Hello,
On 14 March 2012 23:35, Father Gordon Gilbert fatherg...@gmail.com wrote:
Thanks, Wilbert,
I had figured it was something like that, but I am too far from geeky
to be able to implement something that complicated. I certainly do
make use of it, though!
I have another problem now,
2012/3/15 Father Gordon Gilbert fatherg...@gmail.com:
Starting lilypond-windows.exe. [file.ly]...
Could not start lilypond-windows.exe.
Please check path and permissions.
Sounds like Frescobaldi does not find your new lilypond install in the
directory where it used to be, maybe it has been
Hello all..thank you for you anwsers..i really appreciate it..It's not
exactly what i wanted..but it helps me figure out more what i want and
what will be my solution..!
David Kastrup leads in this direction what i'm trying ta achive..The
diference form Hans Aikema is that i want to include music
Father Gilbert
On 14 March 2012 23:35, Father Gordon Gilbert fatherg...@gmail.com wrote:
Thanks, Wilbert,
I had figured it was something like that, but I am too far from geeky
to be able to implement something that complicated. I certainly do
make use of it, though!
I have another problem
Dear List,
I'd like to put two rehearsal marks over the same barline. However, this gives
an error:
\mark \markup{
\center-align{
\line{ \default }
\line{ 8 }
}
} s4*8
The error is: 'error: syntax error, unexpected \default'
I also tried to access the value of \default,
Hello,
2012/3/15 Siska Ádám sa...@sadam.hu:
Dear List,
I'd like to put two rehearsal marks over the same barline. However, this
gives an error:
\mark \markup{
\center-align{
\line{ \default }
\line{ 8 }
}
} s4*8
The error is: 'error: syntax error, unexpected \default'
On 2012.03.15., at 12:08, James wrote:
Hello,
2012/3/15 Siska Ádám sa...@sadam.hu:
Dear List,
I'd like to put two rehearsal marks over the same barline. However, this
gives an error:
\mark \markup{
\center-align{
\line{ \default }
\line{ 8 }
}
} s4*8
The error
Hi guys,
For whatever reason, Fresco was not showing the full path to LilyPond.
Never had this problem before, but when I put it in there, all
worked!
Thanks!
Gordon+
On 15/03/2012, James pkx1...@gmail.com wrote:
Father Gilbert
On 14 March 2012 23:35, Father Gordon Gilbert
Hans Aikema hans.aik...@aikebah.net writes:
On 14-3-2012 14:30, Michael Ellis wrote:
On Tue, Mar 13, 2012 at 5:26 PM, Michael Ellis
michael.f.el...@gmail.com wrote:
Is this a known problem? I don't see any prior reports online and
I've been seeing it since at least 2.12 but assumed it was
Oops, I sent this to lilypond@googlecode by mistake. Please ignore there...
Hello,
In the following example the left hand gets rhythmically augmented.
What screwy thing am I doing?
This score boilerplate was generated using LilypondTool and I removed the
irrelevant parts.
Thanks,
Jonathan
%
Michael Ellis michael.f.el...@gmail.com writes:
In any case, this seems to me like a fairly serious defect. I hope
it's on the list for 2.16.
Don't worry. No stock options will be emitted to the responsible
developers unless this deficiency is cured before 2.16 gets released.
In other words:
sorry for the noise, just testing. i sent a message to the list yesterday
and i haven't seen it yet...
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Dear Lilypond users,
I am typesetting a musical-theater style song, with the parts of several
singers appearing on the same staff.
