'aspiring to social elevation' 
definition of snob but it does include the shoemaker's model definition 
of last


Brenda

On 2 Sep 2005, at 13:49, Malvary J Cole wrote:

A couple of regional expressions that spring to mind, from opposite 
ends of the country - when I moved to west Kent (having grown up in 
east Kent) I was asked one day if I had anything to go to the snob.   
After querying this I discovered that it was the shoe menders.  I 
don't know how widespread the expression is used, but certainly I'd 
never heard of it 70 or so miles to the east.  I guess the explanation 
is easy to understand, if you needed to take shoes to the menders, 
then you weren't wearing wooden clogs, then you were well off, then 
you were a snob.

Brenda
http://paternoster.orpheusweb.co.uk/

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[lace-chat] Corrected address for web site (DP)

2005-09-02 Thread Janice Blair
Forwarding this suggestion as I was unable to make my computer save the correct 
address and I copied and pasted from the page I was on.
Janice



Janice I think you need to send this URL other wise it takes you 
directly to the calendar page instead of the home page.


http://www.lacemakersofillinois.org/



Janice Blair
Crystal Lake, 50 miles northwest of Chicago, Illinois, USA

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[lace-chat] Re: Language Evolution

2005-09-02 Thread Tamara P Duvall

On Sep 2, 2005, at 3:32, Jean Nathan wrote:

The BBC had a series of programmes last week or so on the English 
language
in the UK. It showed that language, especially among the young is 
changing
very rapidly. If I listen to a conversation between 15 year-olds, I've 
got
no idea what they're talking about - they use words I've not heard 
before

and reverse the meaning of some of the words I thought I knew.


That's why I specifically said that English hadn't changed much in the 
area of grammar. Vocabulary, especially slang words - as used by 
in-groups (be it teenagers, prisoners, or phusicists) - does change, 
frequently. But those words disappear as frequently, since, their 
purpose is not to communicate with the world at large, but with the 
specific in-group. I remember my parents not understanding half of what 
I said to my peers. By the time they began to get the drift and started 
to use some of those words, we changed them again, just to make them 
feel out of it :)


But grammar is something else. The only firm change I can think of 
within the past 50 yrs is the usage of shall and will not only as 
being a difference in degree of intention but also something to do with 
person (singular, plural, first second, etc). Can't remember any of 
that circus because I never encountered it again.


There's that iffy mode - can't even remember its proper name now - 
where you say if I were you; that's not used a whole lot though it's 
still taught. Another thing that's still taught (at least in the Brit 
textbooks for ESL) is reported speech (with its attendant change of 
tense). It used to be drummed into me for *years*, but I've not heard 
it much used here; when something someone said is reported, usually the 
direct quote is used. So you might say those are also on their way out, 
in the effort to streamline English further, make it easier for many 
people to use it, especially now that it's become the international 
language in the age of communication.


What's long gone are cases (the only vestiges left are in personal 
pronouns and then only 4 cases are left. In some instances, not all), 
gender indicators (again, except for personal pronouns and an 
occasional noun) and number indicators. English didn't always have just 
the singular and plural, the way it does now. It used to have dual 
number and group number as well. Vestiges of group number are left in 
nouns like sheep, and, even more clearly, in fish - you have two 
different ways of expressing plurality of fish (fishes, as in bread 
and fishes and fish as in we saw a lot of different fish). Of dual 
number there's not a trace left, though one of the wits in my 
theoretical linguistics class at the U claimed that trousers was a 
case - singular up top, plural at the bottom, resulting in a plural 
ending to a single unit... :)


Polish, OTOH, still happily uses dual number (if in very few instances) 
and group number, baffling foreigners who attempt to learn it... Which 
is why Polish'll never become the international language of 
communication :) Of course, the plethora of little do-dads - over the 
letters, under the letters - doesn't help either; one wonders how come 
both Latin and English managed to escape those altogehter :)



Texting is a separate system of spelling on its own


I wish I had enough brain cells left to follow the development of 
texting - it looks fascinating. But, when my son tried to give me an 
example (granted, texting is almost allien to him too, since he's 28 
g), it left me totally baffled. All I'd want to learn how to text is: 
duh?


