On Wed, Jan 12, 2011 at 12:04:50AM -0500, Marc Mouries wrote:
i'd like to know about the rationale behind not supporting chords with notes
of different duration.
Because there's no such thing as a chord with notes of different
duration.
In the case typesetting violin music it would be much
Am Mittwoch, 12. Januar 2011, um 09:02:19 schrieb Graham Percival:
On Wed, Jan 12, 2011 at 12:04:50AM -0500, Marc Mouries wrote:
i'd like to know about the rationale behind not supporting chords with
notes of different duration.
Because there's no such thing as a chord with notes of
On Wed, Jan 12, 2011 at 09:15:41AM +0100, Reinhold Kainhofer wrote:
Am Mittwoch, 12. Januar 2011, um 09:02:19 schrieb Graham Percival:
On Wed, Jan 12, 2011 at 12:04:50AM -0500, Marc Mouries wrote:
i'd like to know about the rationale behind not supporting chords with
notes of different
Neil Puttock n.putt...@gmail.com escribió:
You can force a manual ottava bracket by setting ottavation.
thank you, neil! your code works very well using the correct pitches.
still so much to learn about lilypond...
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Graham Percival gra...@percival-music.ca writes:
On Wed, Jan 12, 2011 at 09:15:41AM +0100, Reinhold Kainhofer wrote:
But there is a notation for multiple stops that looks like a chord
with notes of different duration.
Before moving to computer science, I was a cello teacher. And I'm now
LilyPond 2.13.46 is out; this is the first release candidate of
the upcoming 2.14 stable release. All users are invited to
experiment with this version. New features since 2.12.3 are listed
in the “Changes” manual on the website section about Development.
http://lilypond.org/development.html
Reinhold Kainhofer reinh...@kainhofer.com escribió:
No, not easily. Currently, the callback function make-ottava-set for
OttavaMusic has it hardcoded to assign the ottavation properties to
the staff:
thank you for the clarification, i'm not familiar with the source code
(i'm not a
On Wed, Jan 12, 2011 at 01:17:46PM +0100, David Kastrup wrote:
Graham Percival gra...@percival-music.ca writes:
Before moving to computer science, I was a cello teacher. And I'm now
playing first violin in an orchestra doing, amongst other things,
Tchaik's Romeo and Juliet. I also
David Kastrup d...@gnu.org writes:
For the record, I append the patch. I tested it just slightly. One
area that could be problematic is what happens in Midi, and what total
time is assigned to the construct when typesetting (should likely be
the shortest, and probably is just undefined in
- Original Message -
From: l...@internet.com.uy
If you modify that function in scm/define-music-callbacks.scm to 'Voice
instead of 'Staff, then \ottava only applies to the current voice (which
is,
however, probably now what we want by default).
i guess you meant that this is
I resend my patch that will do the right thing when just writing
g,4 d'4 b'4 g'2
A couple of comments:
If I were to typeset this chord, my first choice would be to tweak the
duration-log of some of the note-heads within a normal chord, see for
example
Hello,
Using 2.13.46 still can't automatically spread staves/systems into fittable
layout, thus there are still couldn't fit music on page.
Haipeng
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On 1/12/2011 2:00 AM, Nick Payne wrote:
On 12/01/11 16:08, Marc Mouries wrote:
On Jan 11, 2011, at 6:34 PM, Carl Sorensen wrote:
On 1/11/11 11:30 AM, Marc Mm...@mouries.net wrote:
As a matter of fact, I get the same warnings without the function but with
\stemUp with the code:
\version
On 1/12/2011 4:40 AM, Graham Percival wrote:
On Wed, Jan 12, 2011 at 09:15:41AM +0100, Reinhold Kainhofer wrote:
Am Mittwoch, 12. Januar 2011, um 09:02:19 schrieb Graham Percival:
On Wed, Jan 12, 2011 at 12:04:50AM -0500, Marc Mouries wrote:
i'd like to know about the rationale behind not
[About chords which contain notes of different durations, sometimes
seen in string music.]
If the notes are all attached to the same voice why not allowing:
g,4 d'4 b'4 ?
If at all, the syntax would be e.g.
g,8 d'4 b'2
and the chord's duration would be the maximum of the single note's
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