Re: using Feta outside Lilypond

All the fonts are embedded in the PDF and PS files, but Illustrator unfortunately seems to be very bad at handling embedded fonts and PS/PDF in general. Of course, this is weird since Adobe themselves have developed both the PS and PDF format. One trick that might help is to run the program

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Chord name/Volta collision

Hello all, I have typeset a piece that involves a melody with chord names above. I have had problems with getting things to look good. At first the chord names would appear above the alternative ending brackets. I have managed to get the chord names lowered so that they are now under the

Beos

Hi, I had an extra partition and saw that Beos is not dead so I downloaded it and installed it just for the heck of it. I am still working in Fedora, but was wondering what it would take to get Lilypond up and running on BeOs??? Thanks Aaron ___

Re: Beos

Aaron [EMAIL PROTECTED] writes: I am still working in Fedora, but was wondering what it would take to get Lilypond up and running on BeOs??? Have a look at build depends in debian/control or make/*spec and find out what's already available. Jan. -- Jan Nieuwenhuizen [EMAIL PROTECTED] | GNU

P r e s s r e l e a s e

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Fwd: using Feta outside Lilypond [SOLVED, MOSTLY]

Hello, Mats: All the fonts are embedded in the PDF and PS files, but Illustrator unfortunately seems to be very bad at handling embedded fonts and PS/PDF in general. Of course, this is weird since Adobe themselves have developed both the PS and PDF format. One trick that might help is to run the

funny doublings in PostScript output

Hello, Mats (or anyone else who might know what's going on): I've been playing around with the output from lilypond, putting it through ps2ps, and then editing it in Illustrator, and I've found something weird: many objects are doubled, apparently for no reason. I noticed it first with slurs