Re: Why can't I get a barline at the end of this"

Trevor Daniels wrote: This is the difference, taken from the new GDP NR manual: "In addition, you can specify "||:", which is equivalent to "|:" except at line breaks, where it gives a double bar line at the end of the line and a start repeat at the beginning of the next line." HTH Trevoe D

Re: I'd like some collisions!

http://code.google.com/p/lilypond/issues/list?can=2&q=collision However, as you already see, collisions get fixed occasionally, which makes such docs obsolete. Please try to isolate discussion about specific collision to one paragraph. ie don't have a whole section talking about vertical col

Counting repeated bars (without percent repeats)

Something frequently used, particularly in orchestral music with repetitive parts, is counting repeated bars - as described for percent repeats in http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Measure-repeats#Measure-repeats , but without using the "percent repeat" style. I.e., t

articulation over tremolo repeats

Hello - in string music (at least), it is not uncommon to write articulation marks over tremolo repeats. E.g., you might have a quarter note, subdivided into 16th notes, and with 4 dots over it, possibly also connected by a tie. (E.g., Mozart, Symphony No. 25, second movement, bar 17 - in som

Re: Double choir music with different time signatures

the following example is a modified version of something that Adam James Wilson wrote for me (you can search the archives for "problem with full-measure rests in differently time-scaled staves" Maybe there is an easier solution to your problem and this is a bit overshoot ole %%

Double choir music with different time signatures

Hello folks I'm transcribing a piece for two 6-part choirs, arranged in 2 ChoirStaffs, Choir 1 and Choir 2. At first the time signatures for both choirs are the same, but part way through they change to separate time sigs: Choir 1 to 12/8 dotted crotchet = 40; Choir 2 to 4/4 crotchet = 40.

I'd like some collisions!

I'm finding in rewriting the parts of the manual that deal with correcting collisions that many of the old examples no longer "work", ie the new skylining code deals with them all correctly, at least to the extent that the objects no longer collide. So I'm looking for examples of 'collisions' tha

Re: Why can't I get a barline at the end of this"

thank you for your explanation ole Am 08.12.2007 um 14:21 schrieb Trevor Daniels: This is the difference, taken from the new GDP NR manual: "In addition, you can specify "||:", which is equivalent to "|:" except at line breaks, where it gives a double bar line at the end of the line and a s

RE: Why can't I get a barline at the end of this"

This is the difference, taken from the new GDP NR manual: "In addition, you can specify "||:", which is equivalent to "|:" except at line breaks, where it gives a double bar line at the end of the line and a start repeat at the beginning of the next line." HTH Trevoe D -Original Message--

Re: Why can't I get a barline at the end of this"

unfortunatly I'am not and I do not understand the difference between "||:" and "|:" why does "||:" exist and ":||" not? seems unlogical to me... best ole %%% \version "2.10.15" \new Staff { \time 2/4 \relative c'{ s2 \bar "||:" s2 s2 \bar "|:" s2 } } %

Why can't I get a barline at the end of this"

Hi all, I'm running 2.11.32 on Windoze, and using jEdit to enter the material. In the following, why can't I get a \bar ":||" to appear at the end? At least something should be there afaik, but I'd like to close the repeat the way my (very poor fax of a photocopy of a photocopy) shows it. Thi