Hi all,
Does anyone know whether it's possible to automatically join the
barlines at the ends of lines across all staffs?
I'm writing a piece for SATB+piano -- a ChoirStaff of two staffs,
above a PianoStaff of two staffs also, all combined in a GrandStaff.
So normally each barline is
Andrew Giddings wrote:
I've searched the manual, the mailing list archive,
and the web, but I couldn't see anything directly relevant.
Did you see these?
http://lists.gnu.org/archive/html/lilypond-user/2007-07/msg00127.html
http://lsr.dsi.unimi.it/LSR/Search?q=semichoirstaff
I am having problems getting LilyPond to properly position coda
glyphs. I've included the code to see if others reproduce it. The
first coda glyph should be at the end of bar 28 but LilyPond insists
on putting it at the end of bar 29. The /break command seems to be
involved (is this a
Hi,
2009/9/14 Andrew Giddings a...@gidds.me.uk
Hi all,
Does anyone know whether it's possible to automatically join the barlines at
the ends of lines across all staffs?
I'm writing a piece for SATB+piano -- a ChoirStaff of two staffs, above a
PianoStaff of two staffs also, all combined
Tim McNamara wrote:
The first coda glyph should be at the end of bar 28
See LSR 432.Before the \break, add
\once \override Score.RehearsalMark
#'break-visibility = #begin-of-line-invisible
LilyPond won't put the coda glyph at the beginning of bar 31.
At
If you don
On Wed, Sep 16, 2009 at 10:30 AM, Marc Hohl m...@hohlart.de wrote:
Hi,
I tried to manipulate the length of the stems but I got strange results.
Please compile the following file:
---
\version 2.13.3
test = \relative c {
{ c4 ( d\5 ) e (
Sorry about the last one!...
If you don't want stems at all:
\override Stem #'stencil = ##f
On Wed, Sep 16, 2009 at 10:30 AM, Marc Hohl m...@hohlart.de wrote:
Hi,
I tried to manipulate the length of the stems but I got strange results.
Please compile the following file:
Neil Thornock schrieb:
Sorry about the last one!...
If you don't want stems at all:
\override Stem #'stencil = ##f
I know, but if I do so, the (invisible) stems still have an influence on the
positioning of the slurs. I thought I could avoid this by setting the
Stem #'length appropriately.
Neil Thornock wrote:
Sorry about the last one!...
If you don't want stems at all:
\override Stem #'stencil = ##f
In many situations,
\override Stem #'transparent = ##t
may be preferrable, since many other objects need a stem to
attach to.
/Mats
On Wed, Sep 16, 2009 at 10:30 AM, Marc
Mats Bengtsson schrieb:
Neil Thornock wrote:
Sorry about the last one!...
If you don't want stems at all:
\override Stem #'stencil = ##f
In many situations,
\override Stem #'transparent = ##t
may be preferrable, since many other objects need a stem to
attach to.
Yes, but I want the slur
The easiest answer was :
\override Score.SpanBar #'break-visibility = #'#( #t #f #t )
Aha! Great -- I knew there'd be a way.
It wasn't _quite_ as simple as that, of course... To recap: I had a
GrandStaff holding a ChoirStaff (of 2 staffs) and a PianoStaff (of 2
Staffs). So I changed
Paul Malcolm schrieb:
Can anyone answer the following. I am a string (Viola) player and need
some special markings
in my sheet music. One is the usual semitone marker. This is like a
circumflex between two notes.
For example e f would be written roughly as e^f but with the
circumflex over
I'm trying to extract some Lilypond snippets to insert into a Word
document, and found a trick in the archives here:
\version 2.13.3
%{
Austin collection of Mumming Plays
%}
\layout {
clip-regions
= #(list
(cons
And of course I replied only to myself, since the reply-to header is
not set to the mailing list for some reason.
Begin forwarded message:
From: Tim McNamara tim...@bitstream.net
Date: September 16, 2009 9:17:03 AM CDT
To: Tim McNamara tim...@bitstream.net
Subject: Re: Help with positioning
On 2009-09-16, Tim McNamara wrote:
On Sep 16, 2009, at 9:31 AM, Robin Bannister wrote:
Tim McNamara wrote:
The first coda glyph should be at the end of bar 28
See LSR 432.Before the \break, add
\once \override Score.RehearsalMark #'break-visibility =
#begin-of-line-invisible
Hello,
I did a quick exercise typsetting a Schumann score, and I'm puzzled
because to get the hairpin under the slur I had to turn up
'outside-staff-priority for the slur to be greater than 250. Otherwise,
the snippet below doesn't work correctly.
Reading the NR, it sounds like
Hi, I've been here before, but I've still got a problem.
I'm running Ubuntu (Jaunty Jackalope), Lilypond 2.12.2, and emacs 22.2.1.
Whenever I try to open a .ly file in emacs, I get :
File mode specification error: (file-error Cannot open load file
lilypond-mode)
Has anyone else had this problem
Hi Ralph,
To my novice eyes, it seems there is one of two possible issues here:
1. The path indicated in your init.el file, which is supposed to
point to the lilypond-mode files in your LilyPond installation
folder is incorrect, or
2. init.el points to the place where the
On 17.09.2009, at 03:08, Ralph Palmer wrote:
Or is there another helpful text editor (with highlighting), other
than jedit (with seems to be slow and resource intensive, in my
experience)?
There's a section that says vim has lilypond support, and nano
supports syntax hilighting. (And,
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