Grammostola Rosea wrote:
Hi,
Trying to make my first lilypond song and put let it be on score but I
can't make the timing of the lyrics fit with the melody... :
\version 2.11.53
melody = \relative c' {
\clef treble
\key c \major
\time 4/4
\partial 4
g8 a c4 c d a c c d
Morten Lemvigh wrote:
Try to have a look at the documentation concerning lyrics and vocal
music:
http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Vocal-music
I would rather recommend to read in the Learning Manual for the latest
development version of LilyPond. Almost all the
Mats Bengtsson wrote:
Morten Lemvigh wrote:
Try to have a look at the documentation concerning lyrics and vocal
music:
http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Vocal-music
I would rather recommend to read in the Learning Manual for the latest
development version of
2008/8/6 Dolores Dickey [EMAIL PROTECTED]:
I am using a Mac computer OS 10 version 8. Can I download lilypond?
Greetings,
There are several versions of MacOS 10; if you're running 10.3
(Panther) or 10.4 (Tiger), LilyPond should work without any
problems. If you're running the latest 10.5
Yeah, good idea. After studying it a number of times I got it to do
exactly what I needed. Thank you.
-David
Mats Bengtsson wrote:
Why not follow the approach used in
http://lsr.dsi.unimi.it/LSR/Item?id=204 ?
/Mats
David Bobroff wrote:
I need to create a tempo marking that would look
2008/8/4 Andrew Hawryluk [EMAIL PROTECTED]:
Valentin, in the snippet Stem and beam behavior in tablature (#494)
can you replace
\override Beam #'damping = #10
with
\override Beam #'damping = #+inf.0
It's updated now (I guess Neil was faster than me) :-)
Cheers,
Valentin
Hi Peter
Just tried your articulate.ly. Looks really promising! A couple of early
comments. It may be obvious, but \articulate should only be used in a
\score block with just \midi {} - it mucks up the printed output if used
with \layout { }. And dynamics in the midi score block must be
Please point me to the page in the manual if possible
I would like to adjust the top-margin on page two.
\paper {
between-system-space = 1.5\cm
between-system-padding = #1
ragged-bottom=##f
ragged-last-bottom=##f
#(set-default-paper-size a4)
head-separation = 0\mm
top-margin = 3\mm
}
This
Graham Percival wrote on -dev
Well, the fact is that most users don't seem interested in
helping with the docs, even to the extent of reading them. :|
I had my first contact with Lilypond over two years ago (2.6.5 on win98).
I was extremely confused before I could get it to compile
I've already had a look at the first few pages of the LM
and this time I'm going to start on it properly.
So I'm back at the web page for the docs. [see webdoc.png]
I click on it's Learning Manual (LM) link -
the one saying (start here) - and then again on
Tutorial: A tutorial
The very bad user experience of the LilyPond manual, ie. very-very bad
navigation was the very cause I started LilyPondTool 5 years ago
(http://lists.gnu.org/archive/html/lilypond-user/2003-09/msg00561.html).
Because I was as confused as you.
Then the quite hard content of the documentation
For me, that is a portuguese native speaker, is harder to understand
some aspects os the documentation. I still don't have a clue what is a
grob, or what this word means, for example...
Hugo Ribeiro
Bertalan Fodor (LilyPondTool) escreveu:
The very bad user experience of the LilyPond manual,
At least that one can be easily defended :)
The term grob is explained in the Learning Manual, and grob is in the
index there, although I don't know if this section has yet made it to the
Portuguese translation.
See LM 4.1.2 Objects and interfaces.
Trevor
- Original Message -
I have a Mac 10.4. I downloaded lilypond and I am able to typeset files and
turn them into MIDI files.
I have come to a dead stop in trying to produce lilypond files from MIDI
files. I tried to invoke midi2ly as instructed in the manual:
*midi2ly translates a Type 1 MIDI file to a LilyPond
Following Mats' suggestion I went to:
http://lsr.dsi.unimi.it/LSR/Item?id=204
..to find a solution for an odd tempo marking. I succeeded in
displaying the desired result but ran into a snag. The tempo I want to
display occurs at a rehearsal mark. The tempo marking also uses a
modified
David Bobroff wrote:
Following Mats' suggestion I went to:
http://lsr.dsi.unimi.it/LSR/Item?id=204
..to find a solution for an odd tempo marking. I succeeded in
displaying the desired result but ran into a snag. The tempo I want
to display occurs at a rehearsal mark. The tempo marking
On Thu, 7 Aug 2008 15:42:58 +0200
Robin Bannister [EMAIL PROTECTED] wrote:
.. read .. read .. read, and then at the bottom click on
Huh? - there is no Next to click on!
So what am I supposed to do?
