Wols Lists antli...@youngman.org.uk writes:
.. not only in the fact that concert pitch has a single-digit ISO
standard to its credit!
Hexadecimal?
-- Johan
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Jim Long wrote
What is the recommended way to align a whole-note chord over a
whole-measure rest? The rest gets centered in the bar, whereas
the chord gets placed above where beat 1 of the measure would be.
would be? - it is!
imo this is correct!
if you still want to shift it around you can
Eluze elu...@gmail.com writes:
Jim Long wrote
What is the recommended way to align a whole-note chord over a
whole-measure rest? The rest gets centered in the bar, whereas
the chord gets placed above where beat 1 of the measure would be.
would be? - it is!
imo this is correct!
if you
In relative, a note with no ' or , indicates the closest octave, e.g. for
adjacent notes
a b means the B one note above whatever A it was,
d c means the C one note below whatever D it was,
Effectively this means that using no ' or , will always produce a note
within a fourth of the previous
Hi Jan-Peter (and anyone else still interested in this thread):
In the end, the conductor of my chamber opera asked to have the bar lines solid
for all measures, but 50% grey and slightly thicker than default as the
baseline, and black and slightly thicker still for bar lines concurrent with
a
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hi Jan-Peter (and anyone else still interested in this thread):
In the end, the conductor of my chamber opera asked to have the bar
lines solid for all measures, but 50% grey and slightly thicker than
default as the baseline, and black
Hi Rama,
On Mon, Mar 11, 2013 at 12:06 AM, Rama Gottfried
rama.gottfr...@gmail.comwrote:
Thanks David -- This is great, I can almost start with the score now.
Glad to hear it!
I was (am still a bit) unclear about how the grob gets passed to the
callback function.
interesting that the
Hi,
On Mon, Mar 11, 2013 at 1:49 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi Jan-Peter (and anyone else still interested in this thread):
In the end, the conductor of my chamber opera asked to have the bar lines
solid for all measures, but 50% grey and slightly thicker than
Hi Janek,
This reminds me of an idea i had: make stafflines under rests grey, to
make it immediately obvious where an instrument is resting (see
attached - obviously a bigger example would demonstrate this idea
better, but i don' have one). How do you like it?
I was considering trying the
On Mon, Mar 11, 2013 at 8:56 AM, David Nalesnik david.nales...@gmail.comwrote:
[...]
In any case, I still am passing the grob to the callback function:
#(define (path-gliss handle)
(lambda (grob)
[...]
BTW, I could also have written the above as follows:
#(define ((path-gliss
Hi,
Can somebody tell me what is the documentation system lilypond uses for it's
HTML and pdf generation? Is it Texinfo, docbook or Latex ?
THanx
K
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Karim Haddad karim.had...@ircam.fr writes:
Hi,
Can somebody tell me what is the documentation system lilypond uses
for it's HTML and pdf generation? Is it Texinfo, docbook or Latex ?
Texinfo.
--
David Kastrup
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- Original Message -
From: Karim Haddad karim.had...@ircam.fr
To: lilypond-user@gnu.org
Sent: Monday, March 11, 2013 3:32 PM
Subject: documentation system
Hi,
Can somebody tell me what is the documentation system lilypond uses for
it's
HTML and pdf generation? Is it Texinfo,
Alexander Kobel wrote:
I think Klaus did not ask for forcing the hyphen to be visible,
or forcing it to be hidden, but instead choose the letters
depending on whether the hyphen appears or not in that place
(with automatic deduction how cramped the space is).
Correct. Nevertheless if a forced
Olivier Biot wrote:
If no hyphen is needed, then write lecker. Otherwise write lek-ker.
A manually written hyphen as in lek-ker looks different to lek -- ker,
and then there is the alignment difference when writing lecker _
On a side note, I didn't know this German hyphenation variant.
This
Klaus Föhl klaus.fo...@uni-giessen.de writes:
Olivier Biot wrote:
If no hyphen is needed, then write lecker. Otherwise write lek-ker.
A manually written hyphen as in lek-ker looks different to lek -- ker,
and then there is the alignment difference when writing lecker _
On a side note, I
This reminds me of an idea i had: make stafflines under rests grey,
to make it immediately obvious where an instrument is resting (see
attached - obviously a bigger example would demonstrate this idea
better, but i don' have one). How do you like it?
Well, I don't like it. The contrast is
Hi Werner,
The contrast is not strong enough if you are viewing the image from a greater
distance.
As it is, it looks irritating to my eye.
Agreed — the lighter chosen here is insufficiently light.
However, the concept is one I'm interested in exploring.
Cheers,
Kieren.
