Neil Puttock wrote:
Just to clarify this, are you saying that this happens as a result of
the default setting of break-align-symbols combined with moving the
mark engraver to the staff context?
No, I was just speculating, without having really tested my hypothesis.
Sorry about that. Now
You can of course use it with \repeat unfold, but that's mostly useful
if you
want to write out a full version of some music that originally was
notated using
\repeat volta (and in that case, I would rather recommend the \unfoldRepeats
command described in Repeats and MIDI).
/Mats
Shelagh
How about
\markup{
\override #'(baseline-skip . 0) \number {
\center-align { \concat { 4 \fontsize #2 \normal-text / 3 } 2 }
}
}
/Mats
Trevor Bača wrote:
Hi,
Anyone know how to set a time signature of 4/3 over 2?
(That's a measure that last 1 complete half note and also
Hi Mats,
Using \hspace{-3mm} right before the included lilypond example works
beautifully. Great idea.
Trevor.
On 8/28/07, Mats Bengtsson [EMAIL PROTECTED] wrote:
If you can stand having the note without a ledger line, then it's easier
to use
...
sixteenth note
Perfect!
Thanks again.
On 8/28/07, Mats Bengtsson [EMAIL PROTECTED] wrote:
How about
\markup{
\override #'(baseline-skip . 0) \number {
\center-align { \concat { 4 \fontsize #2 \normal-text / 3 } 2 }
}
}
/Mats
Trevor Bača wrote:
Hi,
Anyone know how to set a
As far as I can understand, the option is called --left-padding and has
never been called anything else. Probably, Han-Wen hesitated between
the two alternatives and happened to add the wrong one in the
documentation,
when implementing this feature in
I'm trying to find my mistake here, the error message keeps on saying no music
found.
If I don't add lyrics everything can be fine.
I tried to copy the formate of 3.1 in the manual and adjust it to my needs.
So I'm asuming that I have made an error somewhere in there.
\version 2.10.25
2007/8/28, Jay Hamilton [EMAIL PROTECTED]:
I'm trying to find my mistake here, the error message keeps on saying no
music found.
If I don't add lyrics everything can be fine.
I tried to copy the formate of 3.1 in the manual and adjust it to my needs.
So I'm asuming that I have made an error
Yup: this is it precisely.
So your trick this morning with \hspace{-3mm} definitely did work for
me. However, now knowing that I can set --left-padding=0, the need for
the negative \hspace trick goes away.
Here's the same sample inline example I was rendering before, with
--left-padding=0 passed
hello lilyponders,
I've been using lilypond-book for the first time. love it!
There's one thing that I'd like to have though. I'd love to be able to
define macros in a similar way as in latex. Is this possible?
From what I've read in the documentation, lilypond-book only knows to look
for
2007/8/27, Tao Cumplido [EMAIL PROTECTED]:
I guess in classical music it's typical not to reduce the piano part to a
single staff, but in modern music it is.
It depends: do you mean in *well-engraved* modern music? :)
(no, I'm just joking)
For example in Jazz scores if you have only a chord
2007/8/19, emily atkins [EMAIL PROTECTED]:
In hopes of finding an answer to an 'unset question'
Hello Emily,
I'm amazed that nobody has answered you yet; the list can get very
busy some weeks and if you don't get any answer, it might sometimes be
appropriate to ask again another week.
2007/8/18, Jonas Nyström [EMAIL PROTECTED]:
Hi!
(Sorry for posting this earlier with wrong subject header..!)
Being a Lilypond newbee, I want to check with you if this is possible:
I want to create an inivisble sync part with sync noteheads drawn in
white.
If your notes are drawn in
2007/8/28, emily atkins [EMAIL PROTECTED]:
I knew it had to be easy, I just kept trying the wrong combination of terms
Not so easy, so to say: I had to browse the source files
(ly/property-init.ly) to find the correct answer. You're right, there
is an obvious lack in the Documentation; I'll
It didn't now I get error logs telling me that
example;
C:/Documents and Settings/Frybyte/Desktop/Hamilton/Tunnel/Tunnel.ly:25:43:
warning: Brace found at end of lyric. Did you forget a space?
fluteLyrics = \lyricmode {bum bum bum bum
bump}
2007/8/28, Jay Hamilton [EMAIL PROTECTED]:
It didn't now I get error logs telling me that
example;
C:/Documents and Settings/Frybyte/Desktop/Hamilton/Tunnel/Tunnel.ly:25:43:
warning: Brace found at end of lyric. Did you forget a space?
