On Mon, Jan 16, 2023 at 4:30 AM Luca Fascione wrote:
> All this being said, I just read there are hundreds of makams, which makes
> me wonder whether it
> wouldn't be more effective to provide a simple method to indicate the
> makam of a piece at the start
> of the score, for all but the most com
On Sun, Jan 15, 2023 at 9:49 AM Hans Åberg wrote:
>
> As the full number of Turkish makam is very large, perhaps too many to
> have in this file, there might be a turkish-makam-extended for the less
> common ones.
>
The turkish-makam.ly file contains if I remember correctly, key signature
defini
rkish-makam.ly <
> http://turkish-makam.ly/> might be renamed makam.ly <http://makam.ly/>.
> Adam Good might give his view.
>
Hans and Werner,
For a couple reasons, I deliberately used the name turkish-makam.ly to make
a distinction and clarity between the Arabic and Turkish v
Could someone clarify: while hel-arabic.ly has this line that includes
arabic.ly , what are they getting out of this? Some more key signatures and
keyAlterationOrder?
Should all key signatures for the various maqams simply go only into
arabic.ly ?
Adam
On Thu, Jan 12, 2023 at 4:11 AM Mats Bengts
Amir, I'm a little late to this thread but thought I'd chime in since
Karlin High mentioned my name.
I'm around (Adam Good) and though I worked on the turkish-makam.ly file and
Turkish makam is most my specialty, I'd be happy to look at any ly file you
may be working on c
made and use daily so it has been heavily tested, at
least by me. It's a large update to makam.ly
best,
Adam Good
On Thu, Mar 14, 2019 at 9:25 AM Hans Åberg wrote:
>
> How is it going with those glyphs? The Turkish AEU notation system does
> not have all the glyphs needed for a transposable system, so one might use
> those glyphs to fill the gaps.
>
I second that this would be fantastic!
Adam
_
Federico, ah what the heck but I just tried to resize my VM window and it's
resizing fine just as I'd hoped for. Not sure what to make of that, maybe
it'd been ok the whole time?
Thank you for the walk through
Adam
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Hi All,
I've booted up the current LilyDev distribution in a VM (Virtualbox) on my
MacBook Air running OSX, from the file lilydev-debian-vm-0.3.zip
I'm not able to add guest additions:
@@@
Unable to insert the virtual optical disk
/Applications/VirtualBox.app/Contents/MacOS/VBoxGuestAdditions.is
Hassan,
I'm having a little bit of difficulty following the thread because I can't
seem to find the hel-arabic.ly file you're working on. Could you please
point me to the file so I can play with it?
Thank you in advance
Adam Good
On Mon, Dec 17, 2018 at 12:38 PM Hans Åberg wro
Greetings Lilypond-dev'ers,
Here's Adam Good in Brooklyn, NY.
I've shown up on the dev list recently but here's a better introduction.
I'm a musician with a passion and fairly decent understanding of Turkish
makam and musics of east Europe, the Balkans and beyond. I
On Sat, Nov 3, 2018 at 4:46 AM Torsten Hämmerle
wrote:
> Just leave do not specify the tonic scale step in the scale/key definiton!
> That's all! ;)
> That way it will never be printed in the key signature.
>
Sometimes my cat has a cat treat right under her nose but she doesn't know
it because
On Thu, Nov 1, 2018 at 3:45 PM Hans Åberg wrote:
> > Again, anything like that or even being able to understand Torston's code
> > is beyond my skills. I wish! Just a musician.
>
> He didn't post the code, I think.
>
Correct, Torston has not posted the code yet here on the dev list but he
did p
Hans,
This works though technically it is a cheat. If, for whatever reason one
wanted to transpose the tonic of bestenigar from fb to c, the key signature
will print c4k flat which is of course inaccurate. Why anyone would want to
lock an important microtonal pitch like IRAK to C, I don't know othe
On Wed, Oct 31, 2018 at 5:46 PM Hans Åberg wrote:
> Is this right? It is traditional to raise the third below the finalis, but
> not in the octave above, and it looks as though is a. I found this [1], it
> has an additional accidental at e.
