The \transpose command really transposes your input. So the notation and
the sound (midi) is transposed.
For transposed instruments, this should help:
http://lilypond.org/doc/v2.16/Documentation/notation/displaying-pitches#instrument-transpositions
It introduces the \transposition command.
If
Hi Guy,
Your problem is that you did not specify the language, then it
defaults to Dutch.
I guess you want:
\transpose bes, f { ... notes ... }
but:
\transpose f c' { }
does the same, both move you up exactly one kwint/scale.
Or:
\language english
Hi Joseph,
On 29 Jan 2013, at 23:22 , Joseph Rushton Wakeling wrote:
-- more realistic key shapes and placement for the diagrams (this
is a
minor quibble, but nice if it can be done);
-- an option to display unused as well as used keys (Wim's request);
E.g. with a property
Guy Stalnaker jimmyg...@gmail.com writes:
I used to think I was smart :-\
I'm arranging some church hymns for six-part instruments, Flute, 2
Violins, 2 F Horns, 1 cello.
Hymn is in F major. Arrangement is notated in LP in F major.
That means you have notation that is in pitch, and you want
Hi Javier,
On Tue, Jan 29, 2013 at 11:45 PM, Javier Ruiz-Alma jav...@ruiz-alma.comwrote:
I have first beamed note in the bass, and 3 more in the treble staff. I
wish to adjust the beam slope using \override Beam #'positions, as the
automatically-calculated beam slope is overinfluenced by the
Thanks everyone who replied. I understand the relationship between /transpose
and /transposition now. FYI the proper commands that produce the expected
outcome is:
/transpose f c' {
/transposition c {
}
}
Guy Stalnaker
jstal...@wisc.edu
jimmyg...@gmail.com
On Jan 30, 2013, at 12:32 AM,
- Original Message -
From: Adam Spiers lilypond-u...@adamspiers.org
To: LilyPond user mailing list lilypond-user@gnu.org
Sent: Tuesday, January 29, 2013 6:59 PM
Subject: Re: [ANNOUNCE] ly2video 0.3.0
On Tue, Jan 29, 2013 at 6:37 PM, Adam Spiers
lilypond-u...@adamspiers.org wrote:
Hi
From: David Nalesnik
Hi Javier,
On Tue, Jan 29, 2013 at 11:45 PM, Javier Ruiz-Alma jav...@ruiz-alma.com
wrote:
I have first beamed note in the bass, and 3 more in the treble staff. I wish
to adjust the beam slope using \override Beam #'positions, as the
automatically-calculated beam slope
I am writing some ensemble music and want the file to compile in two
modes: with -dfull, compile all individual parts; without it, compile
only the conductor part (for debugging). This is probably a FAQ but I
cannot find an answer on the site: what is the preferred way to
implement conditional
2012/12/31 Thomas Morley thomasmorle...@googlemail.com:
Preview at
http://lsr.dsi.unimi.it/LSR/Item?u=1id=865
Now approved.
Phil:
Due to the large interest I tagged it with doc.
Regards,
Harm
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Jérôme Plût jerome.p...@normalesup.org writes:
I am writing some ensemble music and want the file to compile in two
modes: with -dfull, compile all individual parts; without it, compile
only the conductor part (for debugging). This is probably a FAQ but I
cannot find an answer on the site:
Thomas Morley wrote
2012/12/31 Thomas Morley lt;
thomasmorley65@
gt;:
Preview at
http://lsr.dsi.unimi.it/LSR/Item?u=1id=865
Now approved.
Phil:
Due to the large interest I tagged it with doc.
interesting+nice, indeed!
would you mind putting the affected objects in color?!
thanks
Hi Paul,
A great trick! It looks like beaming and slurring across staffs works well
with this technique, which is marvelous. This could be the way to go, but I
need to figure out a few more things with this paradigm before I can use it:
Is there a way to attach a treble^8 clef at the beginning
Hi there,
I've got a rogue tuplet bracket trying to span notes on the note side
instead of the beam side, and I'd like to specify that the tuplet bracket
should always be on the beam side. Internals tell me that I need to
set ly:tuplet-bracket::calc-direction
equal to -1, but I'm not sure what
Sorry -- here is *working* code to reproduce the situation:
\relative c'' {
\stemDown
\times 4/5{c8[( \f a' \times 2/3{c8 \grace {a32 [ c b \p ]} a8
\afterGrace c {a32 [ c b ]}}}
\stopStaff \startStaff
\override Staff.StaffSymbol #'line-positions = #'( 18 16 14 12 10 4 2 0
-2 -4 )
Hi there,
I'm curious about the behavior of chords that tie partially to other chords.
Why does the tie go from the C to nothing here, when it should go from e to
e?:
\version 2.17.0
\language english
\new Staff{
c' e' ~ g' ~4
e' g'4
}
Things display correctly when the lower note doesn't
I'm heading to FOSDEM in Brussels this weekend:
https://fosdem.org/2013/
Would be nice to say hello to any other Lilypond hackers / users who
are there!
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2013/1/30 Eluze elu...@gmail.com:
Thomas Morley wrote
http://lsr.dsi.unimi.it/LSR/Item?u=1id=865
would you mind putting the affected objects in color?!
Done.
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On Jan 30, 2013, at 11:36 PM, Paul Morris p...@paulwmorris.com wrote:
\set Staff.clefOctavation = #7
Actually, this should be:
\set Staff.clefOctavation = #14
since the clef is two octaves higher, not one, right?
-Paul___
lilypond-user mailing
On Jan 30, 2013, at 5:32 PM, Jeffrey Trevino jeffrey.trevi...@gmail.com wrote:
A great trick! It looks like beaming and slurring across staffs works well
with this technique, which is marvelous.
Hi Jeff, Glad this may prove useful to you.
Is there a way to attach a treble^8 clef at the
Adam Spiers writes:
Would be nice to say hello to any other Lilypond hackers / users who
are there!
+1
--
Jan Nieuwenhuizen jann...@gnu.org | GNU LilyPond http://lilypond.org
Freelance IT http://JoyofSource.com | Avatar® http://AvatarAcademy.nl
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