Hi Tiego,
that's GREAT !! :-)
I copy your codes into an existing file.ly and it worked at once =-O + :-) .
many (they could never be enough) THANKS for your time
to have found this out!
I believe that's also the magic rising from exchanges within a community
with a common project.
In
On Sat, Jul 07, 2007 at 06:59:52PM -0700, David Fedoruk wrote:
HI:
I did not intend this to be two documents, but the score got
complicated enough that it made sense to stop at the end of the A
section and begin a new lilypond file at the beginning of B. There are
only 4 pages of piano
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On 8 Jul 2007, at 2:58 am, Graham Percival wrote:
Benjamin Esham wrote:
In order to submit one of LilyPond's SVGs to e.g. the Wikimedia
Commons, it
is necessary to convert all of its text into paths; that way,
users need not
have LilyPond's
Quoting Bainos [EMAIL PROTECTED]:
I read the lilypond-book documentation but i can't understad everything
(because i can understand english but not very well.. sorry)
so I have another little question.
The best way to work with lilypond-book is to set the layout of
the page with latex and
Rune Zedeler skrev:
But what you /can/ do is to use a StaffGroup and then make the span bars
transparent apart from at the end of the measure
You could also automatically make single bars (|) invisible but still
show all other kind of bars - like this:
\version 2.10.25
mus = { \clef F c d
I am trying to get an ossia section like the example in section
6.4.8 of the user guide, but for a voice within a ChoirStaff.
Attached is my attempt at modifying the example but a clef and time
signature appear at the start of the line (also, a key signature would
appear if there were one). Is
It happens for all bar lines in a cadenza. I write a lot of chant music and
this behavior is very annoying, especially in the tenor line. Using
#(set-accidental-style 'forget) works for me. I guess it's better to mark
all of the accidentals than none of them.
\new Staff = men
If you have a single score, you should of course write it in a
single \score{...} block. Note that you can have a sequence of several
separate \relative blocks within each stave. Example:
leftHandPartOne = \relative c'{c d e f g a b c}
leftHandPartTwo = \relative c{e f g a b f g a }
\score
Just replace the two occurrences of \new Voice with \new Staff
in your example.
/Mats
Quoting Joseph Haig [EMAIL PROTECTED]:
I am trying to get an ossia section like the example in section
6.4.8 of the user guide, but for a voice within a ChoirStaff.
Attached is my attempt at modifying the
If you want to customize what happens when you use the {...} \\
{...} construct, then you will need to do some Scheme hacking.
However, if all you want to do is to explicitly call \voiceOne and
\voiceTwo yourself but
customize what these macros do, then it's easy to define
your own macros like
Hi everyone. I can't seem to figure out how to make a square looking group
bracket. I'm trying to make the kind of staffgroup bracket that looks like
a solid back rectangle laying just to the left of the starting barline.
Like this(see attachment):
I can't figure out how to get a decrescendo hairpin on the last note of a
staff? There is nothing to anchor the ending of the decrescendo to. See
attached picture of what I'm trying to do. the ly notation I have for that
bar would be:
| a1\fermata\ \!|
I guess or something, but the
I figured out how to create a multimeasure rest, but it seems that the
measure numbering does not reflect what may be in the conductors score. So
for example, if I have a conductors score and some part sheets, and one of
the parts has 12 bars to wait. I would like them to see one bar with the
I can't seem to find anything in the Lilypond manual about creating harp
pedal symbols. I would think this issue has been covered a lot by users of
Lilypond. how do I do it, or something like it:
http://www.nabble.com/file/p11492013/ScreenHunter_03%2BJul.%2B08%2B12.40.jpg
--
View this
This is probably an easy question, but I haven't been able to figure it out.
I have some tied notes that tie across barlines where there is a meter
change and the tie itself is going across the top of the time sig, making it
hard to read. How can I change the curve of the tie so that it will go
Dewdman42 skrev:
Hi everyone. I can't seem to figure out how to make a square looking group
bracket.
I also can't seem to figure out how to put a staff group bracket around only a single staff.
This is a bit weird, but I cannot find a way to solve both your problems
simultainously.
The
Rune,
Thanks a lot for the quick response!
Oh the mysteries of Lilypond. I'm looking forward to the day I can
intuitively figure out solutions myself. I used your trick and it worked
perfectly for my first staff group, but the rest of the staff groups in the
same system now show no bracket
Steve Schow skrev:
Here is what I used for first two staffgroups in one system and I have
attached resulting image.
You made a simple typo that is why it did not work:
\new StaffGroup
\override StaffGroup.SystemStartBracket #'style = #'bar-line
\override
If you read the section on Rests in the users manual, it tells you to
look in the section called Multimeasure rests
for whole measure rests, which should answer your question.
/Mats
Quoting Dewdman42 [EMAIL PROTECTED]:
I have come up with my own way to hide whole measure rests from the
OK... then this i s way way to easy! Two files PartA.ly and PartB.ly
of the same piece so I just a shell command:
cat PartB.ly PartA.ly
its done! After that just issue the shell command lilypond PartA.ly
and it renerders the compled score! You can put together a Wagner
opera with a simple
Hello:
There is one slight problem, the bar numbers are not continuous. Not
surprisingly the bar numbering is accurate for each document. I will
have to make some adjustments in the head of the first document or in
a wrapper for these two documents.
I'll have a look for this in some of the
David Fedoruk wrote:
There is one slight problem, the bar numbers are not continuous. Not
surprisingly the bar numbering is accurate for each document. I will
have to make some adjustments in the head of the first document or in
a wrapper for these two documents.
Just change the starting bar
Dewdman42 wrote:
I can't figure out how to get a decrescendo hairpin on the last note of a
staff? There is nothing to anchor the ending of the decrescendo to. See
attached picture of what I'm trying to do. the ly notation I have for that
bar would be:
| a1\fermata\ \!|
I guess or
Unfortunately I have no experience running midi2ly on windows, but
hopefully somebody on the mailing list can help.
The only thing I can think of is finding out if this crash happens on
every file, or just the one you tried -- try creating a very simple midi
file (with one or two notes), and
Steve Schow wrote:
It says in the manual:
A crescendo mark is started with \ and terminated with \! or an absolute
dynamic. A
decrescendo is started with \ and is also terminated with \! or an absolute
dynamic. \cr and
\decr may be used instead of \ and \.
And the example directly
I'm putting together an instructional method book and I need to make a
heading which contains a single labeled note. I'd like to make the the staff
to be centered and a few inches long. What I have now is a note aligned to
the left and a staff the takes up the entire line.
Here's an example
[ I sent this once, and then read that the list requires people to be
subscribed to post by email. Hopefully it doesn't come through
twice... ]
Hey all; I'm trying to figure out how I can structure an input file
that should be displayed in both a normal Staff and a TabStaff without
writing the
Is this expected behavior or a bug?
\grace { c,16[c]} c4\p\laissezVibrer
That is producing the following with lilypond 2.10.25:
http://www.nabble.com/file/p11495639/ScreenHunter_02%2BJul.%2B08%2B21.04.jpg
What do i need to do to get the grace notes on the right side of the time
sig?
--
Steve Schow wrote:
Is this expected behavior or a bug?
\grace { c,16[c]} c4\p\laissezVibrer
That is producing the following with lilypond 2.10.25:
http://www.nabble.com/file/p11495639/ScreenHunter_02%2BJul.%2B08%2B21.04.jpg
What do i need to do to get the grace notes on the right side of
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