You probably haven't defined what an mBreak is. The second bullet
point begins with "Define mBreak = {\break}". That means you actually
have to type into your score, outside of any music block, "mBreak =
{\break}".
On 10.10.2008, at 08:36, Danny Sosa wrote:
Hello everyone! Thank you all f
Hi Danny,
The suggestion in the docs is to define mBreak as a variable in your
input file like this:
mBreak = { \break }
Later, when you want to use it, you simply type "\mBreak" without the
quotes. This way, if you want to delete the manual line breaks later on,
you can delete "\break" fro
What aspect of this are you trying to achieve and having difficulty
doing so? I don't really see anything special about the two examples
provided.
On 10.10.2008, at 03:23, Ari Torhamo wrote:
Hello,
I'm trying to achieve this:
http://www.flickr.com/photos/[EMAIL
PROTECTED]/2927464861/sizes/
Hello everyone! Thank you all for your help so far.
There is something that I cannot figure out! I need help...
I'm trying to typeset an existing piece of music with lilypond
I thought that using mBreak was a very good idea as explained in the manual
http://lilypond.org/doc/v2.10/Documentation/user
> A high-resolution version of a similar clef is here:
> http://de.wikipedia.org/wiki/Notenschl%C3%BCssel#C-Schl.C3.BCssel
>
> However, the font designer does not seem to have invested very much
> time in it's design, and the engraver used is not mentioned.
I've *never* seen this design. Maybe
On Thu, Oct 9, 2008 at 6:56 PM, Andrew Hawryluk <[EMAIL PROTECTED]> wrote:
>
> For such a link-heavy document, #1a1aaa should still meet the spirit
> of the w3 guidelines without making the links leap off the page to
> such an extent. What do you think?
This color is definitely better. Thanks.
O
Patrick McCarty wrote:
I'm still experimenting with this. :-)
I've created another design with a color palette that passes the W3C
Web Content Accessibility guidelines for color contrast:
http://uoregon.edu/~pmccarty/texi2html/start-alt-alt.html
http://uoregon.edu/~pmccarty/texi2html/lilypon
>From: "Neil Puttock" <[EMAIL PROTECTED]>
>...look at the the definition in ly/
thanks very much, graham and neil -- that was the hint i needed!
cheers!
--
.pltk.
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On Thu, Oct 9, 2008 at 6:58 PM, Patrick McCarty <[EMAIL PROTECTED]> wrote:
> I've created another design with a color palette that passes the W3C
> Web Content Accessibility guidelines for color contrast:
>
> http://uoregon.edu/~pmccarty/texi2html/start-alt-alt.html
> http://uoregon.edu/~pmccarty/t
Hello,
I'm trying to achieve this:
http://www.flickr.com/photos/[EMAIL
PROTECTED]/2927464861/sizes/o/in/photostream/
another example:
http://www.flickr.com/photos/[EMAIL
PROTECTED]/2927464879/sizes/o/in/photostream/
(my apologies for the lousy images, I can send better ones tomorrow, if
needed)
On Sat, Oct 4, 2008 at 7:11 PM, Robin Bannister <[EMAIL PROTECTED]> wrote:
> Patrick McCarty wrote:
>
>> What do you think?
>
> Yes, well the smoke has thinned a little.
> Look, when this thread started I thought I might keep an eye on what
> happened to the navigation, but I would keep well away f
A high-resolution version of a similar clef is here:
http://de.wikipedia.org/wiki/Notenschl%C3%BCssel#C-Schl.C3.BCssel
However, the font designer does not seem to have invested very much time
in it's design, and the engraver used is not mentioned.
___
Eyolf Østrem wrote:
> I suppose this thread brings up the issue of styles: since the mentioned
> clef is not really a new SIGN just a different GLYPH, are there other such
> signs that we want?
The one I stumbled across some while ago is an alternate D'al Segno
glyph, depicted here:
http:/
In message <[EMAIL PROTECTED]>, David Bobroff
<[EMAIL PROTECTED]> writes
I wondered the same thing. There is yet another style of C clef. I've
seen this other style in French music. It is a more boxy style that is
somewhere in-between the modern 'B' type C clef and the "French" style
'K' typ
2008/10/9 Jonathan Kulp <[EMAIL PROTECTED]>:
> There were no examples in the manpage (argh!!
