On Wednesday 28 June 2006 07:41, Paul Scott wrote:
Erik Sandberg wrote:
On Monday 19 June 2006 03:21, Paul Scott wrote:
This used to work in 2.8:
\version 2.9.9
KeyG = \key g \major
{ \KeyG a'' b'' g'' a'' }
Have any keywords been added or something that would break this?
Erik Sandberg wrote:
On Wednesday 28 June 2006 07:41, Paul Scott wrote:
Erik Sandberg wrote:
On Monday 19 June 2006 03:21, Paul Scott wrote:
This used to work in 2.8:
\version 2.9.9
KeyG = \key g \major
{ \KeyG a'' b'' g'' a'' }
Have any keywords been added or something
Ian Hawthorn wrote:
1. An extra lyric line is needed for harmony parts for a few bars.
2. An extra staff and lyric line for a soloist is required for one section.
To add an extra staff, look up ossia. It works something like this:
{
c4 c c c
{c4 c c c}
\new Staff { e4 e e e }
c4 c c c
}
That sort of works ... but if Ian wants what I want, then it's a lot
more work than just that ...
This would be a very good example for Fairchild's AllAbouts.
Certainly, until I clean it up, my version is a mess. I've got a
linebreak at the barline where my ossia starts ... with the result that
Hi everybody,
I am having a hard time trying to remove the system start bracket from the
first system. I am transcribing mensural music and I don't want the incipit
(written with mensural note-heads) to start with modern brackets! I tried
to do it by using:
\once \override
My sheet of music would be Perfect:
1) If I could get the instrument names (Superius, Contratenor, etc...) to be
centered, instead of being right-align as they are righ now. I tried to
do:
\set Staff.instrument = \markup{ \right-align Superius}
for each instrument name, but it did not work
Graham Percival wrote:
Ian Hawthorn wrote:
1. An extra lyric line is needed for harmony parts for a few bars.
2. An extra staff and lyric line for a soloist is required for one
section.
To add an extra staff, look up ossia. It works something like this:
{
c4 c c c
{c4 c c c}
\new
Ian Hawthorn wrote:
...
5. This bit of the song is in unison and needs only one staff.
In addition to the answers you have already received, this situation
is often easiest handled by the technique described in Hiding Staves
in the manual. Then, LilyPond will automatically avoid printing
Bonjour, Amélie!
1) If I could get the instrument names (Superius, Contratenor,
etc...) to be centered
Take a look at http://lists.gnu.org/archive/html/lilypond-user/
2006-06/msg00012.html.
Best regards,
Kieren.
___
lilypond-user mailing list
AmXlie Aubut wrote:
2) If the modern clefs were right beside the double bar (instead of
beeing apart from it). I guess this as something to do with the skips
needed so that the new clefs get printed after the double bar, but I
can't see what I can do to get rid of that huge space
Erik Sandberg wrote:
On Wednesday 28 June 2006 07:41, Paul Scott wrote:
Erik Sandberg wrote:
On Monday 19 June 2006 03:21, Paul Scott wrote:
This used to work in 2.8:
\version 2.9.9
KeyG = \key g \major
{ \KeyG a'' b'' g'' a'' }
Have any keywords been added or something
Hi everybody!
I'm using lilypond version 2.8.4.
I was trying to use the breakbefore option in the header block inside
a score to make the second score of my book start on a new page, but I
couldn't afford it.
So, trying on a little test file, I've discovered that breakbefore
apparently
Gianluca D. wrote:
So, trying on a little test file, I've discovered that breakbefore
apparently works only if piece string is set, and this string can't be an
empty one.
Yes, please see the Bugs section of the documentation about breakbefore.
Cheers,
- Graham
Hello, I have a college degree in Music History, taught public school music,
and play several instruments. I did back up tracks for about seven years using
six computer controlled synthesizers. I have been using Linux for at least 5
years. Recently I have tried notating music with Lilypond.
Joe:
Recently I have tried notating music with Lilypond. I have to say
it's been a very frustrating and arduous experience.
Sorry to hear that -- I used Finale for over a decade, Igor Engraver
for several years, and even Sibelius for a little while, but find
Lilypond to be far less
Greetings:
I recently upgraded my Debian Etch system (Demudi 1.3) and discovered
that my home-built LP 2.8.1 failed with a report concerning Guile. I
decided to compile 2.8.4 and got the same report near the end of the build :
Hi everybody!I'm using lilypond version
2.8.5
I would like to know how to move the _expression_
"III. a" at the line 45 of myText01_ExtraitProblemVoix1.ly
joint
Trois questions:
Three questions:
A) Comment réduire les espaces entre:
How does we do dwindle the spaces
between:
Graham Percival [EMAIL PROTECTED] writes:
I'd like to display something in the footer of the first (and last)
pages of each score in a book.
My current thought is to create a function (called at the beginning of
each score) that records the page number into some global variable(s),
and then
Graham,
I think this is a FANTASTIC suggestion and I am willing to contribute
some examples.
I am really struggling to learn enough about Lilypond to create
a simple cello + piano accompaniment score. The resulting output would
be the cello part, and the piano part.
The Lilypond has a lot of
Thanks a lot Kieren!
My instrument names got centered thanks to your help!
Merci encore,
Amélie
Original Message Follows
From: Kieren MacMillan [EMAIL PROTECTED]
To: Amélie Aubut [EMAIL PROTECTED]
CC: lilypond-user@gnu.org
Subject: Re: Three more questions: centered instr. names /
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