It would be silly to click on Previous Working on input files
If you look at the
Grammostola Rosea wrote:
Hi,
Trying to make my first lilypond song and put let it be on score but I
can't make the timing of the lyrics fit with the melody... :
Try this:
\version 2.11.53
melody = \relative c' {
\clef treble
\key c \major
\time 4/4
\partial 4
g8 a c4 c d a c c d e
Graham Percival wrote:
If you look at the latest docs using texi2html, this has already
been dealt with:
http://kainhofer.com/~lilypond/texi2html-out/Documentation/index.html
Cheers,
- Graham
And quite nicely too. Is that default output totexi2html or did you
have to tweak options or
Mats Bengtsson mats.bengtsson at ee.kth.se writes:
The best solution for you is probably to use #(make-dynamic-script ... )
to define all your dynamic commands, see subsection New dynamics.
Then, they will behave exactly as all the other dynamics.
I haven't investigated how much tweaks
2008/8/4 Kenny Stephens [EMAIL PROTECTED]:
Is there a means by which I can color the notes based on its absolute pitch
---
not its pitch class?
If anyone can come up with a nice solution, this should definitely be
added to the LSR...
Cheers,
Valentin
2008/8/6 Mats Bengtsson [EMAIL PROTECTED]:
Since I have only used LilyPond for 11 years, I have some remaining
questions on how it works.
Greetings Mats,
Hehehe... As soon as I can find a couple minutes to work on the
LilyPond Report again, I guess this will make the Quote of the
Week :-)
Graham Percival wrote:
If you look at the latest docs using texi2html, this has already
been dealt with:
http://kainhofer.com/~lilypond/texi2html-out/Documentation/index.html
Well, well, thank you very much.
Robin Bannister had written:
Two further points:
- The tree version will benefit
Did you read the section on MacOS X in the manual:
http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Notes-for-the-MacOS-X-app#Notes-for-the-MacOS-X-app
/Mats
Rafael González wrote:
I have a Mac 10.4. I downloaded lilypond and I am able to typeset
files and turn them into MIDI files.
Greetings,
Is it possible to suppress/alter the tuplet number in the case of the
duplet shown below? (m. 91, bass staff) According to Stone, this
should be engraved as a duplet with the numeral 2 in the bracket.
This could of course be represented instead by dotted eighths, but
these
Eric Flesher wrote:
Greetings,
Is it possible to suppress/alter the tuplet number in the case of the
duplet shown below? (m. 91, bass staff) According to Stone, this
should be engraved as a duplet with the numeral 2 in the bracket.
This could of course be represented instead by dotted
Trevor == Trevor Daniels [EMAIL PROTECTED] writes:
Trevor Hi Peter
Trevor Just tried your articulate.ly. Looks really promising! A
Trevor couple of early comments. It may be obvious, but \articulate
Trevor should only be used in a \score block with just \midi {} - it
Trevor mucks up the
2008/8/7 Alexander Kobel [EMAIL PROTECTED]:
Some months ago a few of us stumbled in a similar problem. Neil put our
results in http://lsr.dsi.unimi.it/LSR/Item?id=444 - basically, we modify
the actual metronome mark formatter, which is independent of other marks
(and the right place to put
Eric Flesher wrote:
Longer dynamic strings (e.g. p delicato, crescendo, etc.) that are engraved
as dynamic scripts in this fashion end up getting centered, as a text string,
horizontally under the notehead. This necessitates offsetting them somehow; my
immediate workaround is to apply
\once
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Donnerstag, 7. August 2008 schrieb Eric Flesher:
Mats Bengtsson mats.bengtsson at ee.kth.se writes:
The best solution for you is probably to use #(make-dynamic-script ... )
to define all your dynamic commands, see subsection New dynamics.
Mats Bengtsson wrote:
Yes, it would be very nice to be able to specify the alignment point
of a markup in a more convenient way.
I just realized that it indeed is possible to specify the horizontal
alignment point to be between two parts of a markup:
beforeaftermarkup = \markup
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Donnerstag, 7. August 2008 schrieb Neil Puttock:
2008/8/7 Alexander Kobel [EMAIL PROTECTED]:
Some months ago a few of us stumbled in a similar problem. Neil put our
results in http://lsr.dsi.unimi.it/LSR/Item?id=444 - basically, we modify
Does Rheinhold's work allow for the kind of thing I want; a quarter tied
to a dotted quarter = number?
Neil Puttock wrote:
2008/8/7 Alexander Kobel [EMAIL PROTECTED]:
Some months ago a few of us stumbled in a similar problem. Neil put our
results in http://lsr.dsi.unimi.it/LSR/Item?id=444 -
2008/8/7 David Bobroff [EMAIL PROTECTED]:
Does Rheinhold's work allow for the kind of thing I want; a quarter tied to
a dotted quarter = number?
Yes, since tempoText can take any \markup commands.
So in your snippet, all you need to do is change your rhythmMark
function so that the \score
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Freitag, 8. August 2008 schrieb Mats Bengtsson:
Mats Bengtsson wrote:
Yes, it would be very nice to be able to specify the alignment point
of a markup in a more convenient way.
I just realized that it indeed is possible to specify the
Hi,
Brand new LilyPond user here. I installed it yesterday on my XP machine. I'm
having trouble getting the subtitle to display properly. I've done a search of
the archives and none of the solutions offered are working for me.
The command:
subsubtitle = \markup { from \Instruccion de
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