Slur of voiceTwo colliding with notehead of voiceOne

Hi out there, the following code produces the collision you can see in the attached image. How can I move the voiceTwo-note to the right of the voiceOne-note to avoid this collision? And how can I tell LilyPond to typeset the last notes (both d2) side-by-side and not both at the same place?

Re: Slur of voiceTwo colliding with notehead of voiceOne

And how can I tell LilyPond to typeset the last notes (both d2) side-by-side and not both at the same place? The only way i know is by using \once \override NoteColumn #'force-hshift = #aNumber (see doc 6.3.5 Collision Resolution ) % \version 2.10.25 fhs = {

Re: Slur of voiceTwo colliding with notehead of voiceOne

2007/8/2, Gilles THIBAULT [EMAIL PROTECTED]: And how can I tell LilyPond to typeset the last notes (both d2) side-by-side and not both at the same place? The only way i know is by using \once \override NoteColumn #'force-hshift = #aNumber (see doc 6.3.5 Collision Resolution )

Four Single Semiquavers In A Row

Hi, I've just migrated to 2.10 under Ubuntu. With 2.6, this used to produce a line of four single quavers, with tails - not joined together. e16[] e[] e[] e[] How do I achieve the same effect in 2.10? Thanks, Tim. ___ lilypond-user mailing list

Re: Four Single Semiquavers In A Row

Hi Tim, try the switch \autoBeamOff: \autoBeamOff e16 e e e Dominic 2007/8/2, Tim Sawyer [EMAIL PROTECTED]: Hi, I've just migrated to 2.10 under Ubuntu. With 2.6, this used to produce a line of four single quavers, with tails - not joined together. e16[] e[] e[] e[] How do I achieve

Re: Whatis on the fly

Hi Thanks to all for the answers. So Stephen, if I rightly understand, harakiriStaves for example are on the fly ?? I hoped with my question, maybe I could read something making the work with ly easyer and closer to paper-pencil. Till now, I use an adapted and enlarged sh-script that makes me

Re: Four Single Semiquavers In A Row

Works a treat, thank you very much. Tim. On Thursday 02 Aug 2007, Dominic Neumann wrote: Hi Tim, try the switch \autoBeamOff: \autoBeamOff e16 e e e Dominic 2007/8/2, Tim Sawyer [EMAIL PROTECTED]: Hi, I've just migrated to 2.10 under Ubuntu. With 2.6, this used to produce a

Re: Four Single Semiquavers In A Row

try the switch \autoBeamOff: If you want just a single break, don't forget that you can use \noBeam. Cheers, Kieren. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

How to stop LyricExtender-lines?

Hi, i´ve got the following snippet producing the output you can see in the attached image file. How can I set that the lyric extender line of the 2nd vers stops where the one of the 1st verse stopped? Dominic %% START %% \version 2.10.25 refrain = \lyricmode { tes -- ti yeah. }

Another upgrade/beaming question

Folks, In4/4 time, \times 4/6 { sn16 sn sn sn sn sn } creates a six, with six notes, semiquaver lines joining them together. Perfect. However, \times 4/6 { sn8 sn16 sn sn sn } in lilypond 2.6, produced a quaver joined to a group of four semiquavers, whilst in 2.10 I get a quaver, a

Re: How to stop LyricExtender-lines?

2007/8/2, Reinhold Kainhofer [EMAIL PROTECTED]: Am Donnerstag, 2. August 2007 schrieb Dominic Neumann: i´ve got the following snippet producing the output you can see in the attached image file. How can I set that the lyric extender line of the 2nd vers stops where the one of the 1st

Re: How to stop LyricExtender-lines?

Am Donnerstag, 2. August 2007 schrieb Dominic Neumann: i´ve got the following snippet producing the output you can see in the attached image file. How can I set that the lyric extender line of the 2nd vers stops where the one of the 1st verse stopped? My hackish workaround for these things

Dashed slurs indicating optional slurs between lyric lines

After tooling around a bit in LilyPond, I think I may have developed something potentially useful for someone out there. And wouldn't you know, I got to it because I needed it myself! ^_^ In the songbook we use at church, the verses to the song are stacked on top of each other if the melody

Re: Dashed slurs indicating optional slurs between lyric lines

Am Donnerstag, 2. August 2007 schrieb Romel Anthony S. Bismonte: In the songbook we use at church, the verses to the song are stacked on top of each other if the melody lines are similar enough. But if two notes are slurred in one verse and sung separately in another, they are connected with a

Re: How do I make these measures?

On 8/1/07, Eric Knapp [EMAIL PROTECTED] wrote: Hi, all. I have attached 2 images of measures that I would like to make in the best way possible. OK, I guess I asked too vague of a question, again. I will repost with a more complete example of what I'm trying to do. -Eric

naming output files (maybe a feature request?)

Hi all, Is there any way to explicitly name the output files of a score? This is particularly a problem for me when I have multiple \book-s in a single .ly file -- the default file naming (file-1.pdf, file-2.pdf) is not very helpful. I would prefer to do something like: \book {