Hi Arjan,
AFAIK you have to either use a text markup to indicate 4x or use manual
repeats if you want a bracket. See
http://lilypond.org/doc/v2.9/Documentation/user/lilypond/Manual-repeat-commands.html#Manual-repeat-commands
Text spanners might also work, but they start/end on notes (not on bar
Hi Michael,
I use TextScript for tempo marks (or any expression for that matter).
eg.
rit = \markup { \italic ritardando }
and later on
{ c16 c c c c_\rit c c c }
HTH
Markus
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I usually use normal text scripts:
c^a tempo
or
c^\markup{\italic a tempo }
If you want to keep these annotations separate from the music, so it's
easy to
include them in every instrumental part but only on the top stave of the
score,
you could attach them to spacing notes. Example:
See the section on Manual repeat commands. However, exactly the
layout you specify here isn't directly supported.
/Mats
Arjan Bos wrote:
Hi list,
Where can I find in the manual how can I show the fact that a volta
repeat should be played 4 times? The score I'm copying has a
horizontal
Hi,
I have a statement like
hn = { \markup{Hn.} }
I think you want:
hn = \markup {Hn.}
If you put the whole thing in {}, Lilypond expects notes/music therein.
Cheers,
Ralph
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Hi,
Oh, BTW:
\column stacks markups vertically:
hn = \markup { \column {Hello There }}
Regards,
Ralph
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this code compiles (ver. 2.9.16)well only if the grace notes are omitted at
the left hand part, otherwise the ties at the right hand do not get drawn..
is this a bug?
= CODE
\version 2.9.16
\include english.ly
On Sat, Sep 16, 2006 at 08:45:16PM -0400, Kieren MacMillan wrote:
Well, you've run into a subtlety of Lilypond that could, perhaps, be
better documented... ;-)
Consider the following code snippet:
theMusic = \relative c'
{
c d g1 ~ | c d g1\fermata \\ { s2 c4 c } \break
Bonjour à toute l'équipe
Je souhaiterai, pour l'instant, ne plus recevoir
les emails des adhérents.
Merci de votre compréhension.
Recevez mes sincères salutations
Gilles Quesne
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Markus Schneider mschneider at hotmail.com writes:
Hello list,
I'm looking for a function that doubles every duration.
Here's a short example:
Turn { c1 c2 c4 c16 c16 c16 c16 }
into { c1 ~ c1 c1 c2 c8 c8 c8 c8 }
I digged around, but I think this is still beyond my limited
Many thanks to whomever sponsored the \afterGrace feature. It's coming in
very handy in a piece I'm notating at present.
Also, just a reminder that I am willing to sponsor the work on the issue
I mentioned in this email message last month, where the dots of some
dotted chords were too close to
Markus Schneider wrote:
Hi Benjamin,
Lilypond and I are disagreeing about some syntax in 2.8,
hopefully someone can help...
hn = { \markup{Hn.} }
use:
hn = \markup{Hn.}
Also, I'm having difficulty understanding the syntax of the
\column command.
cText = \markup { \column { 1st 2nd 3rd }
What helped me a lot was to begin using an editor that supports syntax
highlighting. I created a lilypond highlighting file for the Context text
editor some months ago, and uploded it to the forum area at ( www.context.cx
). I included every known reserved word I could find as of v2.8 (a couple
Steve D wrote:
Thank you Kieren for that explanation. What about the converse case,
where a tie begins inside a { } \new Voice { } construct, at the
end (in the second voice, and one wishes the tie to continue to the next
note or chord outside that simultaneous music construct, like--
Am 2006-09-17 um 23:41 schrieb fiëé visuëlle:
I'm just trying to fix the LilyPond module for ConTeXt to work with
e.g. the latest 2.9;
the module works similar to lilypond-book.
My problem is, that the EPS is always too big, i.e. much bigger
than defined.
My LilyPond snippet has
linewidth
On Tue, Sep 26, 2006 at 08:38:47PM +0200, Mats Bengtsson wrote:
Steve D wrote:
Thank you Kieren for that explanation. What about the converse case,
where a tie begins inside a { } \new Voice { } construct, at the
end (in the second voice, and one wishes the tie to continue to the next
note
I believe I've uncovered a bug in page numbering, but wanted to run it by
here first. In the example below I explicitely initialize the
first-page-number to #4. In the footer markup I use the expression:
\fromproperty #'page:page-number-string
to display the page numbers mirrored even/odd for
Hi,
The OpenOffice.org Plugin OOoLilyPond comes with templates that only
work with lilypond 2.6. I have now built some templates that work with
2.8. You can find the templates attached to this mail.
Unfortunately the music fragments generated with LilyPond 2.8 always
have some margin at the
Mats and Kieren, thanks again for your explanations of
the {} \\ {} construct (and its variants), and how to make ties
cross the boundaries of the simultaneous music construct into the
non-simultaneous music before or after it. Thanks to those explanations
I was able to solve a problem, in a
Greetings all,
The cue notes discussed in section 8.3.4 of version 2.8.6 of the manual aren't
exactly what I'm dealing with. The cue notes I need are in the vocal parts,
where an optional note is printed in case the choir has enough voices to cover
more than the four basic voices (i.e.,
I don't see any really good solution to your problems. Actually, I think
the
main problem is not what LilyPond can do but rather how to typeset this
in general to make it readable.
The best idea I can come up with is to shift all the cue notes to the
left (or right).
In LilyPond, you can do
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