On 15.03.2009 2:04, M Watts wrote:
Miklos Vajna wrote:
Now I want the same with A^4, so I type:
\chords {
a:4
}
and I get: A^4/sus4/add3.
Question: How do I get just an A^4? :)
Just use a chord name exception -- it looks like a lot of setting up,
but it's well worth it, and
Asus4 is a particular kind of chord where the 4 is held over from
another harmony (like IV-I).
A4 would seem to indicate an 'A' played with a perfect fourth above (in
the way 'A5' is understood to mean 'A' played with a perfect fifth above.
Luc Saffre wrote:
On 15.03.2009 2:04, M Watts
I'm trying to work out some auto-beaming modifications.
In 2/4 time I want:
4 8th notes beamed
4 16th notes beamed
8 32nd notes beamed with a subdivision at the 8th note level
Is this possible? I understand that I'll need to revert some beaming
rules in auto-beam.scm. Frankly, I get a bit
Luc Saffre wrote:
Can somebody explain what's the difference between printing A^sus4 and
A^4? I had only basic music education but am helping with publishing a
songbook using Lilypond, and I thought that the difference is not
important. But now I'm afraid I'm wrong and that I'll have to check
Thanks, Brett.
To summarize for myself, and maybe some documentation maintainer wants
to integrate that somewhere:
If I'm encoding chords from a previously published score, and there is a
C4, then (1) I try to find out what they really meant, and (2)
depending on that:
If they meant...
The linewidth is always around 190 mm (+-), so this my be the reason
for LilyPonds default margins. I'd prefer letter format, but in
Germany (Europe?) letter format paper is not easily available.
I even more I like 9x12 inch (Breitkopf Härtel), but even if I
found paper in ths format, my printer
Oops, errata:
an added 4th must be coded c:5.4, not c:add4.
Luc
On 19.03.2009 9:49, Luc Saffre wrote:
Thanks, Brett.
To summarize for myself, and maybe some documentation maintainer wants
to integrate that somewhere:
If I'm encoding chords from a previously published score, and there is
Valentin Villenave wrote:
2009/3/19 Florian Hollerweger f...@mur.at:
(sorry, I missed your second mail)
It seems that staff-change lines do not work whenever they have to operate
in a voice context (version 2.10.33)?
Actually, it's the opposite: followVoice or showStaffSwitch only
Hello,
in some printed scores I find a chords notation as shown in the attached
picture. Is there a way to render this in LP? I didn't find any better
than writing a2:sus4 a which is less clear...
Luc
inline: chords.jpg___
lilypond-user mailing list
Hi
This is almost but not quite possible. You have to use beam-ending
rules to obtain different beaming for different note durations
(rather than beat-grouping rules, which apply to all note
durations).
In 2.12 the beam-ending rules are
((end * * 2 4) . ,(ly:make-moment 1 4))
((end
file was encoded in utf-8 so it couldn't work.
???
Add
\usepackage[utf8]{inputenc}
to the preamble of your document and UTF-8 is supported (well, at
least for most languages based on the latin script). Be warned,
however, that you probably have to remove the Byte-Order Mark (BOM)
manually
Dear Lilypond users,
I still have the problem with getting the right distance between first
staff and TimeSig.
In the below quoted snippet, the first staff is not alwys the same.
How can I (if possible, automatically) control the distance between
TimeSig and first staff?
Here is the snippet:
Hi folks,
I'm having trouble trying to modify the automatic beaming for a piece
I'm working on. This piece has many examples of this figure in 4/4 time:
a8 a a a16 a
I would like the beaming to be:
a8[ a] a[ a16 a]
___ ___
| | | |___|
| | | | |
| | | | |
O
Werner LEMBERG wrote:
file was encoded in utf-8 so it couldn't work.
???
It seems I'm an idiot...
everything is ok right now, without any tweak. Thanks (and sorry) for your
time.
-
Piero Faustini, PhD student
Dipartimento di Scienze Storiche
Sezione musicologia
Università di
I guess you still want
| | | |
| | | |
| | | |
O O O O
to stay beamed, right? Otherwise, it would be simple to break all the
beams after 2 eight notes.
/Mats
Cameron Horsburgh wrote:
Hi folks,
I'm having trouble trying to modify the
Trevor Daniels wrote:
Unfortunately, this will also subdivide 16th beams too. This is what
I meant by not quite possible. You would need to turn
subdivideBeams on and off as required.
