On 9/5/2012 2:30 AM, Nick Payne wrote:
> On 04/09/12 17:54, David Bobroff wrote:
>> In this example I have a beam going across a rest larger than the beam
>> value.
>>
>> \version "2.16.0"
>>
>> \relative {
>>{ d16-[ r r8 e16-] r r8 }
>> }
>>
>> The 16th beam breaks over the 8th rest. Is it po
> you find attached 8 files: [...]
Thanks a lot! This is far more than expected. I can't tell you when
I will have time to check and include this in the documentation (and
maybe a guy from the documentation team is quicker than me).
Werner
___
I am trying to export directly from LilyPond to png, with just the cropped
snippet of music, and not something on an entire A4 piece of paper.
Thoughts? Here's something I tried before, and I know I missing something:
*\version "2.12.2"
\paper{
indent=0\mm
line-width=120\mm
oddFooterMarkup=##f
You might try the brute-force method:
\paper {
page-count = #1
% system-count = #4
}
I often use page-count (and \break at appropriate places) to save myself
many trials.
If this does not solve the problem there are lots of other settings in
the paper block to experiment with.
--
you
fabio gabbianelli hotmail.it> writes:
> sorry! the problem is in the 14th bar where there are two markup and are
overlapping
>
The cross-staff slur was too hard for LilyPond to figure out. She usually
places text around the slurs, but then the "a tempo" would push the staves
apart, requir
On 04/09/12 17:54, David Bobroff wrote:
In this example I have a beam going across a rest larger than the beam
value.
\version "2.16.0"
\relative {
{ d16-[ r r8 e16-] r r8 }
}
The 16th beam breaks over the 8th rest. Is it possible to extend the
16th beam across the 8th rest like this?:
ht
Greetings,
you wrote
+
How can I change the vertical order of articulation marks?
+
See the notation Reference Section 1.3.1
Expressive marks attached to notes
and pla
Dear list
Using 2.14.2, I am setting an SA-TB choir score with an additional solo voice.
With the help of snippet 336¹ I am auto-merging rests in the two-voiced
staves. I also want to use \layout{ \context{ \RemoveEmptyStaffContext } }
in order to hide the solo staff where it is silent.
While t
Hi David,
> 2012/9/4 David Bobroff :
>> In this example I have a beam going across a rest larger than the beam
>> value.
>>
>> \version "2.16.0"
>>
>> \relative {
>> { d16-[ r r8 e16-] r r8 }
>> }
>>
>> The 16th beam breaks over the 8th rest. Is it possible to extend the
>> 16th beam across the
2012/9/4 David Bobroff :
> In this example I have a beam going across a rest larger than the beam
> value.
>
> \version "2.16.0"
>
> \relative {
> { d16-[ r r8 e16-] r r8 }
> }
>
> The 16th beam breaks over the 8th rest. Is it possible to extend the
> 16th beam across the 8th rest like this?:
>
For problem 1, if you add \override Fingering #'script-priority = #-100
Perfect. Nick, I added this line to my copy of your guitar file:
fp = \override Fingering #'script-priority = #-100
For problem 2, see the function ncShift below.
Perfect. And this was already in your guitar file b
please reply in the original thread where you posted!
and please also try to reduce the code to a minimal example that shows the
problem - what I mean is:
- do we need ~20 measures to see the problem?
- are all 3 staves necessary to show the overlaps?
…
the more you can reduce the better the cha
2012/9/4 Xavier Scheuer :
> On 4 September 2012 03:04, Jeffrey Trevino wrote:
>> Hi there,
>>
>> I'm having trouble finding the correct overrides to change rehearsal mark
>> formatting. I'd like to change the font name used for the marks, as well as
>> the amount of white space between the number
2012/9/4 Mats Bengtsson :
[...]
> A final alternative, if you for example have a whole note and want to align
> the upbow with a note in some other part that comes on the third beat, then
> you could attach it to a spacer note:
> \score{
> <<
> \new Staff \relative c' {
> c1 | << {c^\downbow } {s
On Tue, Sep 04, 2012 at 05:27:46PM +, Neil Sands wrote:
> I hope this is the right place to point out some errors in the LilyPond
> Learning
> Manual.
Thanks for the feedback! Normally this would go to the
bug-lilypond mailing list, which I've CC'd.
> 1. http://lilypond.org/doc/v2.16/Docum
Hello
I hope this is the right place to point out some errors in the LilyPond
Learning
Manual. I'm a beginner to LilyPond so I may have got the wrong end of the stick
about some things. If so, please tell me!
Here goes:
1. http://lilypond.org/doc/v2.16/Documentation/learning/building-a-score-
Am 04.09.2012 17:14, schrieb Joseph Harfouch:
Hi,
I am trying to write down an example of Mutlu Torun's book on Oud method,
where he uses a notation of a comma and a finger number on top of the comma
and to the right of given note presumably to indicate that the string should
be stopped from vib
Reedmace Star
Said
Well, the point of the column commands like \column or \center-column is
to arrange text vertically, so each unquoted word, quoted string or
markup piece in TEXT ends up on a line of its own.
Hence, you have to group everything that is supposed to go on one line
into one ma
Hi,
I am trying to write down an example of Mutlu Torun's book on Oud method,
where he uses a notation of a comma and a finger number on top of the comma
and to the right of given note presumably to indicate that the string should
be stopped from vibrating (in order to mute the note) using that f
sorry! the problem is in the 14th bar where there are two markup and are
overlapping
test.ly
Description: Binary data
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
fabio wrote
>
> i have this problem:
>
did I miss something here?
