Op maandag 08 juni 2009, schreef Mats Bengtsson:
They are documented, see
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-internals/Acciden
tal_005fengraver#Accidental_005fengraver and as far as I can remember, the
interface hasn't changed for a long time.
I had to manually change my
Jean-Alexis Montignies wrote:
1) I had some difficulties to write the Alt chords (for me it's based
on the superlocrian scale 1 2- 2+ 3 4+ 6- (or 5+) 7-) because the
scale has two seconds. (Note that the diminished scale cannot be
written for now with the chord notation, if you ever want to
Hello,
sorry for off-topic question. Since you're experineced with notation I hope
you can help. I am looking for a GUI based notation editor. The requirements
are:
- runs on Windows VISTA
- open source or other free software
- visual input (GUI)
- can generate MIDI files
I would be nice if
Andy wrote:
Hello,
sorry for off-topic question. Since you're experineced with notation I hope
you can help. I am looking for a GUI based notation editor. The requirements
are:
- runs on Windows VISTA
- open source or other free software
- visual input (GUI)
- can generate MIDI files
I would
Grammostola Rosea wrote:
Andy wrote:
Hello,
sorry for off-topic question. Since you're experineced with notation
I hope you can help. I am looking for a GUI based notation editor.
The requirements are:
- runs on Windows VISTA
- open source or other free software
- visual input (GUI)
- can
Hi,
Frescobaldi 0.7.10 has been released in the wild.
Source: http://lilykde.googlecode.com/files/frescobaldi-0.7.10.tar.gz
Homepage: http://www.frescobaldi.org/
Frescobaldi is a dedicated LilyPond music text editor, built with KDE4. There
are some improvements and new features:
* Point and
The snippet Automatic beams two per two in 4/4 or 2/2 time signature
(http://lilypond.org/doc/v2.13/input/lsr/lilypond-snippets/Rhythms#Automatic
-beams-two-per-two-in-4_002f4-or-2_002f2-time-signature) seems to be
unneeded in 2.13.1, as the output in the snippet is the same with or without
the
Salve!
Qualcuno mi sa dire come fare a cambiare la linea da tratteggiata () a
continua (___) di TextSpanner e cambiare da corsivo a non-corsivo il
carattere XII invece di usare #(set-octavation 1) come nell'esempio che ho
allegato?
Grazie!
--
oiram/bin/selom
Salve!
Qualcuno mi sa dire come fare a cambiare la linea da tratteggiata () a
continua (___) di TextSpanner e cambiare da corsivo a non-corsivo il
carattere XII invece di usare #(set-octavation 1) come nell'esempio che ho
allegato?
Grazie!
--
oiram/bin/selom
\version 2.12.2
Mario Moles wrote:
Salve!
Qualcuno mi sa dire come fare a cambiare la linea da tratteggiata () a
continua (___) di TextSpanner e cambiare da corsivo a non-corsivo il
carattere XII invece di usare #(set-octavation 1) come nell'esempio che ho
allegato?
Grazie!
\override
Hello,
I'm encountering an adding notehead to incompatible stem error when writing
this oboes part. Why the d d one has no this problem but e e has?
\version 2.13.0
moltocr = {
\set crescendoText = \markup { \italic Molto cresc. }
\set crescendoSpanner = #'text
\override
Lilypond of other programs will never be able to interpret notes as
chords (even humans can't do that because there are always
ambiguities).
I think the more sensitive approach for pop and jazz is a chord
library with a string as input (maj7) and as output a notation as
markup for chord
On 6/9/09 9:16 AM, Jean-Alexis Montignies j...@sente.ch wrote:
You can find an example of a chord notated as 'phrygian' (well it's more a
modal indication, but that's what the composer Gary Peacock intended) in the
lead sheet for Vignette.
More arguments for using names: Alt is much
In our discussion about chord names, Jean-Alexis pointed out that we are
probably missing some modifiers in our chord mode input. He pointed out one
example:
alt: 7.3-.5-.9-.11-.13-
What are some other modifiers that should be added, in your opinion?
Remember that m7b5 doesn't qualify as a
Hi all,
as far as I can see there is not an italian documentation for lilypond.
I'd like to help with that, could you please tell me how can I contribute?
If other italians want to join, either for just proofreading or
translating also, please speak up.
I can imagine that it's a demanding
maybe bass ?
for removing third and fifth and keeping the root only?
Carl D. Sorensen wrote:
In our discussion about chord names, Jean-Alexis pointed out that we are
probably missing some modifiers in our chord mode input. He pointed out
one
example:
alt: 7.3-.5-.9-.11-.13-
What
Haipeng,
Are you arranging the Military Polonaise? Looks fun. Anyway, you
really should be using \partcombine for this. Below is a lilypond
file with comments formatted in the following way:
%** heading
%* subheading
%{
comment
%}
Is there a better way to format things? Let me know.
Hope this
Dear Wilbert,
thanks, that sounds really amazing.
It seems, that I'm too late with the german translation, is this right?
2009/6/9 Wilbert Berendsen lily...@xs4all.nl
Hi,
Frescobaldi 0.7.10 has been released in the wild.
Source: http://lilykde.googlecode.com/files/frescobaldi-0.7.10.tar.gz
Dear lilypond-users,
I tried to get the Measure_grouping_engraver on the score level, but it
looks, in my opinion, not quite convincing.
