On Thu 07 Oct 2010, 23:44 胡海鹏 - Hu Haipeng wrote:
Hello,
I'm producing parts for my overture, while finding a very frustrating
visual problem. I'd like Lilypond to auto resize staves to pages, but I
know the staff size must be set manually. Therefore, even a single line
score causes
Robin Bannister wrote:
This works with 2.12.3 (I can't test it with 2.12.4!) :
\override Score.SpanBar #'glyph-name = #dashed
Thanks,
I'll give it a go.
I couldn't find glyph or glyph-name listed as a property of the SpanBar in
the Internals Reference.
--
View this
2010/10/7 Roman Stawski ro...@stawski.fr:
In the snippet below, I'm trying to set up a simple numbering of the pieces.
This used to number the pieces in ascending order in version 2.12.[don't
recall].
But not any more...
The behavior is as if normal markups in music render in the expected
Francisco Vila paconet.org at gmail.com writes:
2010/10/7 Roman Stawski roman at stawski.fr:
In the snippet below, I'm trying to set up a simple numbering of the pieces.
This used to number the pieces in ascending order in version 2.12.[don't
recall].
But not any more...
The behavior
2010/10/8 Dmytro O. Redchuk brownian@gmail.com:
I guess you need Vertical spacing inside a system,
http://lilypond.org/doc/v2.13/Documentation/notation/vertical-spacing-inside-a-system
Don't you? Sorry, i am not sure that understood you right.
Hi!
I can't understand well either.
I need to put the cancellation key signature (cautionary natural sign after
the F-major music block ended and changed into the G-major) into brackets.
Cheating from a snippet in the documentation, I learned how to put the key
signature into brackets using the lambda function:
\override
Jiri Zurek wrote:
put into the brackets not the normal key signature
but only the cautionary cancellation key signature?
Say 'Staff.KeyCancellation' instead of 'Staff.KeySignature'.
Cheers,
Robin
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Robin Bannister wrote:
This works with 2.12.3 (I can't test it with 2.12.4!) :
\override Score.SpanBar #'glyph-name = #dashed
This is the right property, but I can't make this work the way I need.
My original example was too simple really. My piano staff has two staves,
On 10/8/10 2:25 AM, carbon14 carbo...@submarine.org.uk wrote:
I couldn't find glyph or glyph-name listed as a property of the SpanBar in
the Internals Reference.
2.13 docs, Internals Reference 3.1.94 SpanBar lists glyph-name as part of
the standard settings.
Thanks,
Carl
Hi.
I am wondering if it is possible to have measures that start in one
system and continue on in another.
Thank you in advance for any suggestions!
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On Fri 08 Oct 2010, 08:26 Richie Gress wrote:
Hi.
I am wondering if it is possible to have measures that start in one
system and continue on in another.
Thank you in advance for any suggestions!
You can use \bar ; you can adjust bar numbers if needed.
Please, take look at the docs.
--
On 6 October 2010 23:47, Marc Mouries m...@mouries.net wrote:
On 10/6/2010 6:24 PM, Kieren MacMillan wrote:
Hi Marc,
3) why a skip is needed whereas the top note is a half note (otherwise
the measure is not complete)?
If you make the note a half note, but tweak the other notes' durations
I further do some testing and discover that the culprit that give me the item
#1
problem on the below email is:
R1^\markup{Andante Graccoso} | R1 | R1 | a'1\rest \fermata |
%bar 01-04
I change the previous line as:
r1^\markup{Andante Graccoso} | r1 | r1 |
Yes I got it but both ways are like a hack. It would be so much better and
logical if lilypond would allow to enter individual duration for each note of a
chord.
This would deserve to be added to the doc.
