>
> We translated all testimonials excepted the ones from Chris Cannam (too
> difficult to translate) and Vaylor Trucks (easy to understand). Till,
> you're certainly right, we should also add the testimonials in English.
> Jan, shall I go ahead for French translation?
>
> Cheers
> --
> John Ma
Hi,
Most folks who need a dynamic extender (a flat line showing unchanging
dynamics) probably figured this out some time ago, but on the chance
that you haven't noticed:
\once \override Hairpin #'height = #0
c'4 \pp \< c'4
gives a dynamic extender at exactly the right vertical position.
--
Oops I forgot to include one missing variable for my previous emailed
example, just add this too:
varMarkCoda = {
\once \override Score.RehearsalMark #'self-alignment-X = #center
\once \override Score.RehearsalMark #'padding = \varPadToCodaMark
\once \override Score.RehearsalMark #'font-size = #3
Ander D wrote:
>
> I have a solo voice score. It has two sections. The first section has
> two
> verses. The first verse has its own ending and the second verse also has
> its
> own ending, which comprises the rest of the song. The second section has
> a DS
> al coda. I need help with orga
Jan Nieuwenhuizen wrote:
> Till Rettig <[EMAIL PROTECTED]> writes:
> > With testimonials.html I was not sure -- would it be clever to leave
> > the original and translate it. And how about statements from Germans
> > -- were they sent in English or are they already translations?
>
> Good questions
Ander D'nar wrote:
I have a solo voice score. It has two sections. The first section has two
verses. The first verse has its own ending and the second verse also has its
own ending, which comprises the rest of the song. The second section has a DS
al coda. I need help with organizing this a
Duh. I feel stupid, but only slightly. I restarted, and convert-ly works
as it's supposed to. (I do not usually shut down my computer unless
prompted, even at night, because I have to access it from home as part
of my job duties.) Thanks, Mats, and I apologize for taking everyone's
time; I'm glad y
I hope you have logged off and on again since you installed LilyPond.
Start a command prompt, enter the command
set PATH
and send me a copy of the result. (You can copy and paste from the command
prompt, if you first right-click on the blue border at the top of the
window, select
"Properties", m
As I told Christopher a few days ago (my mistake for not sending the message
to the list), here in Paraguay we use "sostenido" for sharp and "sostenida"
for sustain.
Regards,
Diosnel
- Original Message -
From: "luis jure" <[EMAIL PROTECTED]>
To:
Sent: Wednesday, January 03, 2007 12
El Fri, 29 Dec 2006 16:57:41 -0500
"Christopher A. LaFond" <[EMAIL PROTECTED]> escribió:
> What I'm saying is that most people in the Spanish-speaking world (at
> least according to online results) seem to be using "nota sostenida",
> not "nota sostenido" for "sharp (note)".
yes, i can confirm
If you replace the function by
#(define (compound-time-2m one two three four)
(markup #:override '(baseline-skip . 0) #:number
(#:line ((#:column (one two)) #:vcenter "+" (#:column (three four))
it seems to work well for both staff sizes.
/Mats
Gilles Sadowski wrote:
Hi.
Regarding
El Thu, 28 Dec 2006 16:29:38 -0600
Daniel Tonda Castillo <[EMAIL PROTECTED]> escribió:
> Professional musicians in Mexico usually refer to "Clave de Sol"
> meaning G clef. In popular slang, people refer to the "Llave de Sol",
> meaning G Clef. So as to not alienate anyone, initially I thought
>
Hi.
>
> Regarding Gilles' problems with compound time signatures, I would recommend
> to use the example in Sect. "8.4.1 Polymetric notation" as a starting
> point.
> Then, you could end up with something like:
>
> \version "2.8.7"
>
> #(define (compound-time-2 one two three four)
> (markup #
With your help (I erased all the blanks in the file- and direcory names)
everything now works.
Thanks
Uwe
Bertalan Fodor-2 wrote:
>
> This may be because you have a space in the file path. Put your lilypond
> files in paths without a space. So avoid c:\documents and settings if
> possible.
This may be because you have a space in the file path. Put your lilypond
files in paths without a space. So avoid c:\documents and settings if
possible.
At the end of the week there will be a fix for this.
uunail írta:
The action I described was happening in the Adobe PDF view. In the Adobe
re
The action I described was happening in the Adobe PDF view. In the Adobe
reader I see the tags attached to music.
If I click in the PDF preview window nothing happens. (I also do not see any
tags attached)
Uwe
1. Do you click in the PDF preview window or in Adobe Reader? The PDF
preview windo
1. Do you click in the PDF preview window or in Adobe Reader? The PDF
preview window should not open Firefox but jump to jEdit.
2. Go to Utilities>Global options>Docking and set LilyPond instant help
as Top.
Please report if you succeed.
Bert
uunail írta:
After installation of the newest ver
After installation of the newest version of both Lilypond (2.10.0) and the
Lilypond Tool for Jedit (2.10.2) on my XP machine I have the problem, that
point-and-click doesn't work. It opens a new (empty) tab in my Firefox
browser instead of jumping into the editor.
I looked into Bertalan Fodor's (
Regarding the original question, the simple answer, which has already been
given, is to use
\override Staff.TimeSignature #'style = #'single-digit
Regarding Gilles' problems with compound time signatures, I would recommend
to use the example in Sect. "8.4.1 Polymetric notation" as a starting
poi
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