Janek Warchoł janek.lilyp...@gmail.com writes:
On Tue, Sep 4, 2012 at 12:09 AM, David Kastrup d...@gnu.org wrote:
My personal gut feeling is that probably /, already used for
separating a chord base, could possibly be used for introducing chords.
It is not perfect:
c1/7
can be c followed
I actually remembered one thing that remains worth doing: integrating
\chordmode into \notemode.
\chordmode and \notemode are quite orthogonal, and there are actually
only few differences:
c means a major chord in chordmode, a note in notemode
c: means a major chord in chordmode, a tremolo
On Mon, Sep 3, 2012 at 11:46 AM, David Kastrup d...@gnu.org wrote:
I actually remembered one thing that remains worth doing: integrating
\chordmode into \notemode.
This sounds like a nice project. I am still worried by the backward
compat breakage, though. Is it worth it?
--
Han-Wen Nienhuys
Han-Wen Nienhuys hanw...@gmail.com writes:
On Mon, Sep 3, 2012 at 11:46 AM, David Kastrup d...@gnu.org wrote:
I actually remembered one thing that remains worth doing: integrating
\chordmode into \notemode.
This sounds like a nice project. I am still worried by the backward
compat
David Kastrup d...@gnu.org writes:
Han-Wen Nienhuys hanw...@gmail.com writes:
On Mon, Sep 3, 2012 at 11:46 AM, David Kastrup d...@gnu.org wrote:
I actually remembered one thing that remains worth doing: integrating
\chordmode into \notemode.
This sounds like a nice project. I am still
David Kastrup dak at gnu.org writes:
David Kastrup dak at gnu.org writes:
Han-Wen Nienhuys hanwenn at gmail.com writes:
On Mon, Sep 3, 2012 at 11:46 AM, David Kastrup dak at gnu.org wrote:
I actually remembered one thing that remains worth doing: integrating
\chordmode into
On Mon, Sep 3, 2012 at 4:46 PM, David Kastrup d...@gnu.org wrote:
I actually remembered one thing that remains worth doing: integrating
\chordmode into \notemode.
Why would it make sense to have a unified mode? Being able to combine
single notes in the same voice and partly in parallel or
What about differentiating between notes and chords by case?
a - note
A - chord
cheers,
Janek
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Janek Warchoł janek.lilyp...@gmail.com writes:
What about differentiating between notes and chords by case?
a - note
A - chord
Likely a bit annoying for accordionists (who use the convention of
lowercase for chords and uppercase for bass notes). But probably less
so than most alternatives.
Janek Warchoł janek.lilyp...@gmail.com writes:
On Mon, Sep 3, 2012 at 4:46 PM, David Kastrup d...@gnu.org wrote:
I actually remembered one thing that remains worth doing: integrating
\chordmode into \notemode.
Why would it make sense to have a unified mode? Being able to combine
single
On Tue, Sep 4, 2012 at 12:09 AM, David Kastrup d...@gnu.org wrote:
My personal gut feeling is that probably /, already used for
separating a chord base, could possibly be used for introducing chords.
It is not perfect:
c1/7
can be c followed by 1/7, or it can be a seventh chord on c with
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