Hi, I'm thinking of generating guitar fret diagrams to drill note names for beginning guitar, and I've gotten this far:Can anyone think of a way to put the fretboard inlay markers in there? Either on the diagram, or as labels above or below the fret diagram in the right fret location? dots on 3rd,
It has been practically forever since I did any serious LP work, but just
looking at you code, the ability to draw the 'dot' with the 'A' implies the
possibility of what you want IF you can a. control the vertical location of
the dot and cause it to be filled in as black. Given that, then your
If this sort of work is done just for your own students then the *extremely
easy and fast* way to do it is by taking Lilypond's SVG output and editing
it in Inkscape. That will allow you to do ANY sort of graphics work
(colors, pictures, etc.) on your score with pinpoint accuracy.
On Fri, Nov
Curt Siffert wrote
Hi, I'm thinking of generating guitar fret diagrams to drill note names
for beginning guitar, and I've gotten this far:
Can anyone think of a way to put the fretboard inlay markers in there?
Either on the diagram, or as labels above or below the fret diagram in the
It works, bot now i have a new problem. Copyright line is disappear. I
entered «\on-the-fly #not-first-page » at footerMarkup block. Without
results.
--
View this message in context:
On 24/11/12 06:10, Rustik wrote:
It works, bot now i have a new problem. Copyright line is disappear. I
entered «\on-the-fly #not-first-page » at footerMarkup block. Without
results.
I don't think there is a corresponding not-last-page unless there have
been recent changes. This is what I use
Hi, I'm new to this list and to lilypond
I just learned that I can do this:
\markup {
\fill-line {
\hspace #1
\column {
\line { This is my first verse }
\line { For Column 1 as a supplemental }
\line { Text blurb below the score }
\line { This is when I don't
Bric wrote
Hi, I'm new to this list and to lilypond
How do I shift the paragraph?
Also, while we're on this topic:
(2) How do I add an empty line (forced newline, paragraphbreak, or some
such),
in the above sets of lines?
(3) How can I add other things like solid horizontal line
On November 23, 2012 at 3:29 PM SoundsFromSound soundsfromso...@gmail.com
wrote:
Bric wrote
Hi, I'm new to this list and to lilypond
How do I shift the paragraph?
Also, while we're on this topic:
(2) How do I add an empty line (forced newline, paragraphbreak, or some
such),
in
Hi all,
I'm now confronted with an unfamiliar single note pitched trill (a f sharp
trill with a 3za mark - i.e., one third above f sharp as the trilled
note). In looking for a solution, I came across the following older post:
Bric wrote
Also, while we're on this topic:
(2) How do I add an empty line (forced newline, paragraphbreak, or some
such),
in the above sets of lines?
(3) How can I add other things like solid horizontal line (rules), etc..,
etc. ?
the text markup commands are well explained in
Dear LilyPond users,
How can I avoid the tuplet bracket colliding with fingerings in case the
tuplet has a slur?
Example of tuplet without and with slur, illustrating the problem:
% BEGIN
\version 2.16.1
\score {
\new Staff {
\relative c, {
\key g \major
\time 2/4
If i try
\paper {
#(define (not-first-page layout props arg)
(if (and (chain-assoc-get 'page:is-bookpart-first-page props #f)
(chain-assoc-get 'page:is-first-bookpart props #f))
empty-stencil
(interpret-markup layout props arg)))
Wow, Eluze. Just, wow!
Works great for my purposes. The inlay doesn't scale if I increase the size of
the fret diagram itself, but it all scales just fine if I change the global
staff size - that works even if I don't attach the fret to a staff. Thanks so
much!
It's not for any particular
On November 23, 2012 at 4:08 PM Thomas Morley thomasmorle...@googlemail.com
wrote:
2012/11/23 Bric b...@flight.us:
Hi, I'm new to this list and to lilypond
I just learned that I can do this:
\markup {
\fill-line {
\hspace #1
\column {
\line { This is my first
Bric wrote
Lily does what you told her:
\fill-line with \column { ... } on the left and \hspace #4 on the right.
Visible, if you add \box before \hspace #4.