For unrelated reasons, I want to use a separate Voice context for each
singer, even though the melodies usually don't overlap. The lyrics are
defined separately
Janek Warchoł janek.lilyp...@gmail.com writes:
On Wed, Mar 14, 2012 at 6:01 PM, Michael Ellis
michael.f.el...@gmail.com wrote:
I'm not sure how I would go about implementing the suggested
workaround for my application. I run into the problem primarily when
transcribing individual choral
hello list,
i have a problem with beaming when combining a sixteenth notes triplet
with straight 16ths.
without any kind of tweaks, the following code produces the output in the
attached image:
\relative c' {
\time 2/4
c16 c \times 2/3 { c8 c16 }
\times 2/3 { c8 c16 } c16 c }
as you see,
Malte == Malte Meyn malte.m...@studium.uni-erlangen.de writes:
Malte On 13.03.2012 03:52, Peter Chubb wrote:
Thomas == Thomas Morley thomasmorle...@googlemail.com
writes:
Malte Hm. I see two problems: 1. Did I understand right, that -rall
Malte changes the tempo in a single step? That’s more
Jeffrey Trevino wrote:
Just a quick question -- I'm making a glissando that goes across several
unstemmed noteheads; I need to move any rhythmic dots down, so that the
glissando doesn't obscure them. What's the proper override for this?
use \dotsDown (or \voiceTwo )
hth
Eluze
--
View
Hi Jonathan,
On Wed, Mar 14, 2012 at 1:56 PM, Jonathan Wilkes jancs...@yahoo.com wrote:
Oops, I sent this to lilypond@googlecode by mistake. Please ignore
there...
Hello,
In the following example the left hand gets rhythmically augmented.
What screwy thing am I doing?
This score
Reedmace Star wrote:
For unrelated reasons, I want to use a separate Voice context for each
singer, even though the melodies usually don't overlap. The lyrics are
defined separately for each voice, too.
one quick+dirty solution:
\override LyricText #'Y-offset = #2.85
where 2.85
Hello,
On 15 March 2012 02:45, luis jure l...@internet.com.uy wrote:
hello list,
i have a problem with beaming when combining a sixteenth notes triplet
with straight 16ths.
without any kind of tweaks, the following code produces the output in the
attached image:
\relative c' {
\time
I'm getting a bit confused about the use of variables to reflect the structure
of the music, or the distribution of notes between different voices etc.
The passage where I'm struggling with this right now is for one instrument*.
The passage has three voices, which I finally decided to split
on 2012-03-15 at 08:02 luis jure wrote:
sorry for the noise, just testing. i sent a message to the list yesterday
and i haven't seen it yet...
ah... now i see it!
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on 2012-03-15 at 15:26 James wrote:
This actually worked in 2.12.3
So I have opened
http://code.google.com/p/lilypond/issues/detail?id=2408
great, thank you. i see, however, that 2.12.3 was not quite correct in the
second case: the beamlet belonging to the triplet sixteenth should be
pointing
On 3/15/12 5:36 AM, Father Gordon Gilbert fatherg...@gmail.com wrote:
Hi guys,
For whatever reason, Fresco was not showing the full path to LilyPond.
Never had this problem before, but when I put it in there, all
worked!
I think this is a reflection of a solution to issue 1948.
The windows
You can always manually override the beaming:
c16 c \times 2/3 { c8[ c16] }
\times 2/3 { c8[ c16] } c16 c }
--Steven
-Original Message-
From: lilypond-user-bounces+panteck=hotmail@gnu.org
[mailto:lilypond-user-bounces+panteck=hotmail@gnu.org] On Behalf Of luis
jure
Sent:
Hello, James!
14.03.2012, 17:09, James pkx1...@gmail.com:
Hello,
See http://lists.gnu.org/archive/html/lilypond-user/2012-03/msg00379.html
This might help.
I cannot help you with the others :/
--
--
James
Thank you! This is not really what I wanted (I want more space only between
On 3/14/12 8:45 PM, luis jure l...@internet.com.uy wrote:
hello list,
i have a problem with beaming when combining a sixteenth notes triplet
with straight 16ths.
without any kind of tweaks, the following code produces the output in the
attached image:
\relative c' {
\time 2/4
c16 c \times
Dear list
I just discovered that 2.14 produces different lyrics for PDF and MIDI output,
when there are manual beams. Is this intentional?
