It will be interesting to see if it works
in this example where there is more than one tie at a time.
That potentially answers half my question. I wonder if anyone knows
how to alter the curve of the ties in this situation.
Oh dear, but you are asking for it !
If one is adept with scheme, some
Keith OHara k-ohara5...@oco.net writes:
Bernhard Ott bernhard.ott at gmx.net writes:
IMHO there should be a natural sign showing the f' after the
clef-change: am I wrong?
music = \relative c' {
c8 d e fis
c d e f
c8 d e fis
\clef alto c d e f
}
This is a bug,
Han-Wen Nienhuys hanw...@gmail.com writes:
On Fri, Apr 1, 2011 at 8:51 AM, Valentin Villenave
valen...@villenave.net wrote:
Greetings,
Graham's recent 2.14 announcement, as well as Mike's wonderful work on
the Emoticon_engraver (see
Holy Moley, madMuze,
You're right, I'm feeling rather queasy right now. It's going to take
some patience to get to the bottom of this.
Your suggestion of separating the notes into separate voices and then
combining them might be the way to go (it seems to be the only way to
go, if I going to use
On Sun, Apr 3, 2011 at 3:58 AM, Han-Wen Nienhuys hanw...@gmail.com wrote:
In a long distant past, it was decided that ASCII messaging was the
future, and that therefore we had to have ASCII-art backend too. I am
glad we halted this experiment soon.
Un-frigging-believable. Looks even more
The bass recorder reads bass clef, but it sounds an octave higher than
written, so the clef needs a little '8' over it. In Lilypond this is \clef
F^8
But the little '8' is printed way above the clef. Is there a way to lower
the '8' to right above the clef?
Thanks for any help.
--
View this
Laser vs. inkjet:
Laser printers are more expensive to buy but less expensive to use.
Laser printers make cleaner text, and inkjet printers do better graphics.
(Lilypond symbols are treated as text.)
Laser output is more water-resistant then inkjet.
Laser toner cartridges are expensive but
On Apr 2, 2011, at 11:16 AM, Arlin wrote:
The bass recorder reads bass clef, but it sounds an octave higher than
written, so the clef needs a little '8' over it. In Lilypond this
is \clef
F^8
But the little '8' is printed way above the clef. Is there a way
to lower
the '8' to right
- Original Message -
From: Arlin arlin...@yahoo.com
To: lilypond-user@gnu.org
Sent: Saturday, April 02, 2011 5:16 PM
Subject: position of the little '8' in bass clef
The bass recorder reads bass clef, but it sounds an octave higher than
written, so the clef needs a little '8' over
Looks like a bug to me. See attachment.
Definitely a bug...
Werner
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On 11-04-03 09:14 AM, Werner LEMBERG wrote:
Looks like a bug to me. See attachment.
Definitely a bug...
Werner
In fact, it's logged as issue
http://code.google.com/p/lilypond/issues/detail?id=877
cheers,
Colin
--
The test of our progress is not whether we add more to the abundance
On 4/2/11 7:22 PM, Paul Nocero pa...@nocero.com wrote:
I'm not top posting.
This is my first use of LilyPond and it seems to work well, except for the
problem noted here. I'm creating a simple song with words and guitar chords,
and the final line does not appear to wrap, but runs off the
- Original Message -
From: Werner LEMBERG w...@gnu.org
To: m...@philholmes.net
Cc: arlin...@yahoo.com; lilypond-user@gnu.org; bug-lilyp...@gnu.org
Sent: Sunday, April 03, 2011 4:14 PM
Subject: Re: position of the little '8' in bass clef
Looks like a bug to me. See attachment.
I am unable to compile the following file:
\version 2.12.3
melody = \relative c' { s4 fis4 fis8 e4. }
harmonies = \chordmode { a1:7 }
\score {
\new ChordNames {
\set chordChanges = ##t
--
Fr. Gordon Gilbert
Penetanguishene, ON
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You may find the error is in bar 24. I changed the d8 to a d16 as follows:
a,8 b8. d16 d4 e4 d4~
And everything wraps correctly -- although I'm not familiar with the
tune, it at least *looks* correct. I've had this same problem over
and over -- not checking bars and getting one little
Hi again,
I did a bit of tweaking for you. Hope you don't mind, but it produces
a nicer-looking piece of sheet music. As I said in my last email, I'm
not familiar with the piece, so only you can judge the correctness of
my suggestions, but I did the following:
added a quarter-rest instead of a
On 3 April 2011 18:59, Patrick Karl pck...@mac.com wrote:
I am unable to compile the following file:
[…]
Do you use Mac OS X?
