Zoltan Kota wrote:
I have been using Lily for a year now, and I have several music scores
as separate lily files. I would like to make a songbook including
them, with cover page, table of contents, correct page numbering, etc.
How should I start? What sectiones should I learn in documentation?
L
Jonathan Klein wrote:
I am engraving a song which starts with three measures of
instrumental before going into the first verse. How do I start the
lyrics on measure 4?
Many ways to skin a cat -- if the vocal part is in a separate voice from
the accompaniment, a simple \new Lyrics \lyricsto "v
On Sunday 08 February 2009 00:04:07 you wrote:
> I've never seen this error message before. I'm guessing this might be
> a Guile problem. Could you post your ./configure output?
>
Hi, thanks for the reply. Here is the .configure output:
http://dpaste.com/117974/
--
Mehmet Nur Olcay
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I am engraving a song which starts with three measures of instrumental before
going into the first verse. How do I start the lyrics on measure 4?
Jon___
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2009/2/7 Antanas Budriūnas :
> Hello,
>
> in piano scores when a particular note (chord) in the upper staff
> should be played with the left hand, a bracket of inverted "L" shape
> is placed before that note.
> I believe it is either in LP documentation or in Snippets, but
> unfortunately I can't f
Am 07.02.2009 um 23:34 schrieb Carl D. Sorensen:
On 2/7/09 1:27 PM, "James E. Bailey"
wrote:
I'm going to be engraving some more music with chords, and thanks to
last time, I have appropriate templates that will work. But, one
problem that is inconsistent is the placement of the flat s
Robin Bannister wrote:
Chipwrote:
I want a multi-measure rest with no number on it.
This gets rid of the number:
mmrNoNum = \once \override MultiMeasureRestNumber #'stencil = ##f
as in:
\mmrNoNum R1*16
Cheers,
Robin
Thanks, that's one I haven't seen in the NR or LM or Snippets. I placed
Anthony W. Youngman wrote:
In message ,
James E. Bailey writes
So how do you get it to print properly if you DON'T want it to
"shrink to fit"? (ime, it then prints the page, full size, but
offset down and left by the printer margin!)
I've found it IMPOSSIBLE to get the pdf to print cleanly
On 2/7/09 12:34 PM, "Robin Bannister" wrote:
> Carl D. Sorensen wrote:
>> Please file a bug report
>
> Already started, now done.
> http://lists.gnu.org/archive/html/bug-lilypond/2009-02/msg00014.html ?
>
> Cheers,
> Robin
Oops, after asking you to file a bug report I decided to take a quic
On 2/7/09 1:27 PM, "James E. Bailey" wrote:
> I'm going to be engraving some more music with chords, and thanks to
> last time, I have appropriate templates that will work. But, one
> problem that is inconsistent is the placement of the flat symbol.
>
> I have to use a modified semi-german ch
On Sat, Feb 7, 2009 at 10:04 AM, mehmet nur olcay wrote:
> On Saturday 07 February 2009 15:35:35 Mehmet Nur Olcay wrote:
>> Hi all,
>>
>> Trying to compile lilypond 2.12 from source but getting an error nearly at
>> the end of compiling, any idea/suggestion pls?
>>
>> Here is the output: http://pa
Anthony W. Youngman wrote:
In message <20090207193803.ga2...@istic.org>, Daniel Hulme
writes
On Sat, Feb 07, 2009 at 06:34:35PM +, Anthony W. Youngman wrote:
I just don't know where or why Acrobat is finding this American Letter
stuff (oh - I've got a Hickey Pouse WinPrinter - a laserjet 1
On Fri, Feb 6, 2009 at 11:11 PM, M Watts wrote:
> Tom Hall wrote:
>>
>> Hello List
>>
>> I have a generous between-system-padding = #6 for my score, but this gets
>> overriden when the pdf is created, with the following message:
>>
>> warning: Can't fit systems on page -- ignoring between-system-p
Hi,
Concerning time signatur I have found two possibilities:
%%
\version "2.12.1"
\score {
\new Staff {
\clef treble
\key c \major
\override Staff.TimeSignature #'break-visibility = #all-invisible
\relative g'{ \cadenzaOn g4 g g g g g g g g g \bar "|." }
}
}
Hello,
in piano scores when a particular note (chord) in the upper staff
should be played with the left hand, a bracket of inverted "L" shape
is placed before that note.
I believe it is either in LP documentation or in Snippets, but
unfortunately I can't find it.
Could you point me please...
Anta
In message <20090207193803.ga2...@istic.org>, Daniel Hulme
writes
On Sat, Feb 07, 2009 at 06:34:35PM +, Anthony W. Youngman wrote:
I just don't know where or why Acrobat is finding this American Letter
stuff (oh - I've got a Hickey Pouse WinPrinter - a laserjet 1000 series.
Maybe that's why
I'm going to be engraving some more music with chords, and thanks to
last time, I have appropriate templates that will work. But, one
problem that is inconsistent is the placement of the flat symbol.