> I hate that!!), and it was hard to say exactly how to do it, since the
> disable reverb option was nested inside another option that apparently
> didn't need a hyphen and...(sigh...)
Well, I guess not ev
2008/10/9 plutek <[EMAIL PROTECTED]>:
> thanks, neil as far as i can see, the index just shows me how to use
> \compressFullBarRests inside a score, without pointing me to any clues about
> how to accomplish the same thing globally.
As Graham suggests, take a look at the the definition in l
>From: "Neil Puttock" <[EMAIL PROTECTED]>
>2008/10/9 plutek-infinity <[EMAIL PROTECTED]>:
>> greetings!
>>
>> is there a collected reference of the meaning of the many lilypond
>> predefined commands? i don't see it in the docs
>
>Unfortunately not, since there's currently no automatic docume
On Thu, 9 Oct 2008 21:49:55 +0100
"Neil Puttock" <[EMAIL PROTECTED]> wrote:
> Hi,
>
> 2008/10/9 plutek-infinity <[EMAIL PROTECTED]>:
> >
> > is there a collected reference of the meaning of the many lilypond
> > predefined commands? i don't see it in the docs
There's no collected reference,
Hi,
2008/10/9 plutek-infinity <[EMAIL PROTECTED]>:
> greetings!
>
> is there a collected reference of the meaning of the many lilypond predefined
> commands? i don't see it in the docs
Unfortunately not, since there's currently no automatic documentation
generation for the predef files (it's
greetings!
is there a collected reference of the meaning of the many lilypond predefined
commands? i don't see it in the docs
in particular, right now i'm trying to figure exactly what
\compressFullBarRests does, so i can use my global style file to direct
multi-measure rests to always com
Valentin Villenave wrote:
>
> 2008/10/9 ellepi611 <[EMAIL PROTECTED]>:
>
>> I'm a beginner with Lilypond and I'd like to know how
>> have an inclined piano pedal bracket , like this
>
> Something like:
> \once \override Staff.PianoPedalBracket #'rotation = #'(15 1 0 )
>
> perhaps?
>
>
> Ch
Is draft.wikilily.org offline? Can't reach it anymore
Regards
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> I've posted a slightly clearer copy of such a clef to issue 693.
> For what it's worth, my memory tells me that this style of C clef is
> to be found in French publications. I certainly remember seeing it
> in trombone parts of French pieces and this example comes from the
> Ravel Concerto for l
> While we're on this subject: there's another quite important (at
> least in my line of work) glyph missing, and that's a better mark
> for lyric elisions. At present, it's a slur SPANNING the last letter
> of one word and the first of the next, but ideally it should be a
> small semi-circle JOIN
On 09.10.2008 (18:07), David Bobroff wrote:
> I wondered the same thing. There is yet another style of C clef. I've seen
> this other style in French music. It is a more boxy style that is somewhere
> in-between the modern 'B' type C clef and the "French" style 'K' type.
> There is also anot
That's the other French C clef variety I was talking about. I'll see if
I can get a fairly clean one to scan.
David
Werner LEMBERG wrote:
I can't seem to find a better image of this clef in the materials I
have on hand or on an internet search. [...]
BTW, looking into a impressionistic Fre
> I can't seem to find a better image of this clef in the materials I
> have on hand or on an internet search. [...]
BTW, looking into a impressionistic French full score, I can see
another variant of the alto clef, which looks approximately like this:
|| |
||__|
I wondered the same thing. There is yet another style of C clef. I've
seen this other style in French music. It is a more boxy style that is
somewhere in-between the modern 'B' type C clef and the "French" style
'K' type. There is also another type of bass clef that I think of as
"English"
I suppose this thread brings up the issue of styles: since the mentioned
clef is not really a new SIGN just a different GLYPH, are there other such
signs that we want? What about the "Fake book" style (a more
hand-written'ish style)? Or, perhaps more pertinent, since it's already
half there: a comp
Cool!! I've attached the infamous Ravel quartet snippet that prompted
me to post the query about this clef in the first place. Your C clef
looks nice in there, almost like the original. Of course in this
passage there's a switch to treble clef, and when it returns to alto,
the clef is a teenc
On 09.10.2008 (16:51), Werner LEMBERG wrote:
> Well, of course, but the idea is not to `trace' such a glyph but to
> generate it, using mathematical rules, in particular to make it
> optically fit to different sizes, similar to the other feta glyphs.
