Thanks,
I reread some of the sample files and realised I had placed the \transpose
x y in the wrong place. Rewiting the \score sectio to read
\score { \notes \transpose bes c { <\melody ... \harmony ...>}} fixed
things.
Thanks for the help
Laurie
On Sat, 27 Sep 2003, Patrick Atamaniuk wrote:
On Thu, 25 Sep 2003 08:11:46 +0300
Aaron <[EMAIL PROTECTED]> wrote:
> My question boils down to this.
> 1. I have already 50+ files in lilypond already.
> 2. I would prefer not to convert or recode what I have done.
> 3. I would like to take advantage of improvements if possible.
>
> So should I
On Fri, 26 Sep 2003 08:55:14 -0700
"Timothy W. Duncan" <[EMAIL PROTECTED]> wrote:
> I recently upgraded from rev. 1.4.x to 1.8.2, running under Cygwin. This
> helps a lot since the latter recognizes the \\ separators for notating
> momentary polyphony. However, now it does not seem to recognize
> \
On Thu, 25 Sep 2003 02:18:30 +
Diosnel Herrnsdorf <[EMAIL PROTECTED]> wrote:
> I think this might be an easy problem to solve... only that I spent so much
> time on it that I cannot think of anything else. Please take a look at the
> attached file and see if you can help me to:
>
> 1 - Prevent
On Wed, 24 Sep 2003 09:55:00 -0700 (PDT)
Bryan Koschmann - GKT <[EMAIL PROTECTED]> wrote:
> I have a been of an odd, possibly debatable question. What are the "rules"
> or at least opinions on buying sheet music and putting it lilypond format
> to reprint it later? This is all for personal use, bu
On Wed, 24 Sep 2003 17:27:25 +0200
Service Financier <[EMAIL PROTECTED]> wrote:
> Here take place my remarks:
>
> 1-the \tempo command
> * wonderfull printing compared to the formerly tricks, but unable to
> combine with text
> (eg. Moderato 1/4note = 72 )
I'm fairly certain that t
On Tue, 23 Sep 2003 23:48:53 +0200
Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
> [EMAIL PROTECTED] writes:
> > I make a mistake, or is this a bug?
>
> No, it is a bug.
>
> We're using the wrong equality somewhere. Try
>
> #(define end-key '(end * * * *))
>
> \score{ \notes { \relati
On Sat, 27 Sep 2003 20:25:38 -0700
Graham Percival <[EMAIL PROTECTED]> wrote:
-snip useless stuff-
Sorry folks, I'm doing my weekly email reading, and I responded to
an email before I noticed that it had already been dealt with on
the mailist. Ignore the previous message and this one.
Cheers,
-
On Thu, 25 Sep 2003 17:07:08 +0200
Pierre Fran <[EMAIL PROTECTED]> wrote:
> Graham Percival wrote:
> >>About a possible way for removing the time signature,
PLEASE keep LilyPond questions on the mailist -- you should probably
do something like "reply to group" or "reply to mailist", depending
upo
a better version, perhaps but i stil can't get around the need to
"extra-offset" the notehead and tie for the 'f':
\score {
\notes \relative c' {
\context Staff {
<< \new Voice {
\property Voice.NoteHead \set #'extra-offset = #'(-1.3 . 0)
I found the solution. Of course it was already (somewhere) in the
manual.
http://lilypond.org/doc/v1.8/Documentation/user/out-www/lilypond/Invoking-lilypond-book.html#Invoking%20lilypond-book
says:
"
For printing the LaTeX document, you will need to use dvips. For
producing PS with scalable fonts,
Thanks for your advices.
I compiled it successfully with gcc 3.3.1 and latest version of flex.
I did almost the same, except "change HAVE_SNPRINTF and HAVE_VSNPRINTF
from 0 to 1 in config.h".
It installed well but when I ran lilypond on any .ly file, it segfaulted
when started to parse the file.