> someone knows how to fix it i try to find something that help me in
> the documentation but i don't!
>
if you tell us where you see a problem or even can isolate the measures
where the problem occurs it would proba
Jeffrey Trevino wrote
>
> But the two symbols are overlapping with
> one another.
>
hi
really overlapping or just to tight?
what version are you using?
Eluze
btw, please only quote the relevant text(s), not the whole post!
--
View this message in context:
http://lilypond.1069038.n5.na
* 2012-09-03 11:55 +0200 Peter Gentry:
> I have a line of text
>
> {\fontsize #1 Engraved \bold \date with \with-url
> #"http://lilypond.org/"; \line { LilyPond \simple #(lilypond-version)
> (http://lilypond.org/) } }
>
> call this TEXT in examples below
>
...
> \markuplines {
>
i have this problem:
test.ly
Description: Binary data
someone knows how to fix it i try to find something that help me in the
documentation but i don't!___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo
"Phil Holmes" writes:
> - Original Message -
> From: "David Kastrup"
> To:
> Sent: Tuesday, September 04, 2012 10:28 AM
> Subject: Re: Mensural clefs
>
>
>> "Phil Holmes" writes:
>>
>>> I've started setting a bit of mensural music, from Dufay. All of the
>>> music uses a C clef, simi
On 4 September 2012 03:04, Jeffrey Trevino wrote:
> Hi there,
>
> I'm having trouble finding the correct overrides to change rehearsal mark
> formatting. I'd like to change the font name used for the marks, as well as
> the amount of white space between the number and the drawn circle or box (so
>
On 09/04/2012 09:55 AM, lilypond-user-requ...@gnu.org wrote:
Hi Jeffrey,
On Mon, Sep 3, 2012 at 7:40 PM, Jeffrey Trevino
wrote:
>Eluze! Exactly. Thank you so much. But the two symbols are overlapping with
>one another. How do you think I should make sure that the upbow symbol isn't
>drawn on
Hi Jeff,
On Mon, Sep 3, 2012 at 10:27 PM, Jeffrey Trevino
wrote:
> Hi there,
>
> How can I change the vertical order of articulation marks? I'd like tenuto
> lines to be closest to notes, and accents further away, but I can only get
> the reverse order.
Simply change the order you request them:
- Original Message -
From: "David Kastrup"
To:
Sent: Tuesday, September 04, 2012 10:28 AM
Subject: Re: Mensural clefs
"Phil Holmes" writes:
I've started setting a bit of mensural music, from Dufay. All of the
music uses a C clef, similar to the mensural-c. However, the gap
betwe
Which operating system?
--
Phil Holmes
- Original Message -
From: Stefan Thomas
To: lilypond-user
Sent: Tuesday, September 04, 2012 10:32 AM
Subject: update all files with convert.ly
Dear community,
how can I update all my ly files (including subfolders) with one comma
Stefan Thomas writes:
> Dear community,
> how can I update all my ly files (including subfolders) with one
> command?
Depending on operating system, something like
find -name '*.ly' -exec convert-ly -ed {} \;
might do the trick. Needless to say, create a backup first.
--
David Kastrup
___
Dear community,
how can I update all my ly files (including subfolders) with one command?
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
"Phil Holmes" writes:
> I've started setting a bit of mensural music, from Dufay. All of the
> music uses a C clef, similar to the mensural-c. However, the gap
> between the upper and lower half of the clef is _exactly_ centred on
> the c staff line. Compare this with the lilypond mensural C cl
2012/9/4 David Kastrup :
> In general, it is a bad idea to answer to a digest, just because of
> being able to associate answer with original article. It is better if
> you look up the article itself in the archives and answer to _that_
> rather than to the digest.
Evolution (the email client) wo
"m...@mikesolomon.org" writes:
> On 4 sept. 2012, at 01:36, Mogens Lemvig Hansen wrote:
>
>> Dear List,
>>
>> How do I add a footnote to lyrics printed with the music?
>> The code below does, of course, not work, but I hope it explains what I want.
>>
>> \version "2.16.0"
>>
>> \score { <<
>>
James Harkins writes:
> At Mon, 03 Sep 2012 16:12:52 -0400,
> lilypond-user-requ...@gnu.org wrote:
>> From: "Peter Gentry"
>> To:
>> Subject: RE: lilypond-user Digest, Vol 118, Issue 12
>> Message-ID:
>> Content-Type: text/plain;charset="us-ascii"
>>
>> Hmm I had thought it was clear... >s
--
Phil Holmes
- Original Message -
From: "Keith OHara"
To:
Sent: Monday, September 03, 2012 8:13 PM
Subject: Re: Mensural clefs
Phil Holmes philholmes.net> writes:
I've started setting a bit of mensural music, from Dufay. All of the
music
uses a C clef, similar to the mens
In this example I have a beam going across a rest larger than the beam
value.
\version "2.16.0"
\relative {
{ d16-[ r r8 e16-] r r8 }
}
The 16th beam breaks over the 8th rest. Is it possible to extend the
16th beam across the 8th rest like this?:
http://notendur.centrum.is/~bobroff/double-be
38 matches
Mail list logo