While we're on this subject: there's another qu
>From: David Bobroff <[EMAIL PROTECTED]>
>
>I've posted a slightly clearer copy of such a clef to issue 693. For
>what it's worth, my memory tells me that this style of C clef is to be
>found in French publications. I certainly remember seeing it in
>trombone parts of French pieces and this ex
Sebastian Menge wrote:
> Am Thu, 9 Oct 2008 16:41:02 +0200
> schrieb "Valentin Villenave" <[EMAIL PROTECTED]>:
>
>
>> 2008/10/9 Sebastian Menge <[EMAIL PROTECTED]>:
>>
>>
>>> Ah, ok. I'm using 2.10.33 . I'll try the change you propose.
>>>
>> Hi Sebastian,
>>
>> Most of the collision
2008/10/9 Jonathan Kulp <[EMAIL PROTECTED]>:
> Valentin,
>
> Could you make a png file of your clef? When I tried to open it with
> FontForge it said the file was corrupted or not the right type. Weird.
Better yet: here's a ready-to-use snippet.
altoClef = \markup \postscript #"
gsave newp
Le Thu, 9 Oct 2008 10:08:00 +0100,
"Trevor Daniels" <[EMAIL PROTECTED]> a écrit :
> Hi David
>
> Many thanks for this. The abbreviations are fine as they are - these
> headwords are not intended to teach anything, they're just to show what is
> possible. I added midi output (hope that's OK wi
2008/10/9 Kieren MacMillan <[EMAIL PROTECTED]>:
> No… I believe the desired property is #'bracket-flare, so that only the end
> is tilted (not the entire bracket/line).
Yes, we spoke about this with Mats recently:
http://lists.gnu.org/archive/html/lilypond-devel/2008-09/msg00243.html
However, I'
I've posted a slightly clearer copy of such a clef to issue 693. For
what it's worth, my memory tells me that this style of C clef is to be
found in French publications. I certainly remember seeing it in
trombone parts of French pieces and this example comes from the Ravel
Concerto for left h
I can't seem to find a better image of this clef in the materials I have
on hand or on an internet search. I got it originally from a .pdf file
downloaded from the International Music Score Library Project. It'd be
better to have an original paper score in hand for scanning at high res.
If n
Hi,
I'm a beginner with Lilypond and I'd like to know how
have an inclined piano pedal bracket , like this
Something like:
\once \override Staff.PianoPedalBracket #'rotation = #'(15 1 0 )
No… I believe the desired property is #'bracket-flare, so that only
the end is tilted (not the entire b
2008/10/9 Sebastian Menge <[EMAIL PROTECTED]>:
> I dont like compiling/installing stuff myself. I just use the
> stable binary packages for my distro, in this case ubuntu.
Compiling and installing are two very different things. Especially
when your program comes with a well-written installer/unin
Am Thu, 9 Oct 2008 16:41:02 +0200
schrieb "Valentin Villenave" <[EMAIL PROTECTED]>:
> 2008/10/9 Sebastian Menge <[EMAIL PROTECTED]>:
>
> > Ah, ok. I'm using 2.10.33 . I'll try the change you propose.
>
> Hi Sebastian,
>
> Most of the collision problems have been fixed in the 2.11 series,
> whic
2008/10/9 ellepi611 <[EMAIL PROTECTED]>:
> I'm a beginner with Lilypond and I'd like to know how
> have an inclined piano pedal bracket , like this
Something like:
\once \override Staff.PianoPedalBracket #'rotation = #'(15 1 0 )
perhaps?
Cheers,
Valentin
__
> What about automatic tools such as mftrace? If you had a
> high-resolution scan, would you be able to generate code by
> vectorizing it?
Well, of course, but the idea is not to `trace' such a glyph but to
generate it, using mathematical rules, in particular to make it
optically fit to different
2008/10/9 Werner LEMBERG <[EMAIL PROTECTED]>:
>> Werner: I don't know anything about metafont (how the hell do you
>> write a metafont glyph? Do you write plain source code, or are there
>> graphic editors somewhere?)
>
> I write plain code.
