On 4 April 2012 05:50, MING TSANG tsan...@rogers.com wrote:
(2) how can I have slash on the grace notes beam - refer to piano RH - bar
#4?
Have a look at LSR #721
http://lsr.dsi.unimi.it/LSR/Item?id=721
Cheers,
Xavier
--
Xavier Scheuer x.sche...@gmail.com
Xavier,
I try as suggested base on LSR 721. I did not get the desire print. The slash
is not on the grace note.
I replace ef8[ \grace { bf16[ ef16] }bf8]
with ef8[ \acciaccatura{ \slash bf16[ ef16] } bf8]
Please refer to png.
Blessing in+,
I would like to place the Instrument Name on the first page only in the
position occupied by the oddHeaderMarkup. LilyPond's convention for the
Instrument Name is to place it below the Title. This may be standard for
professional-level music, but educational orchestra music normally places
the
Mark,
I try as suggested. The print seems to suggest no voice two. When I just
extract voice two (the bass) there is no midi sound for the s1~ s1. This is
not what I want.
Blessing in+,
From: Mark Mathias d8val...@gmail.com
To: MING TSANG
Am 4. April 2012 15:20 schrieb Mark Mathias d8val...@gmail.com:
I would like to place the Instrument Name on the first page only in the
position occupied by the oddHeaderMarkup. LilyPond's convention for the
Instrument Name is to place it below the Title. This may be standard for
Someone on IRC suggested a separate voice with hidden notes, just for
the slurs. I ended up going with this approach because it yielded the
best visual result:
\new Voice = intro_slurs {
\hideNotes
\override NoteColumn #'ignore-collision = ##t
\relative c' {
- Original Message -
From: Dossy Shiobara do...@panoptic.com
To: lilypond-user@gnu.org
Sent: Wednesday, April 04, 2012 3:27 PM
Subject: Re: Pitch with null duration?
Someone on IRC suggested a separate voice with hidden notes, just for
the slurs. I ended up going with this approach
Oh, interesting -- coming from a traditional TeX background, LilyPond
really confuses me. Is \override inside a \new Voice not confined to
the scope of that Voice?
On 4/4/12 10:53 AM, Phil Holmes wrote:
I'd suggest not permanently overriding collision detection - in any
complex score this is
Good point. I've moved the #'ignore-collisions to before the chord that
matters and applied \once to it. Thanks for the tip.
--
Dossy Shiobara | He realized the fastest way to change
do...@panoptic.com | is to laugh at your own folly -- then you
http://panoptic.com/ |
Thank you! This works beautifully, and now that I've seen it and re-read
the Custom layout for title blocks section (
http://lilypond.org/doc/v2.15/Documentation/notation/custom-headers-footers-and-titles),
it's clearer than it was. There is still a lot to learn for someone new to
programming!
- Original Message -
From: Dossy Shiobara do...@panoptic.com
To: Phil Holmes m...@philholmes.net
Cc: lilypond-user@gnu.org
Sent: Wednesday, April 04, 2012 4:22 PM
Subject: Re: Pitch with null duration?
Oh, interesting -- coming from a traditional TeX background, LilyPond
really
Dossy Shiobara do...@panoptic.com writes:
On 4/4/12 10:53 AM, Phil Holmes wrote:
I'd suggest not permanently overriding collision detection - in any
complex score this is likely to lead to collisions. \once \override
where appropriate is safer.
Oh, interesting -- coming from a
Hi fellow ponders,
I finally searched for the sign for visibly combining syllables (see
http://lilypond.org/doc/v2.14/Documentation/notation/common-notation-for-vocal-music#multiple-syllables-to-one-note),
and ~ works great in lyrics in that the undertie gets kerned below
the syllables it
Hello all. I am a new Lilypond user and I'm in trouble trying to reproduce
a beam over a 16th rest, between two 16th notes, as in the followin picture:
[image: Immagine in linea 1]
The only acceptable solution I've found so far is to apply *\set
stemLeftBeamCount = #1 *to the rest, but the
On Wed, Apr 4, 2012 at 11:38 AM, Fulvio Turra fulvio.tu...@gmail.comwrote:
Hello all. I am a new Lilypond user and I'm in trouble trying to reproduce
a beam over a 16th rest, between two 16th notes, as in the followin picture:
[image: Immagine in linea 1]
Hmm. This notation looks wrong to
How's this:
\version "2.14.2"
\score {
\new Staff {
\clef "bass"
\relative c
{ \voiceThree s16 s32 fis16\rest s } \\
{ \voiceFour a16[
\once \override Rest #'transparent = ##t r8
a16] }
}
}
On 05/04/12 12:14, Dossy Shiobara wrote:
\version 2.14.2
\score {
\new Staff {
\clef bass
\relative c
{ \voiceThree s16 s32 fis16\rest s } \\
{ \voiceFour a16[
\once \override Rest #'transparent = ##t r8
a16] }
}
}
This is simpler:
\version 2.15.32
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