[EMAIL PROTECTED] writes:
more than finding the closest mudela equivalent for every MusicXML
directive.
There is no good technical reason to read MusicXML directly into
lilypond, so I prefer to keep it outside.
An explanation for why you say this would be an answer to my original
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Laura == Laura Conrad [EMAIL PROTECTED] writes:
Laura There should be only one and not two barlines in
Laura the middle of the second alternative.
Sorry about that -- the test file had an error in the placement of the
fake grace notes in the bass line. The other
Laura Conrad [EMAIL PROTECTED] writes:
The attached file exhibits several problems:
There should be a bar line at the beginning of the first
alternative. Putting one in explicitly does not cause it to
appear in the score.
[..]
Presumably something
Jan == Jan Nieuwenhuizen [EMAIL PROTECTED] writes:
Presumably something (probably the grace note) has lily
confused about where the measure starts.
Jan Yes, you have me confused too. It looks like instead of setting
Jan barType to empty, and adding bar-line glyphs at other
If I understand grace notes correctly, they do not take any time from the base
notes. The first alternative therefore has only 7 - 8ths of the 4/4 tempo
or the baseline before the alternative is a 7/8 partial measure and the
alternative starts 1/8 into the second bar (or some other 'partial'
Laura Conrad [EMAIL PROTECTED] writes:
This is how abc2ly works. I don't think having it parse every measure
for whether it's partial is a good idea.
Are you saying that abc2ly overrides the bar positioning? I don't
think that's a very good idea; it would be much better to tell lily
what's
Hello,
The more I typeset, the more questions I have.
I would like to add some extra white between groups of notes,
small melodical patterns. At the moment I do that using \bar,
but the white is very small, I cannot ajust it, and it feels
clumbsy. Is there something like the LaTeX \hspace{} in
Jan == Jan Nieuwenhuizen [EMAIL PROTECTED] writes:
Jan Laura Conrad [EMAIL PROTECTED] writes:
This is how abc2ly works. I don't think having it parse every measure
for whether it's partial is a good idea.
Jan Are you saying that abc2ly overrides the bar positioning?
Yes,
Mats Bengtsson wrote:
Daniel Ashton wrote:
Is there a way to lengthen the measure when using this technique? The
hairpins so produced appear to be short and fat. I would like to
extend the measure so that the hairpins look more natural.
Just set the minumum-length property of the hairpin:
Hi again,
I'm setting cues following the example in input/test/cue-notes.ly . (Is
there a better example?)
I'd like to set the first note with a tie to the previous non-existent
note, i.e. a hanging tie. Is the possible? What I have looks something
like this:
VoiceOne = \notes \relative
In the middle of a voice I have the following:
{)gs2 s2 | s1}
\context Voice = cue {
\property Staff.fontSize = #-1
\property Voice.Stem \override #'length = #5.5
\property Voice.Beam \override #'thickness = #0.384
\property Voice.Beam \override #'space-function =
On Sat, 01 Mar 2003 17:53:32 -0500
Daniel Ashton [EMAIL PROTECTED] wrote:
I'd like to set the first note with a tie to the previous non-existent
note, i.e. a hanging tie. Is the possible? What I have looks something
like this:
Take a look at invisible notes. And you might want to use a
Graham Percival wrote:
On Sat, 01 Mar 2003 17:53:32 -0500
Daniel Ashton [EMAIL PROTECTED] wrote:
I'd like to set the first note with a tie to the previous non-existent
note, i.e. a hanging tie. Is the possible? What I have looks something
like this:
Take a look at invisible notes. And you
I'm working with organ music, so three staves, of which the top two are
in a StaffGroup. This is with 1.6.8/cygwin or 1.6.5/redhat
let line = a set of measures in all staves
(What's a better word for line in this definition?)
I can understand that lily cannot squeeze another line onto the
This is probably not news, but it tripped me up briefly today:
Using 1.6.x, organ music:
I have a bass voice which starts in the left hand, and after several
bars moves to the pedal. I set it be on the pedal staff. In the \notes
I began with \transpose Staff=leftHand . At the appropriate
I have the following in my score block:
\global
\property Score.skipBars = ##t
\context StaffGroup
\context Staff = rightHand
\Key
\context Voice=one { \voiceOne \VoiceOne }
\context Voice=two { \voiceTwo \VoiceTwo }
\context Staff = leftHand
\clef F
This is one of the frustrations I meet up with regularily. I hope this
helps (and also hope that others have better knowledge/experince to share),
but the best I have come up with to date is in 3 steps:
1) ensure that the correct papersize is set (before setting the 'font')
so at the start,
use the \transpose 'command'
\context Voice = one { \voiceOne \transpose a \VoiceOne }
will change the note pitch, and all other pitch related stuff (eg: keys) in
the \VoiceOne music block from c to a (down 4 1/2 steps). However, you may
end up fiddling a bit ... there is an interaction
I suspect you mean \translate Staff=leftHand, not \transpose ... different
functions.
First thing I'd check is whether all the names Staff contexts are defined
and held within the StaffGroup. A similar thing happened to me it turned
out I'd accidently uppercased a letter in the live staff name,
when i type lilypond --help nothing happens what should i do
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On Sat, 01 Mar 2003 18:42:22 -0500
Daniel Ashton [EMAIL PROTECTED] wrote:
Thanks Graham. I really appreciate your ready replies.
Just trying to repay the Lilypond crew for all the help they've given me. :)
I looked in the ref manual for every permutation of visib and
transpar. The closest
Hello,
What settings in my latex file do I need to include to
make my sheet music outputted from lilypond-book look
similar to the output from ly2dvi? It seems the staff
sizes (heights) are smaller coming from lilypon-book.
I can include my files if that will help.
thanks!
-jeff
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