Eluze elu...@gmail.com writes:
Am 26.06.2012 07:06, schrieb David Kastrup:
-Eluzeelu...@gmail.com writes:
please be aware that the-\markup will only work in later 2.15 versions -
you can use s1*0 here.
Huh?-\markup has always worked from the time chord syntax has been
introduced. The
Eluze elu...@gmail.com wrote:
please be aware that the -\markup will only work in later 2.15 versions -
you
can use s1*0 here.
David Kastrup d...@gnu.org wrote:
Huh? -\markup has always worked from the time chord syntax
has been
introduced. The great conflict was just about whether it was
jsmcwilliam wrote:
/quote=Eluze
here is the code for the cadenza (just copied the code from an old
example so there might be possible improvements…)
Thanks for your solution. I attach another, perhaps simple alternative,
which includes spacing between the melody and coda sections
Philip Thomas philip.tho...@bluewin.ch writes:
In the particular context I was dealing
with, I ended up wrestling with define-markup-command and losing the
match badly. But I still find to have more
intuitive emotional and syntactic appeal than s1*0. A more neutral
symbol might be nice
jsmcwilliam wrote:
I have tried your suggestion for a coda including a change in Key and Time
signatures. The problem with hiding these changes at the end of the melody
section has been solved, however, whereas the key signature is visible at
the begining of the coda, the time signature is
I actually want to ask the opposite question. I'm guessing if someone knows
the answer to Hartmut's question, they know the answer to mine. I am
working on a hymnal, and often, Lilypond will break across the page right
where I want it to, but the spacing is overkill on the first page, and then
Hello,
2012/6/26 worshipgeek a...@gerlingfamily.com
I actually want to ask the opposite question. I'm guessing if someone
knows
the answer to Hartmut's question, they know the answer to mine. I am
working on a hymnal, and often, Lilypond will break across the page right
where I want it
Ragged Bottom was the missing Google phrase I needed to fix this problem.
Thanks!
Marek Klein wrote:
Hello,
2012/6/26 worshipgeek a...@gerlingfamily.com
I actually want to ask the opposite question. I'm guessing if someone
knows
the answer to Hartmut's question, they know the
I need to write a coda which starts with a change in key and time signature.
The example taken from the manual does not illustrate this requirement. All my
attempts have resulted in visible a key signature and time signature at the
end of the melody section (before the coda). I want to hide
I need to write a coda which starts with a change in key and time signature.
The example taken from the manual does not illustrate this requirement. All
my attempts have resulted in visible a key signature and time signature at
the end of the melody section (before the coda). I want to hide this
/quote=Eluze
here is the code for the cadenza (just copied the code from an old example
so there might be possible improvements…)
Thanks for your solution. I attach another, perhaps simple alternative,
which includes spacing between the melody and coda sections using seperate
\score
I need to write a coda which starts with a change in key and time signature.
The example taken from the manual does not illustrate this requirement. All
my attempts have resulted in visible a key signature and time signature at
the end of the melody section (before the coda line). I want to hide
Hello.
I'm really new to Lilypond. I think it's an interesting project, so I started
reading the first two chapters of the Learning Manual on lilypond.org. But
since I play the drums, I wanted to see how the program worked with drums
scores. Thus, as my first test with Lilypond, I created the
Hello.
I'm really new to Lilypond. I think it's an interesting project, so I started
reading the first two chapters of the Learning Manual on lilypond.org. But
since I play the drums, I wanted to see how the program worked with drums
scores. Thus, as my first test with Lilypond, I created
I need to write a coda which starts with a change in key and time signature.
The example taken from the manual does not illustrate this requirement. All
my attempts have resulted in visible a key signature and time signature at
the end of the melody section (before the coda line). I want to
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