Thank you. Then, must I define another new voice in the second alternative? How
to simplify this?
Regards
Haipeng
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Ah, okay, I think I was staring too intently at my PianoStaff and wind
instruments I didn't bother to look at the strings. I shall resume
typesetting!
Kalen
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So did you find the problem? Just curious. :)
Jon
On Fri, Jul 17, 2009 at 8:02 AM, Kalen Mercer merce...@gmail.com wrote:
Ah, okay, I think I was staring too intently at my PianoStaff and wind
instruments I didn't bother to look at the strings. I shall resume
typesetting!
Kalen
--
I'm Looking to have pitch names marked up above notated pitches and I
vaguely remember an example in the Lily manual that showed a hint or,
showed pitch names in the noteheads...but, I didn't see it online.
Or am I imagining? Anyone have a hint for me?
Thanks
Adam
On 7/16/09 8:37 PM, Kalen Mercer merce...@gmail.com wrote:
I am working on typesetting Pavane pour une infante Defunte by Ravel but am
having trouble with the score layout. It is as follows:
\score {
\new StaffGroup
\new Staff { \global \flutes }
\new Staff { \global \hautbois }
Adam Good wrote:
I vaguely remember an example
That would be the 'easy play' noteheads mentioned in NR 1.1.4.
But you probably want something more like this:
cabbage = { c a b b a g e }
\score {
\new NoteNames \cabbage
\new Staff { \clef bass \cabbage }
}
Cheers,
Robin
On second thought, this new approach that uses only addlyrics is the
best. Simply put a line of lyrics that contains 1st stanza plus 1st
alternative, plus 2nd alternative, plus the rest. Then add a second
line for the repeated fragment. I think comments explain all, ask
again if not.
\relative
2009/7/17 Francisco Vila paconet@gmail.com:
Then add a second line for the repeated fragment.
If the lyrics for the repeated fragment is common to both voltas,
simply omit this second addlyrics. You end with a single line of
lyrics, correctly aligned with the noteheads just as whether no
Robin thanks for the quick reply...
And now that I've seen that I've noticed something even cooler :
\aikenHeads c8 d4 e8 a2 g1
\sacredHarpHeads c8 d4. e8 a2 g1
This is really more what I'm looking for. But where are these guys
defined so I can see what they look like? Background, I would like
Your structure is:
A StaffGroup (winds) in parallel with a PianoStaff (harps), and another
StaffGroup (strings) consisting of a GrandStaff in parallel with a Staff
and
a Second GrandStaff
But you don't have the SimultaneousMusic indicators before the first
StaffGroup, so LilyPond
Thank you for your replies. Then, is this good? I still use voice association,
because I'll use ignoreMelismata in the second stanza in the actual song, and I
don't want to generate more weird things.
Regards
Haipeng
\version 2.13.3
music = \relative c' {
\clef treble \time 4/4
Adam Good wrote:
\aikenHeads c8 d4 e8 a2 g1
\sacredHarpHeads c8 d4. e8 a2 g1
This is really more what I'm looking for. But where are these guys
defined so I can see what they look like? Background, I would like to
try to work out some basic support for Hamparsum notation (old system
for
2009/7/17 胡海鹏 - Hu Haipeng hhpmu...@163.com:
Thank you for your replies. Then, is this good? I still use voice
association, because I'll use ignoreMelismata in the second stanza in the
actual song, and I don't want to generate more weird things.
Yes, and that scheme of simple voice association
hi there,
my name is alex, and i am from brazil, i would like to know if i can
use lilypond to learn piano music, sort off: i hit a key on my digital piano
and the program show me where i am hiting, in this way i can load a song
into lilypond and start learning.
thank you,
alex
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