Am 17.08.2010 um 05:30 schrieb Carl Sorensen:
On 8/16/10 3:30 PM, "Patrick Schmidt" wrote:
Dear LilyPonders,
while trying to typeset some vocal music I encountered some
difficulties with \autoBeamOff:
1) \autoBeamOff has no effect on other voices when used in a global
variable/ghost voi
Hi,
Frescobaldi 1.0.3 (stable) and 1.1.5 (development) have been released.
Main focus is making smart point and click working again with the KDE 4.5
editor component. Bugs have been fixed and translations updated.
Links to full ChangeLog and download are at http://www.frescobaldi.org/ .
best re
On 8/16/10 3:30 PM, "Patrick Schmidt" wrote:
> Dear LilyPonders,
>
> while trying to typeset some vocal music I encountered some
> difficulties with \autoBeamOff:
>
> 1) \autoBeamOff has no effect on other voices when used in a global
> variable/ghost voice. It has to be turned on explicitly
Hello,
When I extract the timpani part from my overture (I have not made cues), a
fatal problem comes--spacing issues. No matter what staff size I set, the
warning "couldn't fit music on page" always appears. How to sove it?
Regards
Haipeng
a simplified version (without rehearsal and top texts)
On Mon, Aug 16, 2010 at 8:30 PM, Stephen Nesbitt
wrote:
> All:
>
> I would like to use Lilypond to generate sheet music that can best be
> described as having 2 distinct and independent sections. The first - and
> upper
> section - is simply a list of chords used in the song along with fretboard
All:
I would like to use Lilypond to generate sheet music that can best be
described as having 2 distinct and independent sections. The first - and upper
section - is simply a list of chords used in the song along with fretboard
diagrams. The second - lower part - is similar to a lead sheet wi
> "Phil" == Phil Holmes writes:
Phil> Rose, Here's a very simple version of some music laid out as
Phil> hymns frequently seem to be. I think you should be able to use
Phil> this to modify what you've already done.
You don't need the partials except at the start.
See some of the hymns I'v
mark damerell wrote Monday, August 16, 2010 6:25 PM
Lilypond version 2.10.33: to see my problem, take the SATB
template
from Appendix D4.1 and insert
\set Score.skipBars = ##t
at the start of the \global section and insert
R1*7
in front of each voice's notes.
Instead of a 7 bar r
Dear LilyPonders,
while trying to typeset some vocal music I encountered some
difficulties with \autoBeamOff:
1) \autoBeamOff has no effect on other voices when used in a global
variable/ghost voice. It has to be turned on explicitly for each
voice. This is probably intentional but AFAIK
On 16 August 2010 20:38, Pato Press wrote:
>
> Thanks Again James! But I'm sorry to tell you that it doesn't work :(
> 'cause having a previous note attached to the glissando, even if the
> note is hidden, make changes to the time in the bar.
> Now, I made the wrong example! Sorry for that. My 2n
On 16 August 2010 21:23, sereliya at yahoo dot com wrote:
>
> Dear LilyPond users,
>
> I have been having a strange problem where the MIDI output
>
> of tremolo and unfold repeats are not the same (durations).
>
> Has anyone been having similar problems? Any pointers as to
>
> where to start look
Dear LilyPond users,
I have been having a strange problem where the MIDI output
of tremolo and unfold repeats are not the same (durations).
Has anyone been having similar problems? Any pointers as to
where to start looking for correcting this would be greatly
appreciated.
Many many thanks i
-- Forwarded message --
From: Pato Press
Date: 2010/8/16
Subject: Re: glissando without starting note
To: James Bailey
Thanks Again James! But I'm sorry to tell you that it doesn't work :(
'cause having a previous note attached to the glissando, even if the note is
hidden, make
Lilypond version 2.10.33: to see my problem, take the SATB template
from Appendix D4.1 and insert
\set Score.skipBars = ##t
at the start of the \global section and insert
R1*7
in front of each voice's notes.
Instead of a 7 bar rest, I get a 1 bar rest followed by a 6 bar rest, and th
I also would mention Frescobaldi (for linux systems). Really nice and
not dependent on Java.
Lilypond is a command-line software. You can edit a .ly file and
render it from command-line OR you can use an integrated text editor
like Emacs OR you can use a more sophisticated environment with PDF
Pre
On Aug 15, 2010, at 4:35 AM, kimpenam...@aol.com wrote:
> How do I start making music? Where do I start? Please give me steps to start
> the program.
A good place to start is here:
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-learning/Tutorial#Tutorial
Read through the learning m
On Aug 16, 2010, at 6:51 AM, Pato Press wrote:
> Thanks James, but it doesn't work. Probably I'm doing it wrong but if I
> \hideNotes I end up with different problems.
> One, If I use different voices, the glissando stays hidden. The other thing
> its that the note placement in the bar is alter
On 15 August 2010 04:35, wrote:
>
> How do I start making music? Where do I start? Please give me steps
> to start the program.
Hi,
LilyPond has no graphical user interface (as other well-known
scorewriters have), which can be surprising.
It uses text files to produce PDFs, thanks to a specific
How do I start making music? Where do I start? Please give me steps to
start the program. ___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Thanks, I would have never found this solution myself...
However, there's a typo in the manual, section "Selected snippets", examples
2 and 4, should be
\ifnum#1<...
instead of
\ifnum##1<...
So, my solution is as follows:
\def\betweenLilyPondSystem#1{
\ifnum#1<4 \linebreak \vfill \else\fi
}
Hi all,
I've been stewing over what should be simple all afternoon. I documentation
seems to be getting me no where. I'm working on entering an old hymn. The
piece has an upbeat, which I'm having a bit of trouble with. The partial
measures also repeat throughout the hymn. My trouble is that I can't
On Mon 16 Aug 2010, 17:19 Nick Payne wrote:
> Is this a bug or a known problem or how things are supposed to work?
> If the fingering for the C# is to the left, then the fingering for
> the A automatically avoids the accidental. if the fingering for the
> C# is above the note, whether placed by usi
On Sat 14 Aug 2010, 21:43 Spela Kermelj wrote:
> Thanks, I would have never found this solution myself...
> However, there's a typo in the manual, section "Selected snippets", examples
> 2 and 4, should be
>
> \ifnum#1<...
>
> instead of
>
> \ifnum##1<...
Thank you, added to tracker as issue 12
Is this a bug or a known problem or how things are supposed to work? If
the fingering for the C# is to the left, then the fingering for the A
automatically avoids the accidental. if the fingering for the C# is
above the note, whether placed by using ^ or with a \set command, then
the fingering
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