I have to use a modified semi-german chord naming method because the
person I'm engraving f
On Sat, Feb 07, 2009 at 06:34:35PM +, Anthony W. Youngman wrote:
> I just don't know where or why Acrobat is finding this American Letter
> stuff (oh - I've got a Hickey Pouse WinPrinter - a laserjet 1000 series.
> Maybe that's why :-(
Maybe, but I've heard of other people having the same
Carl D. Sorensen wrote:
Please file a bug report
Already started, now done.
http://lists.gnu.org/archive/html/bug-lilypond/2009-02/msg00014.html ?
Cheers,
Robin
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Hi,
I've two new problems.
1. How I can write long text to composer to header?
2. Why don't hide TimeSignature?
Zbynek
\version "2.12.2"
\header{
composer = "Some long text. Long, long, long, long, long, long, long,
long, long."
}
\score {
\new Staff {
\clef treble
\key c \maj
On 2/6/09 4:31 PM, "-Eluze" wrote:
>
>
>
> Robin Bannister wrote:
>>
>>
>> The current (2.12.2) online NR 2.4.1 at line 782 has
>> neither the first fret nor the fingering aligned.
>> It looks prrety much like your align_chordmode.png.
>>
>> If I run the 782 snippet with my 2.12.1, it is
In message <50b55f67-a1ed-4f05-96bd-82b00b260...@googlemail.com>, James
E. Bailey writes
Am 07.02.2009 um 18:53 schrieb Anthony W. Youngman:
It's probably not helped by the fact that I have an A4 document,
printing on an A4 printer, and Acrobat (the ONLY application to do
it) insists the pr
James E. Bailey wrote:
Am 07.02.2009 um 18:53 schrieb Anthony W. Youngman:
It's probably not helped by the fact that I have an A4 document,
printing on an A4 printer, and Acrobat (the ONLY application to do it)
insists the printer has American Letter paper.
Ah, that's the problem. You need
On Saturday 07 February 2009 15:35:35 Mehmet Nur Olcay wrote:
> Hi all,
>
> Trying to compile lilypond 2.12 from source but getting an error nearly at
> the end of compiling, any idea/suggestion pls?
>
> Here is the output: http://pastebin.com/m3e8e359c
>
Ping ? Any idea about this error or any in
Am 07.02.2009 um 18:53 schrieb Anthony W. Youngman:
It's probably not helped by the fact that I have an A4 document,
printing on an A4 printer, and Acrobat (the ONLY application to do
it) insists the printer has American Letter paper.
Ah, that's the problem. You need to make sure that acr
In fact, looking at the picture, I would probably notate that thus:
\version "2.12.2"
RH = \relative c'' {
<<
{
\voiceOne
c4 g c2~ |
4 8 4
}\new Voice {
\voiceTwo
g8 f e f g4 s4 |
d2. e4
}\new Voice {
\voiceOne
In message , James
E. Bailey writes
So how do you get it to print properly if you DON'T want it to
"shrink to fit"? (ime, it then prints the page, full size, but
offset down and left by the printer margin!)
I've found it IMPOSSIBLE to get the pdf to print cleanly on a sheet
of paper, full
That's true, it's because you're notating notes of different values
at the same time. It happens without the third voice. You can turn
the warning off.
Am 07.02.2009 um 17:53 schrieb Jayaratna:
Hi James,
what you suggests works very well, but if you add the d2. at the
bottom
Lilypond s
Thanks a lot! It was just a little stupid error, but after hours working
on a lilypond file it can get hard to see it. :)
As always, the community shows a great support (and patience :P ).
Thanks a lot!
L.
Il giorno sab, 07/02/2009 alle 17.50 +0100, James E. Bailey ha scritto:
> in mm 123 of wha
For a songbook project I just completed, I've been
using Scribus and Gimp to manage my songbook layout and
import the individual song pages as 300 dpi png files.
This worked reasonably well, although Scribus takes a
bit of playing around with to figure out how to configure
a table of contents and o
Hi James,
what you suggests works very well, but if you add the d2. at the bottom
Lilypond says:
warning: ignoring too many clashing note columns
{ << { \voiceOne c'2~
c4 } \new Voice { \voiceTwo g4 \voiceOne a_~ a } \\{s2
d,2.}>> }
%
in mm 123 of what I'm assuming is the second voice, there's a tie.
That's probably preventing the lyric from appearing.
a 8 d' _~ d' 2 _~ r4
Am 07.02.2009 um 17:39 schrieb Lorenzo Bicci:
Hi everybody!
Here's the problem: when compiling the file below, no syllable gets
assigned to the firs
Robin Bannister wrote:
>
> c2*1/2^~
>
It works! But does this affect midi output?
--
View this message in context:
http://www.nabble.com/How-to-tie-a-note-in-a-chord-to-a-note-outside-a-chord-tp21889121p21890270.html
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
Aside from the tie/stem collision, is this not what you wanted?
\version "2.12.2"
\new Staff \relative c'' { << { \voiceOne c2~ c4 } \new Voice
{ \voiceTwo g4 \voiceOne a_~ a } >> }
<>
Am 07.02.2009 um 17:21 schrieb Jayaratna:
Hi Robin,
in fact I just came back to the list because I still
Hi everybody!
