Hi Sarah,
The closing bracket } on line 34 is one too much. And in line 156
there is some strange - not lilypond - text.
When I compiled this I noticed one important thing: the flute and
trumpet (in C) melodies show one sharp for \key g \major,
but the line you indicate with Clarinet in
g...@sdf.org writes:
In 2.16, you just put the accidental style definition into the
layout block and that's it.
Alas, 2.16 is not in Debian as far as I know... I can live with a
global = {
#(set-accidental-style 'forget)
...
}
definition at the moment.
In 2.16, you just put the accidental style definition into the
layout block and that's it.
Alas, 2.16 is not in Debian as far as I know... I can live with a
global = {
#(set-accidental-style 'forget)
...
}
definition at the moment.
I have a question about the placements of breathe symbols.
When measure bars are placed automatically, and when a \breathe is
placed at the end of a measure, it seems that it is placed *after* the
bar, before the first note of the next measure.
Can you post a minimal example for this? And
g...@sdf.org wrote Thursday, May 02, 2013 10:04 AM
Indeed, my question was not precise enough. Here is a minimal example:
\relative c' { c d e f2 \breathe g4 a b c }
For the printed score it can be done like this:
\relative c' { c d e f2*1/2 \breathe s4 g a b c }
Trevor
2013/5/2 g...@sdf.org:
I have a question about the placements of breathe symbols.
When measure bars are placed automatically, and when a \breathe is placed
at the end of a measure, it seems that it is placed *after* the bar, before
the first note of the next measure.
Can you post a
Hi,
I'm trying to write some music for Tenor Sax (Bb). I have melody and chords
above the staff. When I put \transposition bes directive, melody is
correct in midi file, but not chords.
Here is a snippet of my code :
\score
{
double_opening_chevrons
\chords
{
\transpo
fazer666 fazer...@free.fr writes:
I'm trying to write some music for Tenor Sax (Bb). I have melody and
chords above the staff. When I put \transposition bes directive,
melody is correct in midi file, but not chords.
Here is a snippet of my code :
\score
{
double_opening_chevrons
David Kastrup dak at gnu.org writes:
URL:http://lilypond.org/tiny-examples
I can't really guess what kind of constructs you are trying to use here.
Sorry, a bad copy paste... :
\transpo - wrong typo, correct is : \transposition bes
And I put the same line just after bracket in Staff
Hi lily user:
I try lilypond scheme-sandbox. The highlight did not correspond to what
chapter 1 - scheme tutorial (extending.pdf) said: 2 is suppose displays on a
line, but it is not. Please refer to the copy of the run.
Thanks for the help,
Ming
Microsoft Windows [Version 6.1.7600]
Trevor Daniels wrote:
Indeed, my question was not precise enough. Here is a minimal example:
\relative c' { c d e f2 \breathe g4 a b c }
For the printed score it can be done like this:
\relative c' { c d e f2*1/2 \breathe s4 g a b c }
Thomas Morley wrote:
You could try to scale
Thanks, this seems to fix the problem indeed. But is there a more
systematic way of doing this, instead of typing *1/2 ... s4 each time?
--ghe
Hi,
the main problem with your input is, that you have overfull measures.
{ c d e f2 } are 5/4 in a 4/4 measure. That means, Lilypond draws and
fazer666 fazer666 at free.fr writes:
David Kastrup dak at gnu.org writes:
URL:http://lilypond.org/tiny-examples
I can't really guess what kind of constructs you are trying to use here.
Sorry, a bad copy paste... :
\transpo - wrong typo, correct is : \transposition bes
And I
Maybe this is a documentation error. I tried the sequence in another scheme
implementation (racket)
and resulted in a similar output, implying separate functions are processed
one by one,
whose outputs intersperesed each time with command prompts.
So, you need to enclose multiple functions
the main problem with your input is, that you have overfull measures. {
c d e f2 } are 5/4 in a 4/4 measure. That means, Lilypond draws and
starts this f2 in the first measure, but it is still played in the
second. Therefore, the breathing mark is placed where the f2 is over.
How can you
Hello,
2013/5/2 g...@sdf.org
Yes, I know that these are overfull measures; actually most measure bars
are not even drawn (I have \context { \Score defaultBarType = empty },
with a few \bar | here and there). These are indeed the intended
durations; in the kind of (liturgical) music I want to
fazer666 fazer...@free.fr writes:
fazer666 fazer666 at free.fr writes:
OK, let's write it shorter (just as example, it's only a excerpt of my whole
code) :
\score
{
\chords
{
\transposition bes
gis,1:m7.5- cis:7
}
\new Staff \relative g'
{
David Kastrup d...@gnu.org writes:
ChordNames and keeps its transposition in there. Two ways out: the one
that likely should get into LilyPond proper would be
\layout {
\ChordNames
\alias Staff
}
and then overrides for Staff should arrive in ChordNames.
Of course, this would be more
The lilypond scheme-sandbox documentation assumes you have the readline
library enabled for guile, although it does not state this explicitly.
Turning on readline makes the behaviour as stated in the manual.
I tried this with racket 5.3.3 also - same thing.