In the below quoted snippet, the measure-groups should always bee on the top
of the score, above all staves,like the metronome marks, for example. But
the
I have made a specialist notation for notating the Hungarian bagpipe
and am hoping to figure out a way to emulate this notation in
Lilypond. Since I'm relatively new to Lilypond, I may have missed
something obvious, but I have searched the documentation to try to
figure it out and not
I'm sure you can get LilyPond to do what you need. Start here:
http://lilypond.org/doc/v2.13/Documentation/user/lilypond/Modifying-single-staves#Modifying-single-staves
-David
Arle Lommel wrote:
I have made a specialist notation for notating the Hungarian bagpipe and
am hoping to figure out
Hi Arno,
could you please tell me what path the variable sTemplatePath contains?
You can set a break point just before that line (double click in the
column left of the basic code). Then start OOoLilyPond as before.
Probably nothing will happen. Switch to the basic interface and type
Thanks for the most helpful response. Somehow I missed that portion of
the documentation, even though I do recall looking at it earlier. My
guess is that if I can define the right line positions and limit the
number to two, I'll be there. Now I have a starting point.
Best,
Arle
On Jun 9,
On 6/9/09 11:16 AM, lasconic lasco...@gmail.com wrote:
maybe bass ?
for removing third and fifth and keeping the root only?
Does this mean that you'd like to have a one-note chord? I've never seen
this before in notation (but that doesn't mean too much).
If you do want a one-note
On 6/9/09 10:39 AM, Federico Bruni brunol...@gmx.com wrote:
Hi all,
as far as I can see there is not an italian documentation for lilypond.
I'd like to help with that, could you please tell me how can I contribute?
If other italians want to join, either for just proofreading or
Hi,
I've found a very interesting application, Improvisor
*Impro-Visor* (short for “Improvisation Advisor”) is a music notation
program designed to help jazz musicians compose and hear solos similar
to ones that might be improvised. The objective is to improve
understanding of solo
Am 2009-06-09 um 21:15 schrieb Carl D. Sorensen:
maybe bass ?
for removing third and fifth and keeping the root only?
Does this mean that you'd like to have a one-note chord? I've
never seen
this before in notation (but that doesn't mean too much).
I'm used to bass-only chords (i.e.
I got this reply from the main developer:
---BeginMessage---
On Jun 9, 2009, at 12:44 PM, Grammostola Rosea wrote:
Hi,
I've found a very interesting application, Improvisor
*Impro-Visor* (short for “Improvisation Advisor”) is a music
notation program designed to help jazz musicians
I'm using lilypond 2.12.2 to transcribe a drum solo piece with several
nine-note snare drum rolls:
nineroll = \drummode { sn4:32^~ sn }
But to help beginning drummers (like me), the original sheet music
puts a small 9 just above the center of the tie.* In lilypond, it
doesn't have to be a tie--a
On Jun 9, 2009, at 11:25 AM, Carl D. Sorensen wrote:
On 6/9/09 9:16 AM, Jean-Alexis Montignies j...@sente.ch wrote:
You can find an example of a chord notated as 'phrygian' (well
it's more a
modal indication, but that's what the composer Gary Peacock
intended) in the
lead sheet for
Hi Reinhold,
I'm having a look at seeing if I can pick up the work Marek Klein did on
-devel. It covered amending the coded generating output file suffixes
to allow users to code user-specified names as the suffix. It changes
the function print-with-book in file lily-library.scm so one of
Ian Hulin wrote:
Hi Reinhold,
I'm having a look at seeing if I can pick up the work Marek Klein did
on -devel. It covered amending the coded generating output file
suffixes to allow users to code user-specified names as the suffix.
It changes the function print-with-book in file
Thanks! Trevor worked on the beaming rules recently, and I think
that was one of the fixes. I've removed it from LSR.
Cheers,
- Graham
On Tue, Jun 09, 2009 at 09:58:52PM +1000, Nick Payne wrote:
The snippet Automatic beams two per two in 4/4 or 2/2 time signature
Hi,
You can find an example of a chord notated as 'phrygian' (well it's
more a
modal indication, but that's what the composer Gary Peacock
intended) in the
lead sheet for Vignette.
More arguments for using names: Alt is much more easy to write and
read, less
error prone than:
Thanks. Yeah, this is an orchestration exercise I'm doing. Unfortunately,
partcombine has many issues not fitting this, e.g. many a2's in a measure
instead of stemBoth.
Haipeng
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I found much the same problem with the setting of the Andante from
BWV 1003 that I recently downloaded from the Mutopia web site. In bar
7 the output incorrectly had 8th notes joined with 16th notes on the
same stem, and when building the file, the Lilypond console output
gaves the warning
I don't object to a suitable Debian developer who wants to take over
maintenance of lilypond. They should contact me directly.
Thomas
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lilypond-user@gnu.org
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Hello,
I saw many people were discussing dodecaphonic accidentals. But why don't use
the function #(set-accidental-style 'dodecaphonic)? For me, I want to apply
modern to whole orchestral score (see the thread of adding notehead to
incompatible stem), but I don't know where to put
Hu Haipeng wrote
...but I don't know where to put #(set-accidental-style 'modern 'Score).
Haipeng,
the method I showed you will work. I got it from Valentin
in this thread:
http://lists.gnu.org/archive/html/lilypond-devel/2008-12/msg00295.html
- Mark
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