Here's the problem: when compiling the file below, no syllable gets assigned to
the first note of the 5th bar of the second voice (see the PDF here:
http://www.ntontopupu.com/prova.pdf). I tried with both versions 2.10 (on
Linux) and 2.12 (on
Windows). Did i make any error in the .
2009/2/5 Francisco Vila :
> In another concession to windows users like my students, I'd like to
> have a windows built-in version of main.ly (say winmain.ly) with the
> foo/ path style in the includes, and which they could process directly
> on their systems.
Johannes: thank you very much, FOSS
Hi Robin,
in fact I just came back to the list because I still didn't know how to tie
that a: I'm trying your tieWaitForNote, which sounds like should work...
Thanks!!!
A
Robin Bannister wrote:
>
> Jayaratna wrote:
>> This does not seem to work:
>> <<{\stemUp c2^~ c4}\\{\stemDown g4 \stemUp
Jayaratna wrote:
This does not seem to work:
<<{\stemUp c2^~ c4}\\{\stemDown g4 \stemUp a4_~ a}>>
Well, this looks like (part of) what you want!
Or is it that you then don't see how to cope with the d2.?
The manual mentions connecting ties across voices
( Snippets / Rhythms / Making an obj
Thank you, I think it's exactly what I needed!
A
James E. Bailey-3 wrote:
>
>
> Am 07.02.2009 um 15:50 schrieb Jayaratna:
>
>>
>> Dear subscribers,
>>
>> I am inputting some very complicated polyphonic music for keyboard.
>> Maybe
>> this is a newbie idiotic question, but I cannot understan
Rob
Have a look at "Changing staff automatically" in
section 2.2.1 of the Notation Reference. It describes
the \autochange command. This has limitations (like
the staff names are fixed and the switch point is
always middle C), but it might help.
Trevor
- Original Message -
From:
Am 07.02.2009 um 15:50 schrieb Jayaratna:
Dear subscribers,
I am inputting some very complicated polyphonic music for keyboard.
Maybe
this is a newbie idiotic question, but I cannot understand how to
input
these two bars: the problem is printing the tied A across the
measures while
keep
Dear subscribers,
I am inputting some very complicated polyphonic music for keyboard. Maybe
this is a newbie idiotic question, but I cannot understand how to input
these two bars: the problem is printing the tied A across the measures while
keeping the second one in the same chord with the upper
hello,
i have a string of notes for piano (one voice) spanning 5octaves that
needs dividing between the two staves
is there a way to set a threshold pitch and say any pitch below that
threshold will go to the bottom piano stave and anything above it will
go to the top piano stave?
i can se
Hi all,
Trying to compile lilypond 2.12 from source but getting an error nearly at the
end of compiling, any idea/suggestion pls?
Here is the output: http://pastebin.com/m3e8e359c
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Kieren MacMillan napsal(a):
Hi Zbyněk,
Hmmm...
Is some way to create following?:
on one barline fermata and default rehearsal mark
in case that this barline is at the end of line, fermata is printed at
the end of line and default rehearsal mark is printed at begining of new
line.
I impose piec
Brian wrote:
Hope this helps somebody, I've been trying to get a system going for my slashes
and finally found something that works!
Good candidate for the LSR.
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Stefan Thomas wrote:
Dear lilypond-users,
when compiling one of my scores I get the following error message,
which I don't understand:
musik/musik_ab115.ly:63:16: warning: No tuplet to end
s8\fp\< s\f\>
\times 4/6 { s32*5\p\< s 32\!} \pedtrem s4...\ff
\startTextSpan s32 \stop
Zbyněk Burget wrote:
Solved by upgrade to lily 2.*13*.2
Thanks all
We'll expect some great bugfixes and cool new features from you then! ;)
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Hi Zbyněk,
Hmmm...
Is some way to create following?:
on one barline fermata and default rehearsal mark
in case that this barline is at the end of line, fermata is printed at
the end of line and default rehearsal mark is printed at begining
of new
line.
I impose piece for orchestra, and I gen
Mats Bengtsson napsal(a):
James E. Bailey wrote:
Also, you can have a separate context for each mark, since only one
mark can be in a voice at a time.
If you try your suggestion, I'm afraid you'll get disappointed. Since
rehearsal marks are created
at the score level, it doesn't matte
Solved by upgrade to lily 2.13.2
Thanks all
Zbyněk Burget napsal(a):
Hi,
I've small problem
I've following bar:
c4-. \times 2/3 { \repeat "tremolo" 3 c8 } c4-. \times 2/3 { \repeat
"tremolo" 3 c8 }
so-called tremolo is "in tuplet". But tuplet numbers are not printed.
Is any way to "visible
Am 07.02.2009 um 01:55 schrieb Anthony W. Youngman:
In message <5c547d22-490a-4ec7-a6d5-e5d8e8ec4...@gmail.com>, Simon
Bailey writes
chip,
On Feb 6, 2009, at 12:08 AM, Chip wrote:
When I view my file as .pdf it shows the very small margins all
the way around the page. When I print the .pd
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