Readline is not enabled by default,
On May 1, 2013, at 5:49 PM, g...@sdf.org wrote:
Message: 6
Date: Thu, 2 May 2013 00:49:32 +0200 (CEST)
From: g...@sdf.org
To: lilypond-user@gnu.org
Subject: Breathes placement
Message-ID: alpine.deb.2.02.1305020034200.19...@svobanppv.bet
Content-Type: TEXT/PLAIN; format=flowed;
Andrew Bernard andrew.bern...@gmail.com writes:
The lilypond scheme-sandbox documentation assumes you have the
readline library enabled for guile, although it does not state this
explicitly.
URL:http://lilypond.org/doc/v2.16/Documentation/extending/scheme-sandbox
states:
You can enter
I'm getting a strange result when I try to compile a score. It includes 8
staff contexts plus a Dynamics context.
All of the Staves compile fine individually--no errors or warnings.
All combinations of Total_Staves - 1 compile fine--no errors or warnings
(I comment out each individual staff in
Hello. thanks for your reply.
Unfortunitally it is impossible to show line numbers in the mac version of lily
pond. and having to count that many manually is going to be a chore lol! I
have made the suggestion that there be an option to show line numbers and I
tried the control e command for
David Kastrup dak at gnu.org writes:
David Kastrup dak at gnu.org writes:
ChordNames and keeps its transposition in there. Two ways out: the one
that likely should get into LilyPond proper would be
\layout {
\ChordNames
\alias Staff
}
and then overrides for Staff should
On Thu, May 02, 2013 at 10:52:23AM +, fazer666 wrote:
Hi,
I'm trying to write some music for Tenor Sax (Bb). I have melody and chords
above the staff. When I put \transposition bes directive, melody is
correct in midi file, but not chords.
As a side point here tenor sax sounds an
fazer666 fazer...@free.fr writes:
David Kastrup dak at gnu.org writes:
David Kastrup dak at gnu.org writes:
ChordNames and keeps its transposition in there. Two ways out: the one
that likely should get into LilyPond proper would be
\layout {
\ChordNames
\alias Staff
}
On Thu, May 2, 2013 at 7:42 AM, James Worlton jworl...@gmail.com wrote:
I'm getting a strange result when I try to compile a score. It includes 8
staff contexts plus a Dynamics context.
[...]
-1073741819 is an access violation error; that's all I know.
Can you provide a minimal example?
Hi all,
I have a piece I'm writing where the piano part is in various time signatures
(e.g., 7/8 for a while, then 4/4 then 7/8 then 3/4 then 7/8 for a while, etc.),
whereas the voice is in 4/4 throughout.
Is there a way to break MultiMeasureRests in the voice, so that the piano part
is
Oeps,
I'm sorry, I simply assumed that mentioning line numbers would be easy
for you. Lots of editors use these, on my Mac I often use TeXShop for
Lilypond and LaTeX. Basic functionality but with(!) line numbers.
In what way do you prefer a response? I could do the edits and send
back
Hi Jun,
On Wed, May 1, 2013 at 10:28 PM, Jun Wang wj1...@hotmail.com wrote:
Hi
I have a lyrics alignment issue when lyrics contains punctuations.
First Let me take the example from the reference manual, see the I am
so lonely... piece below.
Oops,
Attached wrong version.
\version 2.16
#(define (align grob)
(let* ((stil (ly:grob-property grob 'stencil))
(stil-X (ly:stencil-extent stil X))
(text (ly:grob-property grob 'text))
(punct-R (char-set #\, #\ #\; #\! #\. #\space))
(punct-L (char-set #\))
Hi all,
I want to define a tree of contexts like
\Staff
\PianoSingleStaff
\PianoSingleStaffRH
\PianoSingleStaffLH
\ReductionSingleStaff
\ReductionSingleStaffRH
\ReductionSingleStaffLH
and then, in my music (e.g., in a reusable variable), I'd like to say
On Thu, May 2, 2013 at 11:06 AM, Nathan when.possi...@gmail.com wrote:
On Thu, May 2, 2013 at 7:42 AM, James Worlton jworl...@gmail.com wrote:
I'm getting a strange result when I try to compile a score. It includes 8
staff contexts plus a Dynamics context.
[...]
-1073741819 is an access
/lilypond-user/attachments/20130502/ab4ad73c/attachment.html
--
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
End of lilypond-user Digest, Vol 126, Issue 13
Hi Ming,
On Thu, May 2, 2013 at 6:04 PM, MING TSANG tsan...@rogers.com wrote:
Hi David:
Thank you for the align grob.
The chinese character is double byte. Please refer to lyric d f :
correspondent Chinese character to d is ok but the Chinese character at f
is off a bit. Is it
Hi David,
Here is the .ly file that generates the png file in previous email. This file
is UTF-8 encoded.
Thank for looking the solution,
Ming.
From: David Nalesnik david.nales...@gmail.com
To: MING TSANG tsan...@rogers.com
Cc: lilypond-user@gnu.org
Thanks David and Ming.
The unicode value of the special punctuation is \u3002 (
http://www.unicodemap.org/details/0x3002 )
Jun
Date: Thu, 2 May 2013 17:06:40 -0700
From: tsan...@rogers.com
Subject: Re: Lyrics and Punctuations Alignment Issue?
To: david.nales...@gmail.com
CC:
Hey don't worry about it. I'm still a new beginner of lily pond and am trying
my hardest to get this assignment done in 2 weeks, Ok a week and a few days.
I'll take a look at the editor you mensioned and if I don't make any progress
soon someone can help me in correcting the mistakes until I
38 matches
Mail list logo
