On Thursday 16 November 2006 00:49, Han-Wen Nienhuys wrote:
Erik Sandberg escreveu:
On Wednesday 15 November 2006 13:25, Mads Sejersen wrote:
2006/11/14, Erik Sandberg [EMAIL PROTECTED]:
Then he could use 4c8 instead, or does lilypond have any special
meaning for prepended digits?
hm,
To make a single note in a chord invisible, you have to use the \tweak
feature:
eih d g \harmonic \tweak #'transparent ##t f 4
/Mats
Orm Finnendahl wrote:
Hi,
I'm trying to write a doublestop in a violin piece, where on note is
played as an artificail harmonic.
In the sequence 'eih d g
If you first try your example without the \change Staff ..., you will
notice that the same problem remains. What happens is that your
polyphony in the lower part,
{ r8 f16 ( g ) f8 } \\ c2.
has the same duration as the longest of the two voices, i.e. as the c2.
Then, when you add more 16th
Thanks Mats, Bertalan.
I'll give it a try.
Trent
- Original Message -
From: Mats Bengtsson [EMAIL PROTECTED]
To: Trent J [EMAIL PROTECTED]
Cc: lilypond-user@gnu.org
Sent: Thursday, November 16, 2006 6:30 PM
Subject: Re: \afterGrace - afterGraceFraction [Lilypond 2.10.0 Windows]
|
In message
[EMAIL PROTECTED],
Frédéric Chiasson [EMAIL PROTECTED] writes
Hi,
I just saw a message about the tagline Engraved by Lilypond and I was
wondering if it is legal to sell our own partitions of our own compositions
engraved with Lilypond? Is there any limitation you put against a
Why do you have a separate {...} \\ {...} for each bar?
(I agree that it might make the input more readable). Otherwise,
you can save some typing by
lower = \relative c
{
\clef bass
\key b \major
\time 6/8
{ \slurDown \override Rest #'staff-position = #2
Could we add to the doc, section 12.1.2 an example of an even easier
substitution function with no argument.
displayBarNum = #(define-music-function (parser location) ()
#{
\once \override Score.BarNumber #'break-visibility = ##f
#})
Since I took me 15 min to understand how to derive it
Am 16. November 2006, 09:40 Uhr (+0100) schrieb Mats Bengtsson:
To make a single note in a chord invisible, you have to use the \tweak
feature:
eih d g \harmonic \tweak #'transparent ##t f 4
thanks, that worked. Unfortunately that creates a new problem: Tieing
two such chords together creates
In this situation, there is no need for a music function, just use a
normal identifier:
displayBarNum = \once \override Score.BarNumber #'break-visibility = ##f
See section Saving typing with identifiers and functions, for example.
/Mats
yota moteuchi wrote:
Could we add to the doc,
One option is to use the new possibility in version 2.10 to specify the
ties separately for each note in the chord, see the NEWS for version 2.10.
/Mats
Orm Finnendahl wrote:
Am 16. November 2006, 09:40 Uhr (+0100) schrieb Mats Bengtsson:
To make a single note in a chord invisible, you
Rick Hansen (aka RickH passport at windcrestsoftware.com writes:
IOW do I need to do one last compile of my lily work to produce a
pre-press PDF using some option flag I am not aware of ? Otherwise I will
tell the shop to select their highest resolution, is this enough? Am I
forgetting
I'm brand new to lilypond and attempting to lay out bagpipe music.
The problem is that the embellishments end up too close to the notes
that follow them, particularly Throws on D etc. Image of the output
I'm complaining about attached. Essentially, I've read the section
in the manual
Rick Hansen (aka RickH) wrote:
I dont know if I will be selling all that many copies of my jazz
arrangements book by the time it's finished, and by the time I've finally
gotten back copyright permissions to print all these arrangements... But
when I do, I will be proud to to put a credit in
Hi,
I need to do a pitchedTrill, where the bracketed pitch has to be
played as a harmonic. Using
\pitchedTrill f aih2~\startTrillSpan gis \harmonic f aih4~
\stopTrillSpan
results in an error.
In addition another pitched Trill with an es above the staff (third
ledger line) doesn't display the
Hi, Kevin:
How do I increase the spacing? I'd be perfectly happy with the
equivalent of:
\slurd \spacer d2
Check out the archive thread which includes
http://lists.gnu.org/archive/html/lilypond-user/2004-05/
msg00028.html
Or, even better would be a way to define spacing after
Does anyone know how to get empty bars and lines/staves, to not show up in
following lines where empty bars of music are not needed when music is
finished? See example below.
Daniel Boronka
\version 2.6.4
\header {
title = Evening Hymn
%subtitle =
composer =
An alternative might be to redefine all or some of the predefined ornaments
in bagpipe.ly to include a spacer note at the end of the grace notes,
for example
to replace the definition
dblG = { \grace { \small g32[ G d] } }
by
dblG = { \grace { \small g32[ G d] s } }
/Mats
Kieren MacMillan
I took me a while to spot the error in your input file, namely that you
included the PianoStaff within the \context Staff = men ... .
Once you move up the ending to below the basses voice, it should
work better. Also, you do something strange with the alternative endings
of the repeats, since
Thanks both of you!
I defined spacer as mentioned in the archive thread, and I'm simply
adding it to the definitions of the ornaments I feel need more space
so that I never have to bother with it.
Perhaps these changes should be merged into the bagpipe.ly file
that's shipped with
Hi all!
I'm using \RemoveEmptyStaffContext to 'French' a piece that I'm
typesetting, but the first system still shows the empty staves. In the
manual section on hiding empty staves it states ...If empty staves
should be removed from the first system too, set remove-first to true in
Andrew Longland-Meech wrote:
\override Score.VerticalAxisGroup #'remove-first = ##t
I don't understand where this should go. Is it in the \score section? Or
in the \layout section? Or in with the notes? Please can someone guide
me in the right direction?
Please see chapter 5 of the
Mats Bengtsson [EMAIL PROTECTED] writes:
yota moteuchi wrote:
[...]
displayBarNum = #(define-music-function (parser location) ()
#{
\once \override Score.BarNumber #'break-visibility = ##f
#})
[...]
I hope the syntax is not too bad (the result is correct though)
If I'm wrong or if
[Sorry about that… I replied to the sender and forgot to include the
list.]
Allan Spagnol Comar wrote:
Good night to all, I was wondering how can I invoke lilypond from
vim ? I
tried with :make but it invokes gnu make. I looked at
lilypond.vim on
compilers folder of vim plugin and it
I have the following:
\score {
{ c }
\header {
title = Title1
}
\layout {
indent = 0.0
}
}
\score {
{ c }
\header {
title = Title2
}
\layout {
indent = 0.0
}
}
\version 2.8.6
What is the property which sets the vertical length between score1
score2 (indicated by a cross on the
Can I add fingering information for ChordNames when chords are entered
using chordmode? Fingering when using staffs might be interesting as
well. Since this is for an accordion, a single finger is often
sufficient, and I don't need 1 number per note.
\version 2.9.19
\include english.ly
My first recommendation is to upgrade to version 2.10, where
several of these page layout issues have been improved.
/Mats
Quoting Kamal [EMAIL PROTECTED]:
I have the following:
\score {
{ c }
\header {
title = Title1
}
\layout {
indent = 0.0
}
}
\score {
{ c }
\header {
title =
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