Hi Kieren,
On Sun, Nov 4, 2012 at 7:44 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi all,
I think it is doable with the new engraver, and it should be included in
2.17.6.
I didn't see the Measure_counter_engraver listed at
On 5/11/2012 7:00 AM, Mark Stephen Mrotek wrote:
Fellow Users:
Please look at this:
\version 2.16.0
global = {
\key c \major
\numericTimeSignature
\time 3/8
}
bassVoice = \relative c {
\global
{ \stemDown g4.} \\ { \override Stem #'direction = #UP r8 c e g
d f g }
}
Hi Jacques,
Difficult for me to answer, because I don't know the programmer
internals of LP to give you a correct answer. Also I see in reality
different kinds of numbering also in scores done by commercial
publishers. For example the numbering of the bars underneath the first
repeat
Additional question: Can the numeric line up horizontally?
I am 3 days late answering.
The traditional way to do that is to override the padding property, but I
wanted to explore the method using context, that I was not used to.
Here are the result of my tries.
Hi, Gilles,
Thank you for the solution. It seems the padding method is simplier. I am not
a programmer.
Blessing in+,
Ming.
From: Gilles gilles.thiba...@free.fr
To: lilypond-usermailinglist lilypond-user@gnu.org; MING TSANG
tsan...@rogers.com
Sent:
Hi,
I'm using Lilypond to write traditional folk music for diatonic accordion.
On that kind of instrument you have the melody (done with the right hand)
and the bass and chords done by the left hand.
Typically the melody is written as a normal score and the left hand (bass
and chord) is written
Mr. Payne:
Thank you for your reply and instructions. You mentioned a detail that I did
not follow. By trial and error I got the same done.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Nick Payne
I'm transcribing a piece that has a dashed bar line in the middle of a
bar, in only one staff in a system. The dashed line is marking a change
of phrase. Is there an easy way to do that? I think I know how to do
it by subverting the bar line process, making two short measures and
suppressing
Frédéric Fanchamps frederic.fancha...@gmail.com writes:
Hi,
I'm using Lilypond to write traditional folk music for diatonic
accordion.
On that kind of instrument you have the melody (done with the right
hand) and the bass and chords done by the left hand.
Typically the melody is written as
On Mon, Nov 5, 2012 at 8:40 PM, Tim Roberts t...@probo.com wrote:
I'm transcribing a piece that has a dashed bar line in the middle of a bar,
in only one staff in a system. The dashed line is marking a change of
phrase. Is there an easy way to do that? I think I know how to do it by
Could someone with knowhow help me to debug this music function? I want a
function to create arrows in a Lilypond score:
arrow = #(define-music-function (parser location arg1 ) ( pair?)
#{
\markup { \line \draw-line #arg1 \arrow-head #X #RIGHT ##t }}
#})
When I process:
\version 2.16.0
2012/11/5 Vivian Barty-Taylor belast...@vivbt.nl:
Could someone with knowhow help me to debug this music function? I want a
function to create arrows in a Lilypond score:
arrow = #(define-music-function (parser location arg1 ) ( pair?)
#{
\markup { \line \draw-line #arg1 \arrow-head #X
Vivian Barty-Taylor belast...@vivbt.nl writes:
Could someone with knowhow help me to debug this music function? I
want a function to create arrows in a Lilypond score:
arrow = #(define-music-function (parser location arg1 ) ( pair?)
#{
\markup { \line \draw-line #arg1 \arrow-head #X
Dear all,
I think I just found a Lilypond bug.
The following snippet with fingerings does only show one open string
fingering while TWO have been written. The order of _ and ^ play no
role in this bug.
Expected behavior: both \open fingerings are displayed, one above
and one below selected
2012/11/5 Olivier Biot olivier.b...@gmail.com:
Dear all,
I think I just found a Lilypond bug.
The following snippet with fingerings does only show one open string
fingering while TWO have been written. The order of _ and ^ play no
role in this bug.
Expected behavior: both \open fingerings
Hi all, I was tempted by this page to try to create my own custom Staff
context:
http://lilypond.org/doc/v2.16/Documentation/notation/defining-new-contexts
I currently use a number of overrides in the Staff \with block, so was hoping
this would be a more elegant way of achieving that (because
I'm trying to find a way to print an ambitus between the key signature and time
signature, as here (http://www3.cpdl.org/wiki/images/3/37/TALL-SA1.pdf). Is
this possible?
DR
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lilypond-user mailing list
lilypond-user@gnu.org
2012/11/6 Daniel Rosen drose...@gmail.com:
I'm trying to find a way to print an ambitus between the key signature and
time signature, as here (http://www3.cpdl.org/wiki/images/3/37/TALL-SA1.pdf).
Is this possible?
DR
___
lilypond-user mailing
Is it possible to adjust the padding/vertical spacing between the final
line of a multi-stanza hymn and the TB staff in an SATB choir reduction?
I am aware of some solutions that use hard-coded values (i.e., assuming a
set number of stanzas), but as this is intended as the basis for a template
Works perfectly, thanks!
DR
-Original Message-
From: Thomas Morley [mailto:thomasmorle...@googlemail.com]
Sent: Monday, November 05, 2012 7:40 PM
To: Daniel Rosen
Cc: lilypond-user@gnu.org
Subject: Re: Ambitus placed after clef and key signature
2012/11/6 Daniel Rosen
This should do the trick by centering the Lyrics between the two staves:
\version 2.16.0
\score {
... music here ...
\layout {
\context {
\Lyrics
\override VerticalAxisGroup #'staff-affinity = #0
}
}
}
DR
From: Aristotle Esguerra [mailto:aristo...@esguerra.info]
I've created an incipit for a piece I'm working on, but there's a minor issue
with it. Here's the code.
%%% Example begins
\version 2.16.0
disIncip = \markup {
\score {
{
\set Staff.instrumentName = \markup \right-column { Discantus [Tenor] }
\override Staff.InstrumentName
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