Deleting \hspace #4 will center it horizontally on the page.
Nope. Removed all the \hspaces. The third paragraph (set of \line's)
Bric, you wrote Friday, November 23, 2012 10:57 PM
Nope. Removed all the \hspaces. The third paragraph (set of \line's) is
still rammed all the way to the left, crossing the gutter.
Actually, changing \column to \center-column shoves the paragraph left,
beyond the absolute margin (
Hi all,
Is it possible to specify non-integer values for vertical spacing with
vspace? I read once that it was possible, but apparently not (anymore) in
version 2.16.0 or 2.16.1.
The following does compile without errors but the non-integer values are
apparently silently transformed into 1:
%
Curt Siffert wrote
Wow, Eluze. Just, wow!
glad I could help
Works great for my purposes. The inlay doesn't scale if I increase the
size of the fret diagram itself, but it all scales just fine if I change
the global staff size - that works even if I don't attach the fret to a
staff.
2012/11/23 Bric b...@flight.us:
On November 23, 2012 at 4:08 PM Thomas Morley thomasmorle...@googlemail.com
wrote:
[...]
Deleting \hspace #4 will center it horizontally on the page.
Nope. Removed all the \hspaces. The third paragraph (set of \line's) is
still rammed all the way to the
2012/11/24 Olivier Biot olivier.b...@gmail.com:
Hi all,
Is it possible to specify non-integer values for vertical spacing with
vspace? I read once that it was possible, but apparently not (anymore) in
version 2.16.0 or 2.16.1.
vspace works with integers: \vspace #1 etc
numbers: \vspace #1.23
Greetings All;
In many some of the Gregorian Chant's I have access to they show the
divisio Maior as starting slightly above the third line of the staff and
continuing to just below the second line of the staff instead of a full
bar line like the Divisio Maxima only less bold. Is it possible
Federico Bruni fedelogy at gmail.com writes:
I've updated to 2.16 the following piece of Mutopia:
http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=636
Can anyone review it?
I made one pass through, and made potential-corrections as I went. (attached)
Hopefully you can use a 'diff'
Hi, lily user,
The following lily code did not produce \bar|: at the beginning.
\version 2.17.7
\relative c' {
\key c \major \time 6/8
\bar||: \repeat volta 2 {c4 e4. g8 | e8( d8) d4 r8 c8 | c4 e4. g8 | e2 r8 d8
|
} \alternative {{ c2. d2. } {d2. d2.}} e4 e8 f4 f8 \bar|.
}
The output is
MING TSANG wrote
Hi, lily user,
The following lily code did not produce \bar|: at the beginning.
\version 2.17.7
\relative c' {
\key c \major \time 6/8
\bar||: \repeat volta 2 {c4 e4. g8 | e8( d8) d4 r8 c8 | c4 e4. g8 | e2
r8 d8 |
} \alternative {{ c2. d2. } {d2. d2.}} e4 e8 f4
MING TSANG wrote
Hi, lily user,
The following lily code did not produce \bar|: at the beginning.
\version 2.17.7
\relative c' {
\key c \major \time 6/8
\bar||: \repeat volta 2 {c4 e4. g8 | e8( d8) d4 r8 c8 | c4 e4. g8 | e2
r8 d8 |
} \alternative {{ c2. d2. } {d2. d2.}} e4 e8 f4
Federico Bruni fedelogy at gmail.com writes:
I've updated to 2.16 the following piece of Mutopia:
http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=636
Can anyone review it?
I made one pass through, and made potential-corrections as I went. (attached)
Hopefully you can use a 'diff'
Federico Bruni fedelogy at gmail.com writes:
I've updated to 2.16 the following piece of Mutopia:
http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=636
Can anyone review it?
I made one pass through, and made potential-corrections as I went. (attached)
Hopefully you can use a 'diff'
Il 24/11/2012 03:34, Keith OHara ha scritto:
Federico Bruni fedelogy at gmail.com writes:
I've updated to 2.16 the following piece of Mutopia:
http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=636
Can anyone review it?
I made one pass through, and made potential-corrections as I went.
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