Re: \key

On Sat, 28 Sep 2002 23:20:48 -0700 Paul Scott <[EMAIL PROTECTED]> wrote: > Graham Percival wrote: > >On Sat, 28 Sep 2002 22:27:00 -0700 > >Paul Scott <[EMAIL PROTECTED]> wrote: > >Look in the manual, under "graphical interfaces". How hard can that be? > > > What *the manual* are you referring t

Re: \key

Graham Percival wrote: >On Sat, 28 Sep 2002 22:27:00 -0700 >Paul Scott <[EMAIL PROTECTED]> wrote: > > >>Are there any powerful GUI front ends for Lilypond? >> >> >Look in the manual, under "graphical interfaces". How hard can that be? > > I am using 'info lilypond' which has answered mos

Re: font problems

> "W. Brishen Viaud" <[EMAIL PROTECTED]> wrote: > > I am now have trouble with the fonts. The note heads are very oddly shaped, > > and the tails are all 1/64 for quarter notes. The staffs are also wrong with > > a bass clef in place of a treble one, and also further down then it should be > > (

Re: \key

On Sat, 28 Sep 2002 22:27:00 -0700 Paul Scott <[EMAIL PROTECTED]> wrote: > Ok. That doesn't seem logical to me and it's clearly more work but if > that's the way it works I can do it. > > Are there any powerful GUI front ends for Lilypond? Look in the manual, under "graphical interfaces". How

Re: font problems

On Sun, 29 Sep 2002 00:58:12 -0400 "W. Brishen Viaud" <[EMAIL PROTECTED]> wrote: > I am now have trouble with the fonts. The note heads are very oddly shaped, > and the tails are all 1/64 for quarter notes. The staffs are also wrong with > a bass clef in place of a treble one, and also further

Re: \key

Jule Slootbeek wrote: > because you type f's in the notes, the \key commands only puts the > required keysignature at the beginning of the piece. > > change your f's to fis and it'll be fine. Ok. That doesn't seem logical to me and it's clearly more work but if that's the way it works I can

Re: \key

because you type f's in the notes, the \key commands only puts the required keysignature at the beginning of the piece. change your f's to fis and it'll be fine. Jule On Sunday, September 29, 2002, at 01:03 , Paul Scott wrote: > Can someone tell me why the following produces F naturals instea

\key

Can someone tell me why the following produces F naturals instead of F sharps? \relative c'' { \key g \major { d8 e d e d4 d8 e d e d4 d8 e d e d4 e f g a d,8 e f g a ais \repeat volta 2 { b4 b b2 b4 b b2 b4 d g,4. a8 b1 } e4 c'

font problems

Hi, hopefully this will be quite simple and simply something that I've overlooked. I have just installed version 1.6.4 on my system (slackware 8.0) over top of the my older 1.4.9 version. I am now have trouble with the fonts. The note heads are very oddly shaped, and the tails are all 1/64 f

Re: stem fix 2

Rune Zedeler wrote: > < a4 \\ \once \property Voice.Dots \override #'transparent = ##t a4.*2/3 > > > It probably even ruins the spacing because it adds space for an > invisible dot. Ofcourse the solution to this is to replace the property-setting with \once \property Voice.Dots \override #'mo

Re: stem fix 2

David Bobroff wrote: > How would I get the two noteheads with > stems? Sorry but I can only come up with this very ugly hack: < a4 \\ \once \property Voice.Dots \override #'transparent = ##t a4.*2/3 > It probably even ruins the spacing because it adds space for an invisible dot. -Rune ___

Re: question about lilypond and its representation.

[EMAIL PROTECTED] writes: > >alteration="0"> > > > > > > > > This is great; it's very close to what I want. However, I need the > notes to be represented in this manner too, for example: > > \key c \minor r8 c16 b c8 g as c16 b c8 d | g,4 > > Could be something along the

Re: question about lilypond and its representation.

Han-Wen Nienhuys <[EMAIL PROTECTED]> writes: > It depends on what you need exactly. In the current development > series, it is possible to dump an XML-ish representation of the input > (of the music in the inputfile, to be precise), but Lily does not read > it back. It doesn't matter (for my pur

Talking about stems...

Is there a way to produce any sort of unusual stems? For example: a stem with an arrow head on it. This is usefull for noting flamenco guitar music. An arrow pointing upwards on the stem of a chord means a (down) stroke with the a right-hand finger. There are many effects on a guitar, flamenco

question about lilypond and its representation.

[EMAIL PROTECTED] writes: > Hi, > > I do semantic web researcher for MINDSWAP > , and I'm very interested in using Lilypond > for one of my projects. My central problem however, is that in > order for my to use Lilypond within my project, I'd need to have it >

Re: stem fix 2

On Sat, 28 Sep 2002 08:06:44 Graham Percival wrote: > On Sat, 28 Sep 2002 07:54:07 + > David Bobroff <[EMAIL PROTECTED]> wrote: > > David Raleigh Arnold wrote: > > >Now, since you have two notes really sounding, you should have > > >two noteheads. If you had two instruments your notation > >

Re: stem fix 2

On Sat, 28 Sep 2002 07:54:07 + David Bobroff <[EMAIL PROTECTED]> wrote: > David Raleigh Arnold wrote: > >Now, since you have two notes really sounding, you should have > >two noteheads. If you had two instruments your notation > >would be ok. For solo, it isn't. Sorry. > > Ok. I'll mentio

stem fix 2

\score{ \notes\relative c'{ as2 < {a} \\ {a} > } \paper{} } David Raleigh Arnold wrote: >Now, since you have two notes really sounding, you should have >two noteheads. If you had two instruments your notation >would be ok. For solo, it isn't. Sorry. Ok. I'll mention this to the person