Can I second that, re mac ports? The only way Frescobaldi seems to work
on Mac OS X is to use the mac ports versions of the dependencies.
Downloading them all individually and building them - I just can't make
that approach work.
Try from mac ports:
http://www.macports.org/
Andrew
On
Op Sun, 12 May 2013 19:48:52 -0700 (PDT)
SoundsFromSound soundsfromso...@gmail.com schreef:
Any thoughts on how (if at all possible) I could get icons in place
of the menu text on Ubuntu/Linux? (i.e. Save, Open, etc)
Uncheck Edit-Prefs-General-Use system icons?
--
Wilbert Berendsen
-Eluze eluzew at gmail.com writes:
there is \override Voice.Rest #'staff-position = #0
Thanks a LOT!
this makes me save hours from now!
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On 2013-05-13 07:44, Sarah k Alawami wrote:
Hello to the list.
I notice that some of my grace notes are also causing the bar check errors
Just a reminder:
Grace notes are musical ornaments, printed in a smaller font, that take
up no additional logical time in a measure.
// Anders
--
lo. I know this. but when I rewrite the measure to include what would have been
equivalent, that is what I wanted them to play no bar check errors. at least
not for the grace notes. Maybe it's operator error but as of now since I'm
reaching the dead line I cannot change the score.
On May 13,
Phil,
I've done this now.
Thanks for the link - I'm new to Lilypond and didn't know the bug reporting
protocol.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, May 12, 2013, 4:22:55 PM, you wrote:
- Original Message -
From: Peter Toye
Maybe this could help too?
http://lsr.dsi.unimi.it/LSR/Item?id=266
best
ole
Am 12.05.2013 um 23:55 schrieb Nathan:
On Sun, May 12, 2013 at 2:10 PM, Jim Long lilyp...@umpquanet.com wrote:
I'm creating some jazz charts that require a transposed lead
sheet for a Bb or Eb instrument. I
Thanks a lot! It works like a charm!
Cheers,
Ádám
On 2013.05.13., at 6:36, Keith OHara wrote:
Keith OHara k-ohara5a5a at oco.net writes:
I could not quickly figure out how to apply all the 'graceSettings
to the normal voice, but there is probably a way to do so and maybe
we should make a
on 2013-05-12 at 21:49 Wilbert Berendsen wrote:
Frescobaldi 2.0.10 is out,
i'm glad to report that it compiled without problems and is running fine
here on gentoo linux.
thank you for developing frescobaldi, and congratulations for the new
release.
Hi Sarah,
You sure have come a long way, but I think it is already a nice result.
What I see:
- line 17: the opening bracket is still before the \relative instead
of after. That causes a problem that the musical expression seen by
the \relative is only the next statement, that is the \key
Hi,
I am looking at some of the woodwind diagrams, redesigning the
clarinet part and if possible trying to judge on correctness of the
others.
In the Oboe diagram I see a left-hand key labeled F, but it is placed
a little bit strange on top of the others. Comparing with pictures on
the
I don't see an attached diagram? Many oboes do have a LH F, which is a
little knobbly one sort of on top of the others. If I could see it, I'll
take a look.
Since your email is continental, I assume you're looking for Conservatoire
key system. I can help with that.
On Mon, May 13, 2013 at 2:23
Hi Peter,
When I try to use the %e format to get rid of leading zeros in the date,
lilypond crashes out.
As a workaround, you could just use %d and check for a leading zero,
replacing it with a space. Something like this:
\header {
title = title
composer = no-one
tagline = \markup {
Thanks. I was going off of the templet on the site. The whole song with out
repeats is 23 measures long, with repeats it's double that I think. I'm not
performing this
Here is a recording of the harpsichord part I was to orchestrate.. It jumps all
over the place and I'm not aloud to change
I didn't attached a diagram, just the .ly file to generate it. Now the result is attached in .png, so you should see that. It shows you two layout, first one is with all keys, the second one with the "F" and "banana" key pressed.Actually my question is world-wide because it is LilyPond-wide. These
On Sun, May 12, 2013 at 02:55:32PM -0700, Nathan wrote:
When typesetting slash notation, I use this snippet:
http://lsr.dsi.unimi.it/LSR/Item?id=332. You don't have to worry about
transposition because the slashes are really rests. (Also, it doesn't add
weird notes to the MIDI output.)
Right, well, the LH F is correct, though its placement looks a little
weird. Regarding the universality, the problem is that there are several
key systems in general use. North America and the Continent tend to use the
conservatoire system, and the UK uses the thumbplate system. Some
manufacturers
Hi Frauke,
If it is relevant, I can add multiple diagrams, just as I now do for
the clarinet and bass-clarinet.
Regards,
Wim.
On 13 May 2013, at 16:29 , Frauke Jurgensen wrote:
Right, well, the LH F is correct, though its placement looks a
little weird. Regarding the universality,
OK, it makes sense to get the keys right for the individual parts. I
for myself play bass-clarinet, I would flip when I got a concert pitch
part to play, I'm used to read the transposed version. But please read
my remarks on \transpose of earlier today.
If they want parts remember you
I tried that setting but I couldn't see a difference either way. Perhaps
it's something else that's wrong?
Would you like me to make you a quick video showing the situation? If that
would help you determine if this is a bug or just my bad luck, let me know.
:) I'd be happy to help.
As of now,
On 13 May 2013, at 17:06 , Sarah k Alawami wrote:
Ok. so do I have to put the right keys in at least not everything in
g major after the transpose line? I did read the manual but me being
a singer and I can only transpost by ear it kind of makes thing
sharder. I used to be able to do this
Op 13-05-13 18:30, SoundsFromSound schreef:
I tried that setting but I couldn't see a difference either way. Perhaps
it's something else that's wrong?
Would you like me to make you a quick video showing the situation? If that
would help you determine if this is a bug or just my bad luck, let
Hmm...odd. I did a simple restart and everything is working correctly. The
icons are now appearing, and it seems that your suggestion about unchecking
the system icons preference was all that was needed.
Thank you for your help!
Ben
Wilbert Berendsen-4 wrote
Op 13-05-13 18:30,
On 14/05/13 02:30, SoundsFromSound wrote:
I tried that setting but I couldn't see a difference either way. Perhaps
it's something else that's wrong?
Would you like me to make you a quick video showing the situation? If that
would help you determine if this is a bug or just my bad luck, let me
Hello
I use FOMUS to output data from AC Toolbox (algorithmic composition software)
to a Lilypond file and a pdf. However, as my data is quite dense, some systems
are colliding making it impossible to distinguish the independent notes. I am
not working with Lilypond enough to solve this hence
My moderately small complete source file is here: http://pastie.org/7904566
I have two problems: a corrupt midi file, and a note head collision that
I cannot seem to fix.
Two things to note about the source: I am including articulate.ly, and
this is set up to produce cross-voice arpeggios,
I think I might have noticed this