>
> Then the finalis should also be the key, as it is al
On Wed, Oct 31, 2018 at 5:06 PM Torsten Hämmerle
wrote:
> When applying my solution to your bestenigar and revnaknuma examples
> (denoted "Torsten's mod") perfectly matches your manually tweaked "should
> look like this" versions.
> That's pretty good for a start (and it's transposable), but I'll
Torsten and everyone greetings,
RE: the key signatures for Turkish makam, I've made definitions for about
91 different makams like Rast, Hicaz, Segah, etc. These definitions are in
the turkish-makam.ly file, attached. We need each makam's key signature to:
1. look as they do in standard print (the
On Tue, Oct 23, 2018 at 9:42 AM Hans Åberg wrote:
>
> > On 23 Oct 2018, at 04:56, Adam Good wrote:
> >
> Does it sound lower in standard Turkish performance, that is, which does
> not refer to a MIDI? —
I just listened to some midi output. Assuming I did this correctly,
Hans and everyone,
This is about as much as I can do for a new Turkish Makam .ly file,
see attached: turkish-makam.ly Hans it's very similar to what I sent you
privately, took out some unwanted pitch definitions.
I can see this replacing the current makam.ly file since it uses the same
pitch names
Hans thank you for passing this along to the dev list, replies below...
On Sat, Oct 20, 2018 at 4:40 AM Hans Åberg wrote:
>
> Looks great! A possibility is to add a compile option using
> Helmholtz-Ellis arrowed accidentals, which would be better for non-Turkish
> to approach this music, and als
Hi Hans,
I hope this email finds you well. Some questions for you if you have time plus
I want to share my close to complete turkish makam file based on the file you
sent me originally plus regular.ly
here's the new makam include file:
turkish-makam-ADAM.ly
the other file:
KEY_SIGNATURES_regula
Hans this is great, I'm on a roll over here. Will pick up on this in a
couple of days.
THANK YOU!
Adam
On Thu, Sep 20, 2018 at 12:27 PM Hans Åberg wrote:
>
> > On 20 Sep 2018, at 17:40, Adam Good wrote:
> >
> > Thank you so much for the reply and suggestions!
> &g
Again thank you!
Adam
On Tue, Sep 18, 2018 at 4:05 PM Hans Åberg wrote:
>
> > On 18 Sep 2018, at 19:01, Adam Good wrote:
> >
> > Hi everyone!
> > I'm assuming no one is currently working on the current issues involving
> > transposition when using maka
ally.
Notation of Turkish makam music uses a microtonal system of 9 microtonal
commas to a whole step which makes transposition tricky no matter what.
Below is a short example of transposition failure. When transposing down a
fourth we get errors on bfc and bfb pitches.
Hope to hear from someone!
these are some issues that may have no bearing on anything but i thought i'd throw it into the mix.Technically (and well, practically speaking as well) in Turkish theory there doesn't exist a semitone that is divided by 100 cents. (the practical aspect often comes in the way that, if you have a sca
Hi I'm Adam Good, musician of Balkan, Turkish, Eastern European
music. I've been in contact with Han-Wen regarding some major support
in Lilypond for Turkish music which can be considered a microtonal
music. It would be fantastic to be able to create charts for Turkish
Classical
where alterations are measured in 9ths of a whole tone. I believe they're called komas.I have an idea how to do generic microtonal notation. I'm putting this up as a sponsored feature. Perhaps you're also willing to contribute in the cost?Hi Johnny,I'm Adam Good, the guy Han-Wen i
on "F", is this possible?
have a look here for what i want it to look like:
http://www.neyzen.com/images/notalar/rast/rast_p_benli_hasan1.gif
If this is possible, you will be making many people VERY happy!
Hope to hear from someone.
best,
Adam Good
http://www.adamgood.com
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