On Thu, Oct 20, 2011 at 03:26, David Rogers wrote:
> This will alert the singer, at the time they need to know, "this is only
> half of the word". In your proposal, if another voice (or the accompaniment)
> has a lot of notes, the dash could end up "in the middle of nowhere", even
> potentially on
The problem is that it´s not me that will use. The main idea is that people
that will use range from beginner to advanced level of study in music. So I
would like to make as easy as possible for the users.The usability is very
important nowadays.
I have found something more or less as I was loo
Cordilow writes:
There was once a way to make the stanzas (lyric verses) closer
to each other a few versions of LilyPond ago. Now, however,
they're kind of far apart again, whether or not they're closer
than without what I'm doing (this is in the current version, the
development version as w
Hello, all!
I'm using 2.15.14, and finding certain \paper variables not working as I would
have thought.
Manually forcing line and page breaks, I found a format I like: 1 page of 3
systems, then 4 pages of 4 systems each, for a total of 19 systems over 5
pages. So I inserted a \pageBreak where
There was once a way to make the stanzas (lyric verses) closer to each other
a few versions of LilyPond ago. Now, however, they're kind of far apart
again, whether or not they're closer than without what I'm doing (this is in
the current version, the development version as well as some of the prev
Hi Harm,
On Mon, Oct 17, 2011 at 5:15 PM, harm6 wrote:
> I've been thinking about this some more. Specifically, I've noticed that
> > adding the beam widths and the spaces between the beams doesn't seem to
> > add
> > up precisely to the total extent of the beam. The result is that the
> size
>
Kieren MacMillan writes:
Hi Peter,
So, I want to keep the en-dashes in the typeset lyrics, but I
do not
want them to be matched to any notes, but rather have them
occupy the space between the words, and under the space between
the notes.
Then you should probably use hidden notes, and att
Hi Nick,
After a bit of tinkering, and using the Character Map application
(Ubuntu10.04)(but I would think it would also work in Windows) to '
Copy' the character 'music flat sign' (which has the same code as you
used - funnily enough! :) ) I think the following provide what I think
is a visual
Hi Kieren
2011/10/20 Kieren MacMillan
> (...)
>
> \version "2.15.14"
> \language "english"
>
> \relative a' { 2\arpeggio }
> (...)
>
> Without the tweak, the space before the note (which, in this case, is the
> downbeat of a measure) is extremely large — as a result, the other parts in
> the sco
2011/10/19 :
>
> The situation is that I have to completely fill all the lilypond´s code on
> the site and then generate the score. It gets difficult to count the bars
> and the note durations and get right for the first time.
> I were wondering if there is someway to fill the code and at same tim
Hi Peter,
> So, I want to keep the en-dashes in the typeset lyrics, but I do not want
> them to be matched to any notes, but rather have them occupy the space
> between the words, and under the space between the notes.
Then you should probably use hidden notes, and attach the en-dash as a "lyri
On Wed, Oct 19, 2011 at 6:27 PM, Francisco Vila wrote:
> 2011/10/19 :
>> The situation is that I have to completely fill all the lilypond´s code on
>> the site and then generate the score. It gets difficult to count the bars
>> and the note durations and get right for the first time.
>> I were wo
Hi Thomas,
> I'm not aware of any easy method to do so. But are you sure you want to? In
> the following I did it manually, and I don't like the output:
Yes, that example doesn't look great… but here's a more compelling (to me)
snippet:
\version "2.15.14"
\language "english"
\relative a' { 2\
2011/10/19 :
> The situation is that I have to completely fill all the lilypond´s code on
> the site and then generate the score. It gets difficult to count the bars
> and the note durations and get right for the first time.
> I were wondering if there is someway to fill the code and at same time
2011/10/19 :
> Another problem is that when the sound is generated sometimes makes a loud
> pop at the beginning of the audio. Has anyone had this problem before? What
> to do to fix it?
As far as I can tell, LilyPond does not generate audio.
It can generate MIDI files, that are not audio, and M
Hi Kieren
2011/10/19 Kieren MacMillan
> Hello all!
>
> Is there an easy way to override the order of accidentals appearing next to
> a chord, e.g. have the natural come first in the following snippet?
> (...)
>
I'm not aware of any easy method to do so. But are you sure you want to? In
the foll
Thank you very much Jon, the command line "lilypond --png -dpreview
-dno-print-pages file.ly" will help me a lot. Later I will test de lily2image
for larger scores.
I am facing another problem. I am not sure, but I think that it may be not
possible.
The situation is that I have to completely f
David Rogers writes:
> I don't believe there is any good reason for a non-programmer to be
> using anything other than Unicode (usually as UTF-8, but whichever way
> the particular system wants to handle Unicode) for day-to-day
> things. The limitations of ASCII made perfect sense, in 1976. Last
Hello all!
