When playing in an orchestra it's important to count rests. To make this
tasks easier you can write numbers into rest measures.
Especially for a piano staff it gives a calm picture when the empty
space between the staves is used. The attached picture shows this
starting at Allegretto. Further
- Original Message -
From: Graham Percival gra...@percival-music.ca
To: Phil Holmes m...@philholmes.net
Cc: Nick Payne nick.pa...@internode.on.net; lilypond-user@gnu.org;
bug-lilyp...@gnu.org
Sent: Tuesday, October 16, 2012 10:42 PM
Subject: Re: Manual search returns results from wrong
Thanks, Eluze!
Yes, the output is correct. I was just fighting my way through a long list of
errors and warnings, trying to understand.
Best regards
Kai
... von unterwegs gesendet!
Am 09.10.2012 um 23:21 schrieb Eluze elu...@gmail.com:
quot;Dr. med. Kai Lautenschlägerquot; wrote
The
Dear Mark,
do you have Lilypond 2.16 installed? And have you set the correct path
in Frescobaldi? Please check in Frescobaldi something like:
Edit Options, then Lilypond-Options. There the lilypond-windows.exe
should correspond to your Lilypond installation, which is usually in
C:\Program
So, some years ago I wrote this code for an alternative method of displaying
chord symbols.
It still worked fine in 2.14 but not so in 2.16. I tried running convert-ly
but it didn't change anything.
Details and code can be found in this thread:
I have tried downloading this code as part of learning about scheme. Every way
I try is thwarted - I even down loaded the Git for
Windows stuff. I did manage to browse a file but cut and paste just produced
one long line and the download option does not work
which is a shame.
On 16 Oct 2012, at 19:20, David Rogers wrote:
I don't have any of the engraving manuals - what is this note called
in those books? It would probably be better to go along with the
industry standard name, even if that name turns out not to be
perfect.
The Harvard Concise says that originally
Are You sure that is an Urtext and not a kind of later arrangement of
this piece?
2012/10/17 Mark Stephen Mrotek carsonm...@ca.rr.com
The Harvard Concise is not in my possession. I do have a copy of Haydn's
Keyboard Concerto No. 11 in D. The acciaccatura (small eight notes with
diagonal
Article appoggiatura says: The 19th century brought still further changes in
the treatment of the appoggiatura. The long appoggiatura became absorbed in the
ordinary notation, and the short appoggiatura was invariably indicated by a
small note with a single stroke across its stem, called a
Hi Peter,
There's a link to the left of the repository address with the word zip
and a little icon of a cloud on it that will let you download all the files
as a zip archive. Here's the link:
https://github.com/mwitmer/LyUtil/zipball/master.
Hope that helps!
Mark
On Wed, Oct 17, 2012 at 8:35
Hi,
With the following code (mainly stolen from
http://lilypond.1069038.n5.nabble.com/vertical-text-tt31444.html), I
could get some vertical text at the end of my score:
%%
\version 2.16.0
markVerticalText =
#(define-music-function (parser location text) (string?)
#{
\once
Stefan Thomas kontrapunktste...@gmail.com writes:
Are You sure that is an Urtext and not a kind of later arrangement of
this piece?
2012/10/17 Mark Stephen Mrotek carsonm...@ca.rr.com
The Harvard Concise is not in my possession. I do have a copy of Haydn's
Keyboard Concerto No. 11 in D.
I'm trying to create a score and parts for a piece. I want to have bow markings
in the string parts but not the score, so I'm trying to put them in a voice
separate from the notes (ex. 1):
\version 2.16.0
music = \relative c'' {
b g' d d,
}
bowing = {
s\upbow s\downbow
}
{
\new Staff
Daniel Rosen wrote
I'm trying to create a score and parts for a piece. I want to have bow
markings in the string parts but not the score, so I'm trying to put them
in a voice separate from the notes (ex. 1):
My issue is that, when I compile the part, the bow markings don't
automatically
On 18/10/12 08:32, Daniel Rosen wrote:
I'm trying to create a score and parts for a piece. I want to have bow
markings in the string parts but not the score, so I'm trying to put
them in a voice separate from the notes (ex. 1):
\version 2.16.0
music = \relative c'' {
b g' d d,
Daniel Rosen drose...@gmail.com writes:
I'm trying to create a score and parts for a piece. I want to have bow
markings in the string parts but not the score, so I'm trying to put
them in a voice separate from the notes (ex. 1):
Don't do that. Put them in the same voice, or they won't
I've been working on the last version of David Nalesnik's guide-finger code.
The reason is a horizontal and vertical placement problem when the guide line
is long and/or at a steep angle. I have managed to fix the vertical problem,
but the horizontal problem has me flummoxed. The example below
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