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There are
> On Apr 5, 2018, at 9:20 AM, Sue Babbs wrote:
>
> snip...
> This made me wonder if is possible for Devon to include any historical
display
> boards with photos of early needle and bobbin lace (in white) and the
> colourful braids from
Hi
I have had several emails from prominent lacemakers adding their support to my
comments about monochrome and coloured lace. One added concern regarding
colour when displaying lace as monochrome stands may look less attractive than
brightly coloured ones. I saw a very colourful display that
I just want to throw in my 2 cents worth - I have Jill Nordfors' book from
long ago, before I even started making lace. Personally I would not regard
most of that book as lace. She focuses on detached buttonhole stitch laid on
top of the base fabric, and that fabric remains as part of the finished
Several of Anny’s friends and students have been helping her family sell the
remaining books and patterns which were in stashes all over the world! I have
just a few left and would love for them to find good homes.
Please check the list and let me know if you would like a picture of any of
Dear Catherine,
I am truly grateful for the time you have spent on this.
Be assured I am asking the artists for their statements about the works.
It was the superficial and often misinformed treatment of lace by the
mainstream press that made me wonder what it would be like if someone who
actually
Dear Catherine,
I am truly grateful for the time you have spent on this.
Be assured I am asking the artists for their statements about the works.
It was the superficial and often misinformed treatment of lace by the
mainstream press that made me wonder what it would be like if someone who
actually
Gil says <>
This reminds me that I was at a show at the Morgan Library not long ago where
there were some 14th century Indulgences on display. These were the things
you could buy in the medieval world in order to shorten your time in
Purgatory. There were some braids on them that I thought might
Wow! Alex, that hits it right on the head!! Texture or colour? One does seem
to override the other. Yes, I agree.
I do a lot more monochrome lace, and I know just what you mean about the
texture showing up when it is not distracted by colour.
Catherine, I worked your Strawberries â and learned
Gil and Jean, please correct me if you know differently, but I do not
believe this is loop braiding. I do not recognize the interlacing or color
configurations as possible with orthodox braids from this technique.
Kim
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This may have to be in the catalog. In some case where there is a clear
antecedent I am hoping to show an example in the catalog entry.
Devon
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I have been very interested in the recent discussions on Arachne,
particularly the information about the 1970s revival of needlelace and the
increase in interest in crafts in countries apart from England. Thank you
to all who have added to the knowledge of our heritage in this area.
Now the
Regarding Alexâs insightful comment, I have to say that I go back and forth
about color in lace myself. On the one hand, I like color. On the other hand,
the palette of lace making is texture and pattern. When you are using pattern
and differences in density for your palette you tend to use the
Original message
>From : devonth...@gmail.com
Subject : RE: RE: [lace] Nordfors Clark, Contemporary Needlelace
Devon
I have no desire or inclination to spend anymore valuable time reading through
lace/embroidery books to clarify/establish facts as to the current
Original message
>From : enkanagyl...@gmail.com
Subject : Re: [lace] What do bobbin and needle lace have in common?
In a recent viewing of 17th century English embroidery, I noted that some of
the stitches used to fill in backgrounds behind raised work resembled Hollie
Point, but in
Hi Arachnids
Here is a comment I found interesting regarding lace. When I became involved
in teaching a pilot scheme for City & Guilds I tried to get on a BTECH course
for design but unfortunately it was on the same days as I was teaching.
However, when I discussed why I wanted to attend the
Pardon, I didn't realize we were specifically discussing contemporary examples.
I was interested in the overall debate. Of course, lots of lace is made in
color, I myself enjoy making bobbin and needle lace in color as well - although
I love white too! I love it all, honestly, no matter what
I actually don’t disagree with you, Gil. I was just “thinking out loud,” let’s
say. You make a great point about early bobbin lace being more like braiding
than lace.
Best,
Elena
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I agree with many of you, the recent discussions on Arachne have been quite
fascinating.
Gil Dye said bobbin lace in the 16th century: bobbin lace evolved in the
sixteenth century from braid making and exactly the same techniques were used
for the colourful surface decorations in metal threads
Catherine writes: Devon also mentions that Jill uses weaving techniques in her
works but this technique is the main distinguishing feature to be found in
Halas lace also.
Yes, needle weaving is used in Halas lace. Also, I think is some very early
laces. But, now that I am thinking about it, I am
I've indulged Devon (grin!) and uploaded her photos to a "Devon Thein -
Indulgences" album on the Arachne Flickr page
Sue
suebabbs...@gmail.com
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