Sent via BlackBerry by ATT
-Original Message-
From: Tim Rowe digi...@gmail.com
On 10/8/10 6:46 AM, MING TSANG tsan...@rogers.com wrote:
I further do some testing and discover that the culprit that give me the item
#1 problem on the below email is:
R1^\markup{Andante Graccoso} | R1 | R1 | a'1\rest \fermata |
%bar 01-04
I change the previous line as:
Marc Mouries m...@mouries.net writes:
Tim Rowe digi...@gmail.com wrote:
You've made the whole thing look like a quarter-note to Lilypond, but
persuaded it to show *you* the top note as a half-note. As far as
Lilypond is concerned, it's still a quarter note but printed wrongly
so it looks
David Kastrup d...@gnu.org writes:
Marc Mouries m...@mouries.net writes:
Tim Rowe digi...@gmail.com wrote:
You've made the whole thing look like a quarter-note to Lilypond, but
persuaded it to show *you* the top note as a half-note. As far as
Lilypond is concerned, it's still a quarter
Hi all,
starting a score with an \acciaccatura gives unintended results in
the following example on my machine:
\version 2.13.23
\score {
\new PianoStaff {
\new Staff { \clef G \acciaccatura { c'16[ c'16] } c'16- r8. }
\new Staff { \clef bass c4 }
}
\layout {}
}
As the
On Oct 8, 2010, at 2:26 PM, Richie Gress wrote:
Hi.
I am wondering if it is possible to have measures that start in one system
and continue on in another.
Thank you in advance for any suggestions!
Technically, no. But you can get the visual output of bars that span different
systems via
On Oct 8, 2010, at 7:25 AM, Nick Payne wrote:
If I have text characters at the left end of a TextSpanner, and some of those
characters are subscripted, then the centering of the TextSpanner line seems
to be calculated using the total height of both the main and subscripted
text, which
Robin Bannister wrote:
This works with 2.12.3 (I can't test it with 2.12.4!) :
\override Score.SpanBar #'glyph-name = #dashed
I have managed to fake what I wanted.
Using \once \override Score.SpanBar #'glyph-name = #dashed as
Robin suggested,
Then extending and
- Original Message -
From: Orm Finnendahl o.finnend...@inm.mh-freiburg.de
To: lilypond-user@gnu.org
Sent: Friday, October 08, 2010 5:17 PM
Subject: starting music with an acciaccatura
Hi all,
starting a score with an \acciaccatura gives unintended results in
the following example on
On Fri, Oct 8, 2010 at 11:17 AM, Orm Finnendahl
o.finnend...@inm.mh-freiburg.de wrote:
Hi all,
starting a score with an \acciaccatura gives unintended results in
the following example on my machine:
\version 2.13.23
\score {
\new PianoStaff {
\new Staff { \clef G \acciaccatura {
Hi, lilypond users:
I like to produce midi file without dynamic performers but I still want score
sheet showing the dynamics.
Where do I code the following?
\remove Dynamic_performer
\remove Staff_performer
I put it in \midi - syntax error, unexpected \remove
2010/10/7 Roman Stawski roman at stawski.fr:
In the snippet below, I'm trying to set up a simple numbering of the
pieces.
This used to number the pieces in ascending order in version 2.12.[don't
recall].
But not any more...
Carl Sorensen answered this at the end of a thread in the bug
2010/10/8 Roman Stawski ro...@stawski.fr:
The natural question is how do I make sure that the counter is evaluated
during parsing?
http://lists.gnu.org/archive/html/bug-lilypond/2010-10/msg00144.html
When comparing both pieces of Scheme code it looks clear that the code
itself ensures this.
I've tried to reduce this as much as I can, but if I change almost
anything the effect goes away.
My problem is, in the score below the tied note on the lyric x seems
to be forcing a spurious repeat bar. If I comment out the lyrics
everything is fine. If I \skip to the end of the bar x ties into
Tim
Have a look at Repeats with alternative endings in
http://lilypond.org/doc/v2.13/Documentation/notation/techniques-specific-to-lyrics#lyrics-and-repeats
This is for 2.13 but I believe it may apply to 2.12
as well. Towards the end of that section it discusses
exactly your problem, I
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