[OT]
What about automatic tools such as mftrace? If you
2008/10/9 Sebastian Menge <[EMAIL PROTECTED]>:
> Ah, ok. I'm using 2.10.33 . I'll try the change you propose.
Hi Sebastian,
Most of the collision problems have been fixed in the 2.11 series,
which is now *very* stable (as of the 62nd release!) and is about to
turn into our new 2.12 stable branch
Hi,
I'm a beginner with Lilypond and I'd like to know how
have an inclined piano pedal bracket , like this
|
|/
and this:
|
|___/
Someone can help me?
Thanks!
Ellepi
--
View this message in context:
http://www.nabble.com/inclined-piano-pedal-bracket-tp19899844p19899844.html
Sent fr
Thanks Werner. You were right. The package in the Ubuntu repo is
pretty old. I got the latest version in a .deb package here:
http://espelhos.edugraf.ufsc.br/ubuntu/pool/main/f/fontforge/
The sourceforge site only has .rpm packages, which my system doesn't
handle very well.
To my eye Vale
2008/10/9 Dmytro O. Redchuk <[EMAIL PROTECTED]>:
> You can try to use #'minimum-Y-extent :
[...]
> (and the same for TextScript context)
Oops, sorry, not the same. Like this:
[...]
\new PianoStaff <<
\new Staff = "upper" {
\relative c'' {
\override TextScript #'staff-padding =
You can try to use #'minimum-Y-extent :
<<
\chords { c1 c }
\new PianoStaff <<
\new Staff = "upper" {
\relative c'' {
c16 ^\markup { \bold "Test" } g a b r2.
c16 ^\markup { \bold "LongTest" } a b r2.
}
\addlyrics { la la la la la la la la }
}
\new
Daniel Hulme <[EMAIL PROTECTED]> writes:
> I don't know. I'm using 2.10.33 on Debian/sid, and I've just tested
> running one of my lilypond scores through psbook, psnup, and psbook |
> psnup, and I couldn't get any of them to not be viewable with gv.
I can reproduce this on Fedora 8.
AFAICS the
2008/10/9 Grammostola Rosea <[EMAIL PROTECTED]>:
> Bertalan Fodor (LilyPondTool) wrote:
>>
>> Also, wouldn't it be a good idea to remove, wipe, destroy outdated
>> documentation from the web? If you search for:
>> lyrics site:lilypond.org
>> in Google
>> you get 2.9 results!
lyrics site:lilypond.o
Bertalan Fodor (LilyPondTool) wrote:
Also, wouldn't it be a good idea to remove, wipe, destroy outdated
documentation from the web? If you search for:
lyrics site:lilypond.org
in Google
you get 2.9 results!
Isn't a embedded search engine not a better idea then?
Bert
Grammostola Rosea wrote:
> Werner: I don't know anything about metafont (how the hell do you
> write a metafont glyph? Do you write plain source code, or are there
> graphic editors somewhere?)
I write plain code.
> but I have tried to draw a glyph in FontForge (see attached file,
> you may open it using FontForge). Don
> Could you make a png file of your clef? When I tried to open it with
> FontForge it said the file was corrupted or not the right type. Weird.
Your FontForge version is probably too old. The SFD format has
changed.
Werner
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lilypond-user mai
Bastl2 wrote:
>
> And it is a real
> \mark: There should be written "Intro" or "Verse". So I think thats the
> way to go, I just have to adjust the spacing, but dont know how.
>
did U try something like
\override Score.RehearsalMark #'self-alignment-X = #LEFT
-Eluze
--
View this message in
Also, wouldn't it be a good idea to remove, wipe, destroy outdated
documentation from the web? If you search for:
lyrics site:lilypond.org
in Google
you get 2.9 results!
Bert
Grammostola Rosea wrote:
Hi,
Wouldn't it be a good idea to have an embedded search engine on the
website? It would se
Am Thu, 9 Oct 2008 15:04:23 +0300
schrieb "Dmytro O. Redchuk" <[EMAIL PROTECTED]>:
> "Real mark" will appear above chords (you wish them to be in
> between?), so you may try text marks look like "real mark".
>
> I have no collisions with 2.11.42.
>
> Try to change #'minimum-Y-extent for chords?
2008/10/9 Jonathan Kulp <[EMAIL PROTECTED]>:
> Valentin,
>
> Could you make a png file of your clef? When I tried to open it with
> FontForge it said the file was corrupted or not the right type. Weird.
