The second example differs from the first example. It does not have a
partial measure.
The first example is generated without error if the s is replaced with a
pitch or a r.
\version 2.16.1
\score {
\new Staff {
\partial 8
\relative c' { c8^\markup x }
} % Staff
} %
On Sat, Feb 09, 2013 at 12:22:47AM -0800, Mark Stephen Mrotek wrote:
The second example differs from the first example. It does not have a
partial measure.
But of course. If it were the same, it wouldn't be a second
example, it would be the first example, repeated. :)
The purpose of the
Hi Keith,
By default, MetronomeMarks have settings requesting specifically that
LilyPond ignore them when spacing notes and rests, analogous to \textLengthOff
Um… why? In what universe would that be a good thing
I use the two overrides below.
it gives a better starting point.
It
Hi Keith,Um… why? In what universe would that be a good thingBy putting this into "real music", I see why the default is a good thing… This override is ONLY useful when the music it precedes is a multi-measure rest — with notes, it wreaks havoc with the spacing. For example, here's the opening
I would like more space between note-head / end of a stem and
tenuto/staccato/portato-marks. How to get that?
Werner,
The following works, with adaptation according to the stem direction:
\version 2.16.2
\relative c''
{
c4-. r
\once \override Script #'extra-offset = #'(0 . 0.1)
c4-. r
}
On 4 févr. 2013, at 16:01, Kieren MacMillan kieren_macmil...@sympatico.ca
wrote:
Hello all!
A few weeks ago, in response to Mike Solomon's call for features and bugs, I
posted a request:
2. Allowing a text markup (especially a MetronomeMark) to have a minimum
measure length. This
On 9 févr. 2013, at 16:12, Alex Voice alvo...@btinternet.com wrote:
I would like more space between note-head / end of a stem and
tenuto/staccato/portato-marks. How to get that?
Werner,
The following works, with adaptation according to the stem direction:
\version 2.16.2
\relative
On Sat, 09 Feb 2013 05:30:26 -0800, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Um… why? In what universe would that be a good thing
By putting this into real music, I see why the default is a good thing… This
override
is ONLY useful when the music it precedes is a
On Sat, 09 Feb 2013 11:29:07 -0800, Keith OHara k-ohara5...@oco.net wrote:
I have had better luck. Maybe you're not holding your tongue right.
Some of my tongue-holding skill is probably my having the fix for issue 1700.
This fix appeared in version 2.17.4
dak wrote
Eluze lt;
eluzew@
gt; writes:
the big difference is that you can scale it in the \markup where you use
it,
e.g.
\markup {
\fontsize #14 \bar-line #.|:
\fontsize #-4 \bar-line #.|:
}
will render two differently sized start repeat signs, whereas there is no
effect in
I'm making theory tests for students, and I'm trying to print a blank staff
(except for a clef and bar lines) divided into two, three or four equal
measures in which students will draw scales, triads or key signatures. Below
each measure will be centered text telling the students what to draw. I
I need to create musical examples for instruction
and many of these ideally would have no bar lines
or time signatures. Appended is such an example.
(1) the example below is pretty much what I want expect
that there is space where the time signature would normally go
(I erase the time
On 10 February 2013 02:25, Michael Rivers michaeljriv...@gmail.com wrote:
I'm making theory tests for students, and I'm trying to print a blank staff
(except for a clef and bar lines) divided into two, three or four equal
measures in which students will draw scales, triads or key signatures.
On 10 February 2013 00:53, ivan.k.kuznet...@gmail.com wrote:
I need to create musical examples for instruction
and many of these ideally would have no bar lines
or time signatures. Appended is such an example.
(1) the example below is pretty much what I want expect
that there is space
Ah ha, that does the trick! Thanks.
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On Feb 9, 2013, at 6:53 PM, ivan.k.kuznet...@gmail.com wrote:
(1) the example below is pretty much what I want expect
that there is space where the time signature would normally go
(I erase the time signature with
\override TimeSignature #'transparent = ##t but the space
is still there).
Thank you for posting this - it helped me with an exercise I was making for
someone.
One question:
How would one do this exact thing but for a solo /piano /staff? I can't seem
to add the global time signature/no bar lines for a grand staff - it messes
it all up. I'm making a mistake somewhere.
Hmm, I think I maybe figured it out. Not 100% sure if it's the most lean,
efficient code but this seems to work great for what I want:
A solo piano piece with no barlines and no time signature.
\version 2.17.10
\header {
% Remove default LilyPond tagline
tagline = ##f
}
global = {
Kevin Patrick Barry barryk2 at tcd.ie writes:
I frequently have to layer many horizontal brackets over a small number
of notes (motivic analysis), and to do this I use extra voices with hidden
notes. Mostly this works fine, but sometimes the hidden notes cause some
odd behaviour with stem
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