Measure markup

I'm wondering if it's possible to do text markup relative to a measure bar instead of to a note. I'm wondering this because this is approximately* where the hymn-style piano introduction brackets (i.e. kind of like these characters, ⌜ and ⌝, only thinner and larger) are supposed to go, and it's

Re: Measure markup

2008/10/30 Cordilow [EMAIL PROTECTED]: I'm wondering if it's possible to do text markup relative to a measure bar instead of to a note. Please, excuse me if i misunderstood you -- have you tried \mark command ? -- Dmytro O. Redchuk ___

laissezVibrer

Why is the distance between the first two 1/16 notes right in the first bar and too wide in the second? (Do not change the music, it is autograph. Thanks for all the help. %% \version 2.11.62 \new Staff { \time 4/4 \key e \minor \clef treble_8

Re: no more merged noteheads after harmonics

notesetter wrote: Hello. I'm typesetting a guitar piece for which I'm using the black harmonic noteheads for harmonics. Also, I'm merging differentlyDotted and differentlyHeaded notes across the bass and treble voices. The problem is, after I use harmonic notes, my differentlyHeaded

Re: no more merged noteheads after harmonics

Read about Text marks in section 1.8.1 Writing text in the Notation Reference for version 2.11. /Mats David Stocker wrote: Hello. I'm typesetting a guitar piece for which I'm using the black harmonic noteheads for harmonics. Also, I'm merging differentlyDotted and differentlyHeaded notes

Re: What to do when \ and \ produce text

Valentin Villenave wrote: 2008/10/29 Reinhold Kainhofer [EMAIL PROTECTED]: \cresc ... Starts a text crescendo \dim ... Starts a text diminuendo Already done, as I mentioned in an earlier email. \decresc ... Starts a text decrescendo This one wasn't available earlier, but can of

Re: What to do when \ and \ produce text

Mats Bengtsson wrote Thursday, October 30, 2008 9:03 AM Valentin Villenave wrote: 2008/10/29 Reinhold Kainhofer [EMAIL PROTECTED]: \decresc ... Starts a text decrescendo This one wasn't available earlier, but can of course easily be added if there's consensus about it. For the macros that

Re: Measure markup

Reading the full question and not only the first lines, you should perhaps look at using either what's called ligatures in ancient notation: http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Ancient-notation_002d_002dcommon-features#Ligatures or analysis brackets:

Re: What to do when \ and \ produce text

2008/10/30 Trevor Daniels [EMAIL PROTECTED]: In my experience (vocal music), cresc and dim without a dashed line is used almost universally. Hairpins are used when an extent is being indicated. I have the same impression (choir music). I vote for not adding the dashed line to these

Re: Trouble getting my page layout just right

On Thu, Oct 30, 2008 at 07:46:16AM +1100, Cameron Horsburgh wrote: On Wed, Oct 29, 2008 at 05:00:17PM +0100, Mats Bengtsson wrote: Hmm, I'm glad I'm not the only one who thinks it's strange! And it's nothing recent either---it's been a problem since I first put the score together, which

Re: What to do when \ and \ produce text

Original-Nachricht Datum: Thu, 30 Oct 2008 12:29:12 +0200 Von: Risto Vääräniemi [EMAIL PROTECTED] An: Trevor Daniels [EMAIL PROTECTED] CC: lilypond-user@gnu.org, LilyPond Development [EMAIL PROTECTED], Mats Bengtsson [EMAIL PROTECTED] Betreff: Re: What to do when \\ and

Re: laissezVibrer

Hi Friedrich, Why is the distance between the first two 1/16 notes right in the first bar and too wide in the second? I don't know, but if you override the l.v. tie so that it takes up no horizontal space, the rest of the notes will flow evenly — see attached fix. [p.s. You should also