Yes. Same error. Weird :-)
>
> Jon
>
> Valentin Villenave wrote:
>>
>> 2008/10/9 Valentin Vill
Valentin,
Could you make a png file of your clef? When I tried to open it with
FontForge it said the file was corrupted or not the right type. Weird.
Jon
Valentin Villenave wrote:
2008/10/9 Valentin Villenave <[EMAIL PROTECTED]>:
Werner: I don't know anything about metafont (how the hell d
Oh, thanks for telling me that, Valentin. I wasn't sure whether the
list would get the message or not, but I assumed I would get a note back
if it failed, saying I needed to be a subscriber. I never got one so I
thought it must have gone though. Now I know. Thanks for taking care
of it for
Am Thu, 9 Oct 2008 14:36:11 +0300
schrieb "Dmytro O. Redchuk" <[EMAIL PROTECTED]>:
> Use ^\markup {} instead of \mark \markup ...
Had that before, looks even uglier (collides also). And it is a real
\mark: There should be written "Intro" or "Verse". So I think thats the
way to go, I just have to
I followed Graham's advice to check into my MIDI player and found that
Timidity has a huge array of command-line options. I tried disabling
reverb and it helped a bit. Hard to say. It sounded like it still had
some reverb but it wasn't nearly as bad. I'm not even completely sure I
specified
Use ^\markup {} instead of \mark \markup ...
2008/10/9 Sebastian Menge <[EMAIL PROTECTED]>:
> Am Wed, 08 Oct 2008 20:06:27 -0700
> schrieb Patrick Horgan <[EMAIL PROTECTED]>:
>
>> \paper { annotate-spacing = ##t }
>
> Wow, that's impressing. To be honest, lilypond is one of the strongest
> OSS pro
Am Wed, 08 Oct 2008 20:06:27 -0700
schrieb Patrick Horgan <[EMAIL PROTECTED]>:
> \paper { annotate-spacing = ##t }
Wow, that's impressing. To be honest, lilypond is one of the strongest
OSS projects i've seen in the last years. Kudos to everyone involved!
But my original issue is still open:
>
James E. Bailey wrote:
On 07.10.2008, at 15:48, Grammostola Rosea wrote:
Alternativeley, you can search the documentation with the google
search engine.
Scroogle or ixquick is what you supposed to say? ;)
What I meant
was http://lists.gnu.org/archive/html/lilypond-user/2008-03/msg00063.html
2008/10/9 Valentin Villenave <[EMAIL PROTECTED]>:
Werner: I don't know anything about metafont (how the hell do you
write a metafont glyph? Do you write plain source code, or are there
graphic editors somewhere?) but I have tried to draw a glyph in
FontForge (see attached file, you may open it usi
On 07.10.2008, at 15:48, Grammostola Rosea wrote:
Alternativeley, you can search the documentation with the google
search engine.
Scroogle or ixquick is what you supposed to say? ;)
What I meant was
http://lists.gnu.org/archive/html/lilypond-user/2008-03/msg00063.html
Am Oct 7, 2008 um
Hi David
Many thanks for this. The abbreviations are fine as they are - these
headwords are not intended to teach anything, they're just to show what is
possible. I added midi output (hope that's OK with you - what tempo do you
suggest?) and pushed to git master so we can see how it looks wi
2008/10/8 Jonathan Kulp <[EMAIL PROTECTED]>:
> Just a note to say "thanks" to whoever implemented \drummode and wrote the
> docs for percussion. I finally got around to checking this out today and I
> should have done it ages ago. In my orchestral piece I'd been using normal
> mode in the percuss
2008/10/9 Jonathan Kulp <[EMAIL PROTECTED]>:
> All the more reason to have it available to us! I've submitted the request
> to bug-lily as suggested so perhaps it will appear in a future release.
Nothing yet on the bug list; may I remind you that as a non-subscriber
the first line of any mail yo
2008/10/8 Graham Percival <[EMAIL PROTECTED]>:
> It's not in the docs because it's not lilypond. Consult the docs
> for your MIDI player and/or synth.
LilyPond is for typesetting but it also has MIDI capabilities.
LilyPond's typesetting capabilities are expanded by Scheme and even
native PostScri
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