Multi-measure rests and counter in piano staff

2012-10-17 Thread Helge Kruse
When playing in an orchestra it's important to count rests. To make this tasks easier you can write numbers into rest measures. Especially for a piano staff it gives a calm picture when the empty space between the staves is used. The attached picture shows this starting at Allegretto. Further

Re: Manual search returns results from wrong version

2012-10-17 Thread Phil Holmes
- Original Message - From: Graham Percival gra...@percival-music.ca To: Phil Holmes m...@philholmes.net Cc: Nick Payne nick.pa...@internode.on.net; lilypond-user@gnu.org; bug-lilyp...@gnu.org Sent: Tuesday, October 16, 2012 10:42 PM Subject: Re: Manual search returns results from wrong

Re: Warning with voltaSpannerDuration

2012-10-17 Thread Kai Lautenschläger
Thanks, Eluze! Yes, the output is correct. I was just fighting my way through a long list of errors and warnings, trying to understand. Best regards Kai ... von unterwegs gesendet! Am 09.10.2012 um 23:21 schrieb Eluze elu...@gmail.com: quot;Dr. med. Kai Lautenschlägerquot; wrote The

Re: error message

2012-10-17 Thread Joram Berger
Dear Mark, do you have Lilypond 2.16 installed? And have you set the correct path in Frescobaldi? Please check in Frescobaldi something like: Edit Options, then Lilypond-Options. There the lilypond-windows.exe should correspond to your Lilypond installation, which is usually in C:\Program

please help with updating old scheme code

2012-10-17 Thread TaoCG
So, some years ago I wrote this code for an alternative method of displaying chord symbols. It still worked fine in 2.14 but not so in 2.16. I tried running convert-ly but it didn't change anything. Details and code can be found in this thread:

RE: Subject: Score/Part creating tool

2012-10-17 Thread Peter Gentry
I have tried downloading this code as part of learning about scheme. Every way I try is thwarted - I even down loaded the Git for Windows stuff. I did manage to browse a file but cut and paste just produced one long line and the download option does not work which is a shame.

Re: how to call these notes?

2012-10-17 Thread Hans Aberg
On 16 Oct 2012, at 19:20, David Rogers wrote: I don't have any of the engraving manuals - what is this note called in those books? It would probably be better to go along with the industry standard name, even if that name turns out not to be perfect. The Harvard Concise says that originally

Re: how to call these notes?

2012-10-17 Thread Stefan Thomas
Are You sure that is an Urtext and not a kind of later arrangement of this piece? 2012/10/17 Mark Stephen Mrotek carsonm...@ca.rr.com The Harvard Concise is not in my possession. I do have a copy of Haydn's Keyboard Concerto No. 11 in D. The acciaccatura (small eight notes with diagonal

Re: how to call these notes?

2012-10-17 Thread Hans Aberg
Article appoggiatura says: The 19th century brought still further changes in the treatment of the appoggiatura. The long appoggiatura became absorbed in the ordinary notation, and the short appoggiatura was invariably indicated by a small note with a single stroke across its stem, called a

Re: Subject: Score/Part creating tool

2012-10-17 Thread Mark Witmer
Hi Peter, There's a link to the left of the repository address with the word zip and a little icon of a cloud on it that will let you download all the files as a zip archive. Here's the link: https://github.com/mwitmer/LyUtil/zipball/master. Hope that helps! Mark On Wed, Oct 17, 2012 at 8:35

Vertical text at the end of score

2012-10-17 Thread Dominique Faure
Hi, With the following code (mainly stolen from http://lilypond.1069038.n5.nabble.com/vertical-text-tt31444.html), I could get some vertical text at the end of my score: %% \version 2.16.0 markVerticalText = #(define-music-function (parser location text) (string?) #{ \once

Re: how to call these notes?

2012-10-17 Thread David Rogers
Stefan Thomas kontrapunktste...@gmail.com writes: Are You sure that is an Urtext and not a kind of later arrangement of this piece? 2012/10/17 Mark Stephen Mrotek carsonm...@ca.rr.com The Harvard Concise is not in my possession. I do have a copy of Haydn's Keyboard Concerto No. 11 in D.

Script objects avoid notes in other voices?

2012-10-17 Thread Daniel Rosen
I'm trying to create a score and parts for a piece. I want to have bow markings in the string parts but not the score, so I'm trying to put them in a voice separate from the notes (ex. 1): \version 2.16.0 music = \relative c'' { b g' d d, } bowing = { s\upbow s\downbow } { \new Staff

Re: Script objects avoid notes in other voices?

2012-10-17 Thread Eluze
Daniel Rosen wrote I'm trying to create a score and parts for a piece. I want to have bow markings in the string parts but not the score, so I'm trying to put them in a voice separate from the notes (ex. 1): My issue is that, when I compile the part, the bow markings don't automatically

Re: Script objects avoid notes in other voices?

2012-10-17 Thread Nick Payne
On 18/10/12 08:32, Daniel Rosen wrote: I'm trying to create a score and parts for a piece. I want to have bow markings in the string parts but not the score, so I'm trying to put them in a voice separate from the notes (ex. 1): \version 2.16.0 music = \relative c'' { b g' d d,

Re: Script objects avoid notes in other voices?

2012-10-17 Thread David Kastrup
Daniel Rosen drose...@gmail.com writes: I'm trying to create a score and parts for a piece. I want to have bow markings in the string parts but not the score, so I'm trying to put them in a voice separate from the notes (ex. 1): Don't do that. Put them in the same voice, or they won't

Re: Glissando between single notes in chord

2012-10-17 Thread pabuhr
I've been working on the last version of David Nalesnik's guide-finger code. The reason is a horizontal and vertical placement problem when the guide line is long and/or at a steep angle. I have managed to fix the vertical problem, but the horizontal problem has me flummoxed. The example below