2008/7/18 Daniel Hulme <[EMAIL PROTECTED]>:
> So, in your example
>
>> \version "2.11.52"
>> \new DrumStaff <<
>> \new DrumVoice = "1" { s1 *2 }
>> \new DrumVoice = "2" { s1 *2 }
>> \drummode {
>> sn16 sn8 sn16 sn8 sn8:32~ sn8 sn8 sn4:32~ |
(...)
I'm
>> In the meantime, the distinction is explained in NR 5.1.2 Creating
>> contexts, although this section has not yet been reviewed in GDP so
>> maybe it could be improved. Let me know to what extent it helps
>> you. In any case I'll bear your comments in mind when I get to
>> that section.
Patric
Dan Eble faithful.be> writes:
> Try using the following "\measure" function instead of "\partial 4" in
> your example. It should be used in the same place, at the beginning of
> the second alternative, otherwise it will cause problems if you ever
> unfold the repeat.
Whoops! I completely missed
Trevor Daniels wrote:
Patrick
My original intention was not to cover the use of \context in the LM,
but I see now that several of the examples and templates use it, so
that was perhaps a mistake. Thanks for pointing this out. I'll look
at it again.
In the meantime, the distinction is expl
(Sorry, forgot GNU lists don't set Reply-To, so sent this to Mr. Hammar
off-list by accident. Reposting to the list for the benefit of the
archives.)
On Thu, Jul 17, 2008 at 10:53:03PM +0200, Karl Hammar wrote:
> Daniel:
> > Why not? I find myself wanting to go into two (or three) voices and back
On Fri, Jul 18, 2008 at 08:50:51AM +0100, Trevor Daniels wrote:
> In the meantime, the distinction is explained in NR 5.1.2 Creating
> contexts, although this section has not yet been reviewed in GDP so maybe
> it could be improved. Let me know to what extent it helps you. In any
> case I'll b
Hi, Folks
No, I am not asking how to install Lilypond in Leopard. I know there are
at least two options:
- to compile it from the source, using a set of instructions and
macports (that installs/reinstalls almost everything)
- and another option that is to use the G4 binary (the one I use, as
Thank you, Karl. That fixed my problem perfectly!
Steven
Karl Hammar wrote:
Steven:
...
into the tenor voice. I've tried inserting the command \set
associatedVoice = #"three" one syllable before the point where the
voice association needs to change to tenor but what happens is
Francisco Vila wrote Thursday, July 17, 2008 10:35 PM
2008/7/17 Karl Hammar <[EMAIL PROTECTED]>:
Ex1: << { \A } \\ { \B } >>
creates TWO new voices, which get you into problems when doing \lyricsto,
where
Ex2: << { \voiceOne \a } \new Voice { \voiceTwo \b } >> \oneVoice
only creates ONE new
2008/7/18 Karl Hammar <[EMAIL PROTECTED]>:
> In vocal music, one wants to relate text with music using \lyricsto.
> That is harder if you create new voices, which makes that coupling
> harder to see and maintain.
This could be explained in Vocal Music, but I think that in NR1.5
Simultaneous the mo
I'm just curious if it's possible to add a location to my lilypond
path. I've managed to build lilypond from source (and it's much
faster), and I'm just wondering if there's an easy way to add folder
with some \include files that I occasionally or frequently use.
Something simple like ~/lil
Daniel:
> On Thu, Jul 17, 2008 at 10:53:03PM +0200, Karl Hammar wrote:
> > Daniel:
> > > Why not? I find myself wanting to go into two (or three) voices and back
> > > again very frequently when typesetting percussion parts, and the 'right'
> > > way is far too long-winded - often it would be lon
Graham Percival wrote Friday, July 18, 2008 1:28 AM
On Thu, 17 Jul 2008 11:10:11 +0100
"Trevor Daniels" <[EMAIL PROTECTED]> wrote:
Graham Percival wrote Thursday, July 17, 2008 9:37 AM
> I think 3.5.7 is unnecessary. Just add ", in any MIDI player which
> supports pitch bending" to the item i
Patrick
My original intention was not to cover the use of \context in the LM, but I
see now that several of the examples and templates use it, so that was
perhaps a mistake. Thanks for pointing this out. I'll look at it again.
In the meantime, the distinction is explained in NR 5.1.2 Creati
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