Stradella Bass for accordion

There is a new approach to the Stradella Bass Notation for the accordion at the German www.lilypondforum.de . The basic idea of this approach is to enter both treble and bass in a parallelMusic mode. And after that to 'convert' it by any applicable method the get the required result. And it's not

Tie

Question: How to achieve a tie from Bb in bar 5 to A natural in bar 2 Reference from manual suggests this is not possible: Quote: Known issues and warnings Slurs that span from a \repeat block into an \alternative block will only work for the first alternate ending. Also, slurs cannot wrap

Re: Coda

jsmcwilliam wrote: I have tried your suggestion for a coda including a change in Key and Time signatures. The problem with hiding these changes at the end of the melody section has been solved, however, whereas the key signature is visible at the begining of the coda, the time signature

Re: Tie

2012/6/27 jsmcwilliam jsmcwill...@gmail.com: Question: How to achieve a tie from Bb in bar 5 to A natural in bar 2 Reference from manual suggests this is not possible: Quote: Known issues and warnings Slurs that span from a \repeat block into an \alternative block will only work for the

Re:Tie

I hope these might help with where you're going - I think the second makes more sense! :) but then, I'm not a composer but a mere part time singer :) Regards Bill \relative c' { \key ees \major \time 2/2 r g'

Re: Margins

Kieren- perhaps this recommendation did not work because there is only one system per page? At any rate it didn't affect anything no matter where I placed the spacing stuff. So if top-margin, bottom-margin doesn't work on a page with only one system and system-spacing doesn't either, what's next

Re: Margins

Frybyte wrote: Kieren- perhaps this recommendation did not work because there is only one system per page? At any rate it didn't affect anything no matter where I placed the spacing stuff. So if top-margin, bottom-margin doesn't work on a page with only one system and system-spacing

Re: vibrato squiggle

m...@apollinemike.com wrote: If you google vibster lilypond, there used to be a snippet for 2.12 that did something like this. I'm not sure if it works in 2.14. If you file a bug report asking for this feature to be added to LilyPond, it'll get added to the tracker. If you know how to

midi for orchestral scores

I was wondering if anyone has developed a good workflow for dealing with midi playback for scores using more than 16 instruments. I've been playing around with the various options for midiChannelMapping and playback programs, but I can't seem to figure out a way to get playback of all the parts

thinking of submitting divisi snippet to LSR; comments?

Hi all, I wrote a snippet several months ago to facilitate notating divisi staves, but I couldn't submit it to LSR because LSR was on 2.12 until recently. Now that LSR has been updated to 2.14, I'd love to get some comments on my snippet before I submit it. It's a bit long, so I've attached it

Re: turning off partcombine

m...@mikesolomon.org wrote: Hey users, Is there a way to turn off partcombine so that I can change staves and then turn it back on when the voice comes back to its original staff? Cheers, MS Yes, just use \partcombineApart. Are you trying to do