Thank you vey much for your information.
I am a fond follower of the Belgian colour code and think that it is a
great invention. Knowing how to read it, we can understand many books and
try many techniques we do not know, because the colours of the lines show
us all! It is also very useful to
I agree with Antje. Thanks for posting the extended list of color codes,
Greet. The Belgian color code is pure genius, and has been so informative
for me while reading working diagrams of the Flemish laces. It's one of the
best innovations in lace-making in the last century! (Can you tell? I like
Thanks to Liz in Australia for commenting on delivery of two very late IOLI
Bulletins. Â The second, the Summer 2017 IOLI Bulletin, features the new
editor's work. Â Thank you to Prabha Ramakrishnan. Â Your editorship is much
appreciated here in my lace research center.
Â
The cover features a
Speaking of The Bulletin and travel articles by Devon Thein, yesterday I was
reading an issue from Spring 2005. The Article "Flax Madness" was just as
entertaining as the recent article. In 2005, Devon described a trip to the
Nationaal Vlas, Kant & Linnenmuseum in Belgium. The part that really got
Thank you, Greet, for the extended colour code. Most of the lacemakers I know
are familiar with the meanings for green, purple, red, and possibly yellow, but
most do not know the other ones. Sometimes we have long discussions about it at
my lace club.
Adele
West Vancouver, BC
(west coast of
> Nancy wrote
>
> I agree with Antje. Thanks for posting the extended list of color codes,
> Greet. The Belgian color code is pure genius, and has been so informative
> for me while reading working diagrams of the Flemish laces. It's one of the
> best innovations in lace-making in the last
I am glad that people liked the article. Regarding the one about the Flax
Museum. I know I took photos of this geneaology and now I canât find any of
the photos from that visit to the Flax museum, although I have photos from
other places that I visited on that same trip. It was about the time
Thanks fort this exhaustive list. Never heard of turquoise, seems to me it
could be hard to tell apart from green and blue, colors may present
themselves differently on another screens or another printers. What is a
turnover stitch in terms of ctp (cross/twist/pin) anyway?
I started the
Dear Arachne friends,
Maybe this will help too:
Before the invention of the color code, learning lace making was a slow
process. Thanks to the Bruges color code, this goes a lot faster.
The color code was developed shortly before the first world war in the
Bruges lace school and belonged to the
That’s, probably, because they're are familiar with the *Danish* colour code,
which is a simplified version of BCC (no orange, brown, or turquoise). It does
have the blue for plaits, but plaits are used less in the Danish laces.
Greet, what’s turn-over stitch?
--
Tamara P Duvall
I am dragging DH to Belgium next year, and plan to show him the Flax and Lace
Museum. I was there with my son Tom in 2009, and it knocked my socks off. I
understand the museum has moved from out of town to central Kortrijk, so I'm
sure the displays will not all be the same.
Lyn in Lancaster,
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