Is there an easy way to override the order of accidentals appearing next to a
chord, e.g. have the natural come first in the following snippet?
\version "2.15.14"
\relative dis { \clef bass }
I'd like to avoid manually tweaking the position (e.g., offset) value of each
accidental,
David Kastrup writes:
Nick Payne writes:
On 19/10/11 05:09, GRAEME F ST CLAIR wrote:
General reply to Messrs Rogers, Peekay and Kastrup!
In the end I googled lilypond and found the \char approach
myself. Right now, I'm settling for it, because as DK hints,
both TextPad and jEdit will sa
2011/10/19 :
> Hello, I am new to the list then I have not followed the discussion on
> lilypond, just do not know if I'm facing the problem that has already been
> discussed, if so I apologize.
>
> The situation is that I'm developing a site with some tests on music theory
> and I am using the la
Hello, I am new to the list then I have not followed the discussion on
lilypond, just do not know if I'm facing the problem that has already been
discussed, if so I apologize.
The situation is that I'm developing a site with some tests on music theory and
I am using the language lilypond to gen
On Wed, 2011-10-19 at 16:27 +0800, James Harkins wrote:
> Hi, a "notational correctness" question rather than a lilypond technical
> question, hope that's okay.
>
> A student brought in some work today, some of which calls for three voices in
> the right hand of a PianoStaff. Minus expressive ma
oh sorry, I just responded the same way.
Normally I would say: make the tie look better, because I always *first*
try to get everything the way the composer wrote it.
After reading a handwritten piece a few times, I often see good reason
for an unconventional notation.
In this case I would ju
Hello James,
this is a question, that really can take hours, nights or whatever ...
Elaine Gould says, Ties shall almost touch the note head and they shall
not fall onto a stave-line (pp. 60)
Here are two techniques I usally use to solve such problems. First it is
a scheme-destillation to shap
At Wed, 19 Oct 2011 11:02:41 +0200,
Francisco Vila wrote:
> I changed this to
>
> a2. a4~ \shiftOff a2
>
> and the collision is avoided although you obtain a chord and a warning
> instead of nice voice independence.
and
> a satisfying solution could be
>
> \once \override Tie #'detai
On 19 oct. 2011, at 01:03, Xavier Scheuer wrote:
> On 18 October 2011 10:06, Nick Payne wrote:
>> I occasionally want to use the flat symbol in a header, usually to indicate
>> the original key when a piece has been transposed from the original key.
>> Neither way I have found of doing this is s
For me the downside is that svg does not import \postscript markups...
and inkscape, as you said, does not import correctly lilypond ps and eps
files...
(I use \postscript to create some curved glissandos and specific
woodwind diagrams - with trills in specific keys, for example).
[see attach
Gerard McConnell writes:
> I often see topics introduced here in which solutions are sought for
> font-related or position-related problems. Almost all of these
> problems are easily solved by creating an SVG file with Lilypond and
> then editing that file with Inkscape. What is the downside
On Oct 19, 2011, at 11:39 AM, Gerard McConnell wrote:
> I often see topics introduced here in which solutions are sought for
> font-related or position-related problems. Almost all of these problems are
> easily solved by creating an SVG file with Lilypond and then editing that
> file with Ink
I often see topics introduced here in which solutions are sought for
font-related or position-related problems. Almost all of these problems are
easily solved by creating an SVG file with Lilypond and then editing that
file with Inkscape.What is the downside of working this way?
__
-Eluze wrote:
>
>
> paconet.org wrote:
>>
>>
>> I changed this to
>>
>> a2. a4~ \shiftOff a2
>>
>>
> you can use \override NoteColumn #'force-hshift = #.001 to avoid the
> warning - but i still don't like the output: the a seems tied to the c#.
>
a satisfying solution could be
paconet.org wrote:
>
>
> I changed this to
>
> a2. a4~ \shiftOff a2
>
>
you can use \override NoteColumn #'force-hshift = #.001 to avoid the warning
- but i still don't like the output: the a seems tied to the c#.
Eluze
--
View this message in context:
http://old.nabble.com/Three-voices-p
2011/10/19 James Harkins :
> Hi, a "notational correctness" question rather than a lilypond technical
> question, hope that's okay.
>
> A student brought in some work today, some of which calls for three voices in
> the right hand of a PianoStaff. Minus expressive marks, the lilypond example
> b
Hi, a "notational correctness" question rather than a lilypond technical
question, hope that's okay.
A student brought in some work today, some of which calls for three voices in
the right hand of a PianoStaff. Minus expressive marks, the lilypond example
below gets the point across, but I wond
David Rogers writes:
> David Kastrup writes:
>
>> "GRAEME F ST CLAIR" writes:
>>
>>> Well, I plowtered (Scottish word) around with jEdit, but didn't get
>>> much where, so I recovered a Windows Emacs from backup, that I'd
>>> never got round to trying, installed it and got exactly nowhere
>>>
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