On Mon, Mar 11, 2013 at 7:55 PM, Werner LEMBERG w...@gnu.org wrote:
This reminds me of an idea i had: make stafflines under rests grey,
to make it immediately obvious where an instrument is resting (see
attached - obviously a bigger example would demonstrate this idea
better, but i don' have
Ok. I suck at reading staff lines. I come from braille music where th eoctive
signs are given to me and I sing or play badly the correct pitches based on the
octave mark.
I'll try and give this mental thing a go since I bass in treble anyways around
middle c so that might or might not help.
Hello. I have 1 bar check failing at what it says is at 1/2
I looked at the second beat of the first measure and the cord is still a half
note. the time is 3/2 Here is my .li file
piano reduction 03-11-2013.ly
Description: Binary data
Note that I did not even attempt to put it in a piano
On 12/03/13 12:13, Sarah k Alawami wrote:
Hello. I have 1 bar check failing at what it says is at 1/2
I looked at the second beat of the first measure and the cord is still a half
note. the time is 3/2 Here is my .li file
Note that I did not even attempt to put it in a piano staff first.
Yeah. Here is the log.
I already know I don't have a version statement in lol! This is starting after
the version statement error which I already know about.
warning: no music found in score
warning: no music found in score
Interpreting music...
/Users/SA/Desktop/piano reduction
Hi,
If you move the opening curly brace to below the \relative line
and remove the \new Staff line altogether the result should compile with
no bar-check errors and no, possibly unwanted, empty staff lines.
The altered result is below.
I hope this helps.
Regards
Bill
\relative c'
{
\key
Hi Sarah.
notes and key/time signature should follow the \relative c' in a block.
Everything is being reset with the new staff block.
Hope this helps!
Graeme
On 12/03/2013 12:13 PM, Sarah k Alawami wrote:
Hello. I have 1 bar check failing at what it says is at 1/2
I looked at the second
Oh crap! Ok! Why oh why did I not think of that! Ok. I could kick myself. but
I'll do that later lol! Now back to work, I hope.
On Mar 11, 2013, at 7:55 PM, Graeme Lee gra...@omni.net.au wrote:
Hi Sarah.
notes and key/time signature should follow the \relative c' in a block.
Everything
The contrast is not strong enough if you are viewing the image from
a greater distance. As it is, it looks irritating to my eye.
Agreed ― the lighter chosen here is insufficiently light.
However, the concept is one I'm interested in exploring.
Mhmm. Your suggestion of handling only
Cool. it worked! Now why did the midi file not create? only the pdf. I don't'
want to move on unless I know my octaves are correct. in the right hand
anyways. lol!
Thanks and be blessed.
On Mar 11, 2013, at 8:09 PM, wjm mooney...@aim.com wrote:
Hi,
If you move the opening curly brace to
I decided to change threads to make the list archives more clean *smiles* Ok.
now that I have the bar checks sorted at least for these 4 measures and Ill
stop there for tonight, how do I render it as a midi so I can hear if Im right
int he octaves or not. I want to do this until I'm comfortable
Hi Sarah.
You need a midi block which then needs to be in a score block.
\version 2.16.2
\score {
\new Staff
\relative c' {
\key d\minor
\time 3/2
\set Staff.midiInstrument = #Acoustic Grand
f, a d2 a d f d f a |
f bes d4 g e'8 a f' bes g' a f' g e' f d' e cis'2 |
}
\midi {}
\layout
Hi all,
I'm stumped. I've read the documentation (back when I was using 2.14 I
remember I wondered this same thing)
http://lilypond.org/doc/v2.14/Documentation/notation/writing-rests#full-measure-rests
But, how do you get full measure rests to show up? I seem to only get them
to work using R1
On Mon, Mar 11, 2013 at 10:09 PM, SoundsFromSound
soundsfromso...@gmail.com wrote:
But, how do you get full measure rests to show up? I seem to only get them
to work using R1 if the meter is 4/4, etc.
But 3/4 time and other variants show incorrectly when I render/engrave.
Please see the GIF
Sarah k Alawami marri...@gmail.com writes:
Ok. I suck at reading staff lines. I come from braille music where th
eoctive signs are given to me and I sing or play badly the correct
pitches based on the octave mark.
You don't need to use \relative if you are more comfortable with
absolute
Jay Anderson horndud...@gmail.com writes:
On Mon, Mar 11, 2013 at 10:09 PM, SoundsFromSound
soundsfromso...@gmail.com wrote:
But, how do you get full measure rests to show up? I seem to only
get them
to work using R1 if the meter is 4/4, etc.
But 3/4 time and other variants show
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