Il 31/12/2012 00:44, Noeck ha scritto:
These include
… ‘\alterBroken’, … ‘\hide’, ‘\omit’, ‘\overrideProperty’, …
I've read about those commands now several times (in this context of
changes to 2.17) and I am curious what they do. But I could not find any
explanation for most of them (I
Thanks to everyone who responded - I got that working ok. My use for
this stuff is allowing Wysiwyg operations on the LilyPond typeset score
from inside Denemo.
I am guessing that there are strict limitations here, to do with what
constitutes a grob. The original email from Noeck included beams as
Thomas Morley thomasmorle...@googlemail.com writes:
2012/12/30 David Kastrup d...@gnu.org:
Richard Shann richard.sh...@virgin.net writes:
I too am very interested in adding links to objects, but when I paste
your example into lilypond version 2.16.0 I get syntax errors - is it
specific to
2012/12/31 Noeck noeck.marb...@gmx.de:
Hi,
Is there any situation where I can use both and it is an advantage that
I can distinguish between them? Is there a difference for the user
(exept that it is a different thing internally)?
This page is a bit short:
2012/12/31 Thomas Morley thomasmorle...@googlemail.com:
[...]
Perhaps I should add it to the LSR.
I've put a revised, more elegant (hope so) version into the LSR.
Preview at
http://lsr.dsi.unimi.it/LSR/Item?u=1id=865
Cheers,
Harm
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How do I merge Ds and Ms below so it will behave as if I wrote the
dynamics together with the notes?
smorz = \markup { \italic smorz }
sotto = \markup { \italic { sotto voce } }
Ds = {
s1*10 | s1^\sotto | s4 s2.\f | s4 s2.^\smorz | s1\p | s1\pp | s1*2 |
s2 s\ | s4 s8. s16\f\ s4 s8.\! s16
- Original Message -
From: Karl Hammar k...@aspodata.se
To: lilypond-user@gnu.org
Sent: Monday, December 31, 2012 2:22 PM
Subject: dynamics seperatate from the notes entry
How do I merge Ds and Ms below so it will behave as if I wrote the
dynamics together with the notes?
smorz =
On 31 December 2012 15:22, Karl Hammar k...@aspodata.se wrote:
How do I merge Ds and Ms below so it will behave as if I wrote the
dynamics together with the notes?
(snip)
If I use \Ms \\ \Ds the dynamics will come out to the left
(compared to the in the notes version), probably since the
Phil Holmes:
...
How do I merge Ds and Ms below so it will behave as if I wrote the
dynamics together with the notes?
smorz = \markup { \italic smorz }
sotto = \markup { \italic { sotto voce } }
Ds = {
s1*10 | s1^\sotto | s4 s2.\f | s4 s2.^\smorz | s1\p | s1\pp | s1*2 |
s2 s\
Xavier Scheuer:
On 31 December 2012 15:22, Karl Hammar k...@aspodata.se wrote:
How do I merge Ds and Ms below so it will behave as if I wrote the
dynamics together with the notes?
(snip)
If I use \Ms \\ \Ds the dynamics will come out to the left
(compared to the in the notes
- Original Message -
From: Karl Hammar k...@aspodata.se
To: lilypond-user@gnu.org
Sent: Monday, December 31, 2012 5:01 PM
Subject: Re: dynamics seperatate from the notes entry
I think I like the \new Dynamics version best if I could get the same
space above and under the dynamics as
Hi all
while translating this chapter I've come across this sentence:
A new bar is never started within a cadenza, even if one or more \bar
commands are inserted within it. Therefore, reminder accidentals will
need to be added manually. See Accidentals.
c4 d e d
\cadenzaOn
cis4 d cis d
Phil Holmes:
I think I like the \new Dynamics version best if I could get the same
space above and under the dynamics as for the within notes case.
As a general rule (and this would appear to include the music you're
setting) dynamics for singers are put above the staff, to avoid problems
Am 31.12.2012 18:53, schrieb Federico Bruni:
A new bar is never started within a cadenza, even if one or more \bar
commands are inserted within it. Therefore, reminder accidentals will
need to be added manually. See Accidentals.
So what's the point of that sentence?
The sentence tells us the
Hi Karl,
Lilypond default seems to have it below.
That's because dynamics for [almost?] all non-vocal instruments are engraved
below the staff.
I have defined a VocalStaff context, with all the appropriate #'direction = #UP
overrides — this makes it very easy to add a vocal line without
--
Nesmotren govori kao da mačem probada, a jezik je mudrih iscjeljenje.
Izreke 12:18
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On Dec 31, 2012, at 3:22 PM, Karl Hammar k...@aspodata.se wrote:
How do I merge Ds and Ms below so it will behave as if I wrote the
dynamics together with the notes?
smorz = \markup { \italic smorz }
sotto = \markup { \italic { sotto voce } }
Ds = {
s1*10 | s1^\sotto | s4 s2.\f | s4
In the following lilypond code, why is the value of the scheme variable
dirn not being changed by the set! command in the updown function? The
updown function is called on the first line of beginStringNum, and here
returns the value DOWN, as shown by the TextSpanner appearing below the
staff,
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