--
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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Re: [lace-chat] Re: Language Evolution

2005-09-02 Thread Weronika Patena
On Fri, Sep 02, 2005 at 07:34:12PM -0400, Tamara P. Duvall wrote:
 Polish, OTOH, still happily uses dual number (if in very few instances) 
 and group number, baffling foreigners who attempt to learn it... Which 
 is why Polish'll never become the international language of 
 communication :) 

Dual and group number, really?  I can't think of any examples...

 Of course, the plethora of little do-dads - over the 
 letters, under the letters - doesn't help either; one wonders how come 
 both Latin and English managed to escape those altogehter :)

Latin, by inventing their own alphabet; English, by just giving each word 
a randomly chosen Latin alphabet spelling in no way related to 
pronounciation... G

 Texting is a separate system of spelling on its own
 
 I wish I had enough brain cells left to follow the development of 
 texting - it looks fascinating. But, when my son tried to give me an 
 example (granted, texting is almost allien to him too, since he's 28 
 g), it left me totally baffled. All I'd want to learn how to text is: 
 duh?

What is texting?

Weronika

-- 
Weronika Patena
Stanford, CA, USA
http://vole.stanford.edu/weronika

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[lace-chat] Re: Language Evolution/Polish

2005-09-02 Thread Tamara P Duvall

On Sep 2, 2005, at 19:38, Weronika Patena wrote:


Dual and group number, really?  I can't think of any examples...


For the edification of everyone who doesn't speak Polish (but is 
burning to learn its intricacies), and you... :)


Dual number:
Oko (eye, singular)
oczy (eyes,dual; used only in reference to eyes on living creatures 
who, usually, have two)
oka (eyes, plural; used when referring to eyes in things like a 
fishing net)

Ditto ucho-uszy-ucha (ears - as on a creature, or as on a jug or mug)
Plecy (back) is a vestige - dual number form, no proper singular, no 
proper plural left.


For group number... This one's really fun, because it's quite common, 
yet few people even realise they're using it g Most of your family 
and a lot of everything else uses that format. Singular is one ending, 
group (2-4) is another, plural (5 or more) *yet another* :

(jedna - one) siostra (sister) - singular
(dwie, trzy, cztery - 2, 3, 4) siostry  - group
(piec, szesc, itd -5, 6, etc) siostr (slash over the o) - plural

mother, father, brother, aunt, uncle, tree, table, chair... There's 
one, then there's the in group of no more than 4, then you take a 
deep breath and start counting according to a uniform pattern; 5 and 
555 will have the same ending... :)


The eyes and the ears, BTW have *both* the dual *and* the group number, 
but, since the dual is reserved strictly for one purpose (living 
creatures), the group number in the inanimate objects escapes notice 
even more g



What is texting?


Messaging over the cell-phone

--
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace-chat] lace competition rules 2006

2005-09-02 Thread susan
i just wanted everyone to read what umbralace said about bobbin lace
and other type of laces.  many of you were writing about how they
didn't think raised tallies and etc... were not allowed.  also the
topic is not just flowers and geometrics, it is anything so long as it
looks festive.  here is the original message she sent:

 
 Hello Susan.
 Thank you for the email! 
  Bobbin lacers can do raised tallies, needle lacers can do point de 
 rose 
 type flowers. The essence of those laces are not excluded from the 
 contest. 
 Basically, when I think of a contest entry is should be able to be
 rolled  
 up. 
 As far as the designs, it can be anything - holidays, seasons what
 ever you  
 want!! What is the feast for your eyes? What do you like to see, what
 makes 
 you  salivate or say yummy?
 The style can be anything. Using the terms flower - geometric etc.,
 was to  
 convey opposites or anything in between. It is wide open!!!
  
 I look forward to hearing from you. 
  
 Debra
  
 


from susan in tennessee,u.s.a.

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