Re: barline question

2005-04-03 Thread Maurits Lamers
Hi :) In case you didn't read my original post: I am creating a score for a piece of H. Schütz with Lilypond 2.2.5 (with Fink on Mac). When setting this old kind of music it is often better to not use a standard Choirstaff, but to use the bar lines only between the bars. As far as I know this

how to resolve note collisons ?

2005-04-03 Thread MX
Gilles Harfang a écrit : Modify the basse \context, as follows: %- \context Staff = basse \global \clef bass \context Voice = basse { \voiceTwo \basse } \context Voice = choral { \voiceOne \choraltheme } %- I tried to use the following instruction to push a

Re: how to resolve note collisons ?

2005-04-03 Thread Gilles
Hello. But this did not help me. The problem remains (with 2.4.2 version) exactly the same. I have the very same warning message during compilation (translated from french) : Warning : too much column-note collisions. Will be ignored. I would guess that this warning comes from

[ debian woody ] little problem with text fonts in pdf files

2005-04-03 Thread Tanguy Léost
Hello, I run lilypond on a debian woody. I am very pleased with this software (big thanks to all the people involved in this project, it's *great* :-) It seems i have a problem with the font in the pdf files: everything looks fine, except for the letter 'u' in the titles, which looks weird. This

Re: barline question

2005-04-03 Thread Karl Hammar
Hi :) In case you didn't read my original post: I am creating a score for a piece of H. Schütz with Lilypond 2.2.5 (with Fink on Mac). When setting this old kind of music it is often better to not use a standard Choirstaff, but to use the bar lines only between the bars. As far as I