A minimal example is attached. Note that, in the PDF, the text three and
four appears as expected under the notes, whereas in the MIDI, the notes on
three
From: David Nalesnik david.nales...@gmail.com
To: Jonathan Wilkes jancs...@yahoo.com
Cc: lilypond-user@gnu.org lilypond-user@gnu.org
Sent: Thursday, March 15, 2012 10:34 AM
Subject: Re: full rest side effect
Hi Jonathan,
On Wed, Mar 14, 2012 at 1:56 PM,
At 13:01 on 15 Mar 2012, luis jure wrote:
on 2012-03-15 at 15:26 James wrote:
Use manual beaming?
yes, manual beaming solved the first quarter note:
\relative c' {
\time 2/4
c16[ c \times 2/3 { c8 c16] }
\times 2/3 { c8 c16 } c16 c }
but i still don't know how to correct the second quarter
Hi Stjepan,
sorry that I don't have the time to really go through this thread (so I
might misunderstand sth).
But I think you should separate your music variables from your score
definition, so you can \include them separately:
music.ly
myMusic = { ... }
score.ly
\score {
\new Staff
On Thu, Mar 15, 2012 at 3:01 PM, Reedmace Star
reedmaces...@googlemail.com wrote:
I am typesetting a musical-theater style song, with the parts of several
singers appearing on the same staff.
[..]
maybe
that the
Instead, I would like to see them combined on one line wherever
On Thu, Mar 15, 2012 at 4:35 PM, James Harkins jamshar...@gmail.com wrote:
I'm getting a bit confused about the use of variables to reflect the
structure of the music, or the distribution of notes between different voices
etc.
The passage where I'm struggling with this right now is for one
Dear List,
I'd like to forcefully remove a staff from an orchestral score at a given
point. Here's the scenario:
There are 6 violas playing in 2 staves (Vle 1-3 in the first and Vle 4-6 in the
second). From some point, all the violas play the same material, so I'd like to
remove one of the
* 2012-03-15 21:53 +0100Janek Warchoł:
* 20012-03-15 3:01 PM, Reedmace Star
Search for centering the new Lyrics thread by Keith OHara, from
December 2010. it might be exactly what you're looking for.
Thank you, yes, that was exactly what I needed.
Yes it should. Especially for us non-geeks who understand a bit of
this kind of thing. We need to know where to click and exactly what
to type.
Blessings,
Gordon+
On 15/03/2012, Carl Sorensen c_soren...@byu.edu wrote:
On 3/15/12 5:36 AM, Father Gordon Gilbert fatherg...@gmail.com wrote:
please always reply to the list!
Just a quick question -- I'm making a glissando that goes across several
unstemmed noteheads; I need to move any rhythmic dots down, so that the
glissando doesn't obscure them. What's the proper override for this?
Eluze wrote:
use \dotsDown (or \voiceTwo )
El 15/03/2012 16:35, James Harkins jamshar...@gmail.com escribió:
I guess it's a fairly vague question. I guess the best way to narrow it
down is -- especially asking experienced users -- what level of
atomization seems to work the best for variables?
I'd use a variable for each voice
On Wed, Mar 14, 2012 at 1:18 PM, Wilbert Berendsen wbs...@xs4all.nl wrote:
Tab and Shift-tab handle the indent, Ctrl+I inserts a plain Tab.
Yeah, I think Ctrl-I as in re-indent the selected part was a
LilyPondTool/jEdit thing.
Speaking of confusing shortcuts: Ctrl-D used to mean comment this
on 2012-03-15 at 16:23 Carl Sorensen wrote:
What issues do you believe it is related to?
i thought that it might be related to issues like 11 and 2113, for
example:
http://code.google.com/p/lilypond/issues/detail?id=11
http://code.google.com/p/lilypond/issues/detail?id=2113
(not the same,
on 2012-03-15 at 16:22 Mark Knoop wrote:
\set baseMoment = #(ly:make-moment 1 8)
\set subdivideBeams = ##t
yes! thank you very much. (when the triplet is in the second half of the
quarter note, i still have to hard-code a manual beam, though. works great
when the triplet is in the first half).
Hi Svetlana:
I want more space only between phrasing slurs, not between each note
What about this solution?
\version 2.15.32
\layout {
\context {
\Score
\override BreathingSign #'transparent = ##t
\override BreathingSign #'X-extent = #'(0 . 1)
}
}
theMusic = \relative c' {
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