Bonjour,
LilyPond quick insert mode for (GNU |X)Emacs has been updated.
doc: http://nicolas.sceaux.free.fr/lilypond/lyqi.html
archive: http://nicolas.sceaux.free.fr/lilypond/lyqi-0.2.3.tar.gz
Au menu, Vaclav Smilauer's rumor[1] support, plus few improvements
like `n' to change the last n
Is there any progress on the space taken up by grace notes and extra
barlines generated by their presence? Or am I doing something silly here?
Thanks,
Paul Scott
global = { \time 2/4 \skip 2 \bar "||" \skip 2*2 \bar "|." }
parti = \notes {
\key c \major a2 \key f \major
\grace{ c'16(
Hello,
Not a solution for the primary problem, but perhaps a reason for the
D6/x effect:
assuming you're not in \relative mode, try <> so that d is not
the base tone. Otherwise lilypond reads <>.
But this should read D6/sus4/sus2 without 8 #8 or 10. ???
/p
Laurie Savage([EMAIL PROTECTED
With the latest version of flex and gcc 3.3 I got it compiled (suse 8.2) with
the help of this advice from the archives:
- run configure
- run lexer-gcc-3.1.sh
- reconfigure as written by lexer-gcc-3.1.sh
- run lexer-gcc-3.1.sh
- change HAVE_SNPRINTF and HAVE_VSNPRINTF from 0 to 1 in config.h
- ru
Jeffery B. Rancier wrote:
Olivier Cloirec <[EMAIL PROTECTED]> writes:
A great thank for the help on the mailing list, too (and yes, I
started to understand how contexts work!).
What's the 'bigger' context? Is it defined in lilypond?
OK, can you point me to something so I can get the 'big
OK, it's working with flex-2.5.31 and gcc-3.2.3
Cheers!
Olivier Cloirec wrote:
Hello!
I'm trying to compile lilypond-2.0.0 but unsuccessfully :(((.
I'm using gcc-3.3.1.
It doesn't compile (even with the patch) with flex-2.5.4a.
It compiles with flex-2.5.31 but seems buggy (it segfaults when pa
.ly example please.
[EMAIL PROTECTED] writes:
> I am unable to transpose chord names correctly.
>
> If I enter chords as e1:m7 f1:maj7 etc then they print correctly on the
> score but do not transpose with the rest of the score. My notes and key
> signature do transpose correctly.
>
> If I e
[EMAIL PROTECTED] writes:
> In the section on "An orchestral part" in the reference manual,
> hornNotes is called in the code with
> \notes \transpose c' f \hornNotes
>
> and referenced in the text as follows:
>
> "The code \transpose f c' indicates that the argument, being \hornNotes,
> should
[EMAIL PROTECTED] writes:
> I came up with this example trying to get a segno on a barline. I tried
> an old and a new way to do this. Can someone tell what's going on
> and/or how to get a segno on a barline in 2.0.0?
> TIA,
>
> Paul Scott
>
> #(define segno '(music "scripts-segno"))
>
> \
On Friday 26 September 2003 09:27 pm, [EMAIL PROTECTED] wrote:
> > On Friday 26 September 2003 04:57 pm, you wrote:
> >> in the following:
> >>
> >> \score {
> >> \notes \relative c' {
> >> ~
> >> }
> >> \paper { raggedright = ##t}
> >> }
> >>
> >> it seems clear to me that the tie between g's shou
Han-Wen Nienhuys wrote:
try \markup { \musicglyph #"scripts-segno" }
Which leads to:
msegno = { \mark \markup { \musicglyph #"scripts-segno" } }
\score {
<<
\property Score.skipBars = ##t
\context Staff = clarinet <<
{
\notes {
\time 3/4
R4*3*2 \mseg
After finding the file missfont.log created by dvips, I'm one step
closer to the problem. Apparently when I run dvips after running
lilypond-book on a tex file it uses other fonts (directory?) than when
it's invoked by lilypond itself on a plain .ly file, resulting in
garbage output produced by dvi
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