Re: no more merged noteheads after harmonics

Thanks. Setting \override Voice.NoteHead #'style = #'default is different from setting \revert Voice.NoteHead #'style . Really starting to get the hang of this... Eluze wrote: notesetter wrote: Hello. I'm typesetting a guitar piece for which I'm using the black harmonic noteheads for

Glissando from note A to note B, traversing multiple stems with hidden noteheads

Hey lilypond users, I am trying to write a glissando from note A to note B while traversing several headless stems and, so far, have only come up with the following solution: headless = #(define-music-function (parser location) () #{ \once \override Staff . NoteHead #'transparent = ##t

Re: Glissando from note A to note B, traversing multiple stems with hidden noteheads

The easiest is to use separate voices for the glissando notes and the headless notes inbetween: \version 2.10.0 headless = { \once \override Staff . NoteHead #'transparent = ##t } \new Staff \relative c'' {c4\glissando s2 f,4 } \new Voice { s4 \headless b \headless a } Note also

Hairpin length at repeat bar lines

Hi everybody, in the code snippet below the crescendo hairpin at repeat bar lines is a bit too long. Any workaround? \version 2.11.63 \paper{ ragged-right=##t } \relative c '' { c1 \ \repeat volta 2 {c1 \!} } Kind regards, Thies -- Feel free - 10 GB Mailbox, 100 FreeSMS/Monat ... Jetzt

Re: Hairpin length at repeat bar lines

Hi Thies, the crescendo hairpin at repeat bar lines is a bit too long. Any workaround? \once \override Hairpin #'bound-padding = #2.5 HTH! Kieren. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Hairpin length at repeat bar lines

If you read the section on Dynamics in the Notation reference for version 2.11, you will find a selected snippet with the answer to your question. /Mats Thies Albrecht wrote: Hi everybody, in the code snippet below the crescendo hairpin at repeat bar lines is a bit too long. Any

Re: Hairpin length at repeat bar lines

Thies Albrecht wrote: Hi Kieren, hi list, the crescendo hairpin at repeat bar lines is a bit too long. Any workaround? \once \override Hairpin #'bound-padding = #2.5 @Kieren: Yes, it helps... and no, it doesn't help... Using the proposed override the hairpin is shortened,

Re: Hairpin length at repeat bar lines

Hi Thies, @Kieren: Yes, it helps... and no, it doesn't help... Using the proposed override the hairpin is shortened, but only in case there is no line break occuring at the repeat bar line. Unfortunately in the piece I'm currently transcribing there is such a situation. It only becomes

how to install LilyPond Mode plugin in jEdit?

Hi folks, I'm trying to help a friend of mine get started with LilyPond, and the easiest way I've found to do my .ly editing is via jEdit. So I had her install that, as well as LilyPond. But I can't seem to find out how to install the LilyPond Mode plugin. Can anyone help here? It's been

Re: how to install LilyPond Mode plugin in jEdit?

2008/10/31 Father Gordon Gilbert [EMAIL PROTECTED]: I'm trying to help a friend of mine get started with LilyPond, and the easiest way I've found to do my .ly editing is via jEdit. So I had her install that, as well as LilyPond. But I can't seem to find out how to install the LilyPond Mode

Re: Measure markup

Mats Bengtsson-4 wrote: Reading the full question and not only the first lines, you should perhaps look at using … Excellent. Both of these things should help a lot—although it looks like I need the development version for the latter example to work—I'll go try it out and see. But first,

Lilypond versus … everything else

This isn't a technical question about how to use Lilypond, but rather I'm wondering if other programs are capable of doing all that Lilypond can. It seems like there are quite a lot of things in LilyPond I that I suspect other programs don't even offer. Is this true? For instance, can you make

Nabble forum archive for this list

Are there any plans to move the Nabble archive of this Lilypond list from Nabble 1 to Nabble 2? Anyway, you might even want to consider using Nabble 2 directly, as forums there double as emailing lists if you subscribe to them. They work quite well, and this would provide for a lot of