Should we turn this into feature request to make the automatic
subdivision of beams even more flexible, with
David Stocker wrote:
I'm working on the first group of missing LilyPond Tab features and
it pertains to finger bends. I expect this to be a slow process. We
have two (or maybe three) individuals who have expressed interest in
joining the discussion, so when I have something, I'll send it out
Hi,
Mats Bengtsson wrote:
Florian, why not use a glissando for the latter case?
Because I couldn't see the obvious any more after an evening of lilyponding?
Thanks for that hint, Mats and Valentin!
best,
flo.H
___
lilypond-user mailing list
On Thu, Mar 19, 2009 at 12:13:06PM +0100, Mats Bengtsson wrote:
I guess you still want
| | | | | | | | | | | | O O O O
to stay beamed, right? Otherwise, it would be simple to break all the
beams after 2 eight notes.
/Mats
Sorry, yes. Group
On 19.03.2009 11:59, Brett Duncan wrote:
Luc Saffre wrote:
in some printed scores I find a chords notation as shown in the
attached picture. Is there a way to render this in LP? I didn't
find any better than writing a2:sus4 a which is less clear...
In a lot of music, Asus4 A is exactly
In AU 1.2.2, the link for Bison points to Flex.
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Luc Saffre wrote:
Hello,
in some printed scores I find a chords notation as shown in the attached
picture. Is there a way to render this in LP? I didn't find any better
than writing a2:sus4 a which is less clear...
In a lot of music, Asus4 A is exactly how it appears. I've
certainly seen
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Donnerstag, 19. März 2009 schrieb Rick Hansen (aka RickH):
Hello,
I have some spare time and would like to do some work in testing the
MusicXML converter. I tried to download the test cases zip file at the
link below (as found on this site)
Patch attached. Thanks for the heads-up, James.
Jonathan
On Thu, Mar 19, 2009 at 7:11 AM, James E. Bailey
derhindem...@googlemail.com wrote:
In AU 1.2.2, the link for Bison points to Flex.
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On Wed, Mar 18, 2009 at 10:03:42PM -0700, Mark Polesky wrote:
I have! At one point I was frustrated by this very issue
and went through my score library with a ruler. Valentin
mentioned precise measurements, but to my surprise,
measured values from any one publisher deviated quite a
lot
On 3/19/09 5:13 AM, Mats Bengtsson mats.bengts...@ee.kth.se wrote:
Trevor Daniels wrote:
Unfortunately, this will also subdivide 16th beams too. This is what
I meant by not quite possible. You would need to turn
subdivideBeams on and off as required.
Should we turn this into feature
Carl D. Sorensen wrote:
On 3/19/09 5:13 AM, Mats Bengtsson mats.bengts...@ee.kth.se wrote:
Should we turn this into feature request to make the automatic
subdivision of beams even more flexible, with separate rules for
different note lengths, or would the resulting scheme get too messy
On 3/19/09 8:34 AM, Mats Bengtsson mats.bengts...@ee.kth.se wrote:
Carl D. Sorensen wrote:
On 3/19/09 5:13 AM, Mats Bengtsson mats.bengts...@ee.kth.se wrote:
Should we turn this into feature request to make the automatic
subdivision of beams even more flexible, with separate rules
From: Graham Percival
A priori, I would say that changing margins are **not** a good
idea... but since professional typesetters do it, and I never
noticed myself in 25 years of music-playing, I have to admit that
maybe it's a good idea.
Graham,
I don't get the sense that professional
On Thu, Mar 19, 2009 at 09:04:29AM -0700, Mark Polesky wrote:
From: Graham Percival
A priori, I would say that changing margins are **not** a good
idea... but since professional typesetters do it, and I never
noticed myself in 25 years of music-playing, I have to admit that
maybe it's
2009/3/19 Graham Percival gra...@percival-music.ca:
This would require the ability to change margins in lilypond
on-the-fly, of course. I doubt that's possible in current page
settings... and in any case, it would mix up content and
presentation a fair amount. Unless we defined something
On 3/19/09 7:53 AM, Graham Percival gra...@percival-music.ca wrote:
On Wed, Mar 18, 2009 at 10:03:42PM -0700, Mark Polesky wrote:
I have! At one point I was frustrated by this very issue
and went through my score library with a ruler. Valentin
mentioned precise measurements, but to my
\version 2.12.2
\relative c'' {
{
\mergeDifferentlyHeadedOn
c8 d e d
} \\ {
c2
}
}
If you look closely at the output produced by the above, the right-hand stem
on the merged note is not exactly positioned in line with the right-hand
side of the notehead. This is the example from section 1.5.2
\version 2.12.2
\relative c'' {
{
\mergeDifferentlyHeadedOn
c8 d e d
} \\ {
c2
}
}
If you look closely at the output produced by the above, the right-hand stem
on the merged note is not exactly positioned in line with the right-hand
side of the notehead. This is the example from section 1.5.2
Hello
Is there any chance to produce cross-staff ties?