This is weird. I didn't get such a message when
Hi Michael,
On 8/27/07, Michael Sperone [EMAIL PROTECTED] wrote:
I have been successful at entering my entire score into lilypond and it
looks great! But there are some things I need to change (such as the 4/4
instead of "C", accidentals, and stem settings etc..)
I haven't, for the
Quoting Valentin Villenave [EMAIL PROTECTED]:
2007/8/28, emily atkins [EMAIL PROTECTED]:
I knew it had to be easy, I just kept trying the wrong combination of terms
Not so easy, so to say: I had to browse the source files
(ly/property-init.ly) to find the correct answer. You're right, there
Hello everybody.
I have a problem where when I copy the simple examples in the tutorial my
notes come out spread from one side of the pdf view to the next. It's all
accurate otherwise, but it's s-t-r-e-t-c-h-e-d out.
And not exactly as shown in the tutorial.
I've read much of the horizontal
Dear Readers,
In the Alto voice i only needed a g1 note and further only silent rest.
Why does this give a lot of empty bars after the closing bar and how do i
get rid if them?
TIA
%Snippet
staffClassicalGuitar = \new Staff {
\override Score.MetronomeMark #'padding = #7
%
Am Mittwoch, 29. August 2007 schrieb Peter Terpstra:
\\ { s1*20 | g= | s1*3 |
the *20 is repeated together with the 1 length indication...
in particular, your snippet above means s1*20 | g=1*20 | s1*3
Your g is 20 measures long...
Cheers,
Reinhold
--
I'm sure there is a lot ways to get things stretched out. If you are using
chord mode to get chord symbols to print, and the chord has a long name
something like this can cause problems:
c4:11+^7 c:11+^7 c:11+^7 c:11+^7
four quarter notes of a C add9/add#11...
The engraver apparently
On Aug 20 2007, at 16:35, plasmacarwash wrote:
David,
-If we were to take the foremost thrust of my appeal to you and
this kind
forum, yes.:-)
I need to know there are others out there doing it.
May I talk to you?
Unfortunately, I'm not one of the people who has that skill, nor do I
Mike Salmon mikelsalmon at googlemail.com writes:
Hi all,
Can anyone tell me what the source codes are for staff lines and time
signatures
or where to find them?
Mike,
I can't tell you specifically which files do those jobs. Typically, the advice
we get on the devel list is to grep
Hi Jay,
Without sample code, it's very hard to diagnose your problem...
But my first suggestion is to add the following line to your score
file, right near the top (e.g., after the \version string):
\paper { ragged-right = ##t }
If that doesn't solve your problem, please post again,
Hi Jay,
Here is the exact code I entered (in Notepad):
{
\time 2/4
\clef bass
c4 c g g a a g2
}
Here is what I got:
Considering that the picture shows a scale { c d e f g a b c },
something is definitely wrong! ;-)
Try cutting and pasting this into Notepad and compiling:
Ed,
I haven't got to this point with the guitar yet but it looks delicious.
Still this is one for an August Ed Ardzinski search in the near future
here at Nabble/Lilypond.
Thank-you very very much...
Jay Peek
Ed Ardzinski wrote:
I'm sure there is a lot ways to get things stretched out.
Kieren,
Without replacing my current version (version 2.10.0), I got a pretty
happy result.:handshake:
(This image is shrunk again, intentionally).
http://www.nabble.com/file/p12379280/lilypondex3.jpg
I will have to get familiar with ragged and it's manifestations.
Thank-you very kindly,
I would hope that Mats' suggestion of \revert be instituted as that would make
it follow some other \revert commands in consistency. Our problem (Emily's and
mine) was we were trying to find something that unset the set but there was
nothing in the Docs.
However I did see (today finally)
Lilyponders,
While trying to get the music from all staves in a piece to combine
for MIDI output, I found a tip in the archives to create a staff group
to combine the music parts, then a score section for print output,
then a separate score section for the MIDI, more or less as follows:
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