Thanks, Jean, for the link to the display. I am certain that what I
find disturbing is the absence of a head! Even a faceless manikin head
would have been preferable to this headlessness!! Sue Babbs said
ghostly, and I think that's a good description.
It wouldn't have been so bad had the
Talk about perfect timing. What a great idea, Tatman
Most of my lacemaking these days is done on my lunch hour, so I carry my
pillow back and forth to work. A bag that will protect it is essential. I'm
working on a Milanese piece that needs to be transferred from my small cookie
pillow to
Hi Lauren:
I wonder, too, if the colour tones of the lighting just aren't coming through
in these pictures. The room itself has golden tones, and the lighting seems
harsh but not overly blue-toned. Maybe if you're there it doesn't look quite so
dark and spectral. The platinum tiara is a dull
Oh! I can see now, that single dress in the one huge room, Ghostly
is right!
Thank you.
Lauren
On 7/23/2011 12:19 AM, Jean Eke wrote:
This slide show shows the dress in the context of the display. I venture to
suggest that the dress shown in a darkened room with grand artificial light
...think
they really had all 15 days...dress still had to be made...(or)
lace was applied after the dress was
completed? Liz
Simply, it is likely
the skirt was seamed and presented for applique, then attached to the bodice
and hemmed. The veil would have been similar (sans hemming as the lace
Hello All! Perhaps Tim Burton supervised the installation of the Sarah
Burton-designed gown?? LOL Sincerely, Susan Hottle, Erie, PA USA
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