I was trying with
\change Staff = upper \stemDown a4 ~
\change Staff = lower \stemUp
a2 ~
but this is not doing it right :)
Thank
Alberto
--
Alberto Simões - Departamento de Informática - Universidade do Minho
Carl D. Sorensenwrote Thursday, March 19, 2009 2:42 PM
On 3/19/09 8:34 AM, Mats Bengtsson mats.bengts...@ee.kth.se
wrote:
Carl D. Sorensen wrote:
On 3/19/09 5:13 AM, Mats Bengtsson mats.bengts...@ee.kth.se
wrote:
Should we turn this into feature request to make the automatic
Hi Stefan,
Have you considered abandoning the TimeSig context, and simply
adjusting the TimeSignature of the topmost Staff directly? Using
#'font-size, #'X-extent, and #'X-offset (or #'extra-offset), you can
get the same effect, with perfect spacing every time -- the only
thing you need
Hi,
Could anyone point me towards a snippet/documentation which could help
me to attach markup to a bracket? I'd like to mark up a score with
melodic intervals and potentially add other markup such as drawing
commands. A mockup edited in Inkscape is attached.
Any suggestions would be gratefully
Dear Kieren,
that sounds good, but I'm not sure if I understood You right. Do You
mean a Staff-context without notes, but with Time-Signatures? Could
You give me please a very short example?
2009/3/19 Kieren MacMillan kieren_macmil...@sympatico.ca:
Hi Stefan,
Have you considered abandoning the
Le 19 mars 2009 21:21, Frédéric Bron frederic.b...@m4x.org a écrit :
The following code produces no glissando between 16th notes (2.12.2):
Why?
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-internals/Glissando
Default padding is 1.5 staff spaces on the right and on the left. If
On Thu, Mar 19, 2009 at 06:11:09PM +, Alberto Simões wrote:
I just would like to make lilypond to shut up about those specific clashes.
Is there any way to do that?
Try \override NoteColumn #'ignore-collision = ##t
--
Cameron Horsburgh
Blog: http://spiritcry.wordpress.com/
I wrote myself a music function a while ago to simplify modifying the glissando
end points when indicating slides on the guitar:
% modify glissando start and end points to indicate a left-hand finger slide
% between notes. Example:
%
% \slide #3 #4 g4\glissando fis
%
slide =
Yes, I see the same with 2.12.1 on Vista and viewed with Adobe
Reader 8.1.3. See attached. A minor bug, but a definite one for a
program in which beautifully typeset music is the main objective.
Valentin?
Trevor
- Original Message -
From: Nick Payne njpa...@internode.on.net
To:
Thanks Jon - pushed to origin/master.
Trevor
- Original Message -
From: Jonathan Kulp jonlancek...@gmail.com
To: James E. Bailey derhindem...@googlemail.com
Cc: Trevor Daniels t.dani...@treda.co.uk; lilypond-user
Mailinglist lilypond-user@gnu.org
Sent: Thursday, March 19, 2009 1:54
Cameron Horsburgh wrote Thursday, March 19, 2009 10:28 AM
I'm having trouble trying to modify the automatic beaming for a
piece
I'm working on. This piece has many examples of this figure in 4/4
time:
a8 a a a16 a
I would like the beaming to be:
a8[ a] a[ a16 a]
___ ___
| |
I'm working on a cadenza. I need a fermata in all staffs, silent ones and the
playing one.
- But I can't have a \fermata work on a one-bar-long R rest (just a silent
staff during the Soprano cadenza). If I put a r rest (by instance, a
horrible r4. rest!) it works but it put the note align on the
MonAmiPierrot wrote:
- But I can't have a \fermata work on a one-bar-long R rest (just a
silent staff during the Soprano cadenza). If I put a r rest (by instance,
a horrible r4. rest!) it works but it put the note align on the left...
Found this one: ^\fermataMarkup
Still no idea for
Hi Stefan,
that sounds good, but I'm not sure if I understood You right. Do You
mean a Staff-context without notes, but with Time-Signatures? Could
You give me please a very short example?
Hope this helps!
Kieren.
%
\version 2.12.2
filler = \repeat unfold 48 { c'4 }
\layout
{
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