There is a reported problem with Mac OSX 10.6.7 and the last security
update, concerning fonts.
See http://www.tidbits.com/article/12078
Hi,
I decided to split the problem in pieces, starting with the allignment.
I have two options. The first option (IIa in the script) is how I would
do this as I would do this writing a score, setting an override to
adjust the allignment. This works fine but I don't know how I could
calculate
On Sat, Apr 02, 2011 at 08:08:11AM -0500, Victor Eijkhout wrote:
In which version
does this happen, 2.12 or 2.13?
Using 2.12.3.
Then increasing your file descriptor limits (as a workaround) is
the weapon of choice.
The fd leaks are probably fixed in 2.13. (I can re-check this by
Paul,
A good scan through the manuals would be the best place to start in
order to figure out how to place a second verse in there.
My quick thought (I've never actually done this before) would be to
have the second verse in its own section as follows:
texttwo = \lyricmode {
Here are
Any ideas as to how best to approximate the trill plus fingering notiation as
shown in this image?
The closest I can get is:
a2.\trill^markup{\finger 3 2}
However, this doesn't show the cap over the digits, plus lilypond seems to
always try to display the tr symbol at the very top, no matter
On Apr 3, 2011, at 7:31 PM, Javier Ruiz-Alma wrote:
Any ideas as to how best to approximate the trill plus fingering notiation as
shown in this image?
The closest I can get is:
a2.\trill^markup{\finger 3 2}
However, this doesn't show the cap over the digits, plus lilypond seems to
On Apr 3, 2011, at 7:31 PM, Javier Ruiz-Alma wrote:
Any ideas as to how best to approximate the trill plus fingering notiation as
shown in this image?
The closest I can get is:
a2.\trill^markup{\finger 3 2}
However, this doesn't show the cap over the digits, plus lilypond seems to
On 04/04/11 09:31, Javier Ruiz-Alma wrote:
Any ideas as to how best to approximate the trill plus fingering
notiation as shown in this image?
The closest I can get is:
a2.\trill^markup{\finger 3 2}
However, this doesn't show the cap over the digits, plus lilypond
seems to always try to display
I need to make small pdfs or images (on paper around A6 size, or a 4cm
square) with a single measure directly in the middle. I just need these
these little images so that i can put them in one panel of a GUI i'm
building for a program. Does anyone have a solution to this?
Thank you,
-Sebastian
On Apr 3, 2011, at 7:31 PM, Javier Ruiz-Alma wrote:
Any ideas as to how best to approximate the trill plus fingering notiation as
shown in this image?
The closest I can get is:
a2.\trill^markup{\finger 3 2}
However, this doesn't show the cap over the digits, plus lilypond seems to
always try
Hello,
I had my mother look at my full score of the overture, and then compared with
some other published scores. She found that my French score leaves many blank
spaces at the bottom of some pages, while other scores always use blank staves
to fill in. For example, the following Webern
David Kastrup dak at gnu.org writes:
I think the solution would be to replace the presumably existing list of
currently altered accidentals not by an empty list but rather by a
list where every such accidental is replaced with a non-existing dirty
accidental.
That sounds right.
I'll add a
Again for the full score pagination. A professor first tried to read a4
version, and he must use a magnifying glass. I then compiled the a3 version
(the link below, containing all score/parts/code/midi files. He said that it's
actually not the problem of paper size, since many large scores are
Hello,
I had to do something like that, to create kind of a card game.
Here is the \paper block I used for that :
%%
\paper {
paper-width = 85\mm % largeur de la page
paper-height = 54\mm % hauteur de la page (taille du papier)
top-margin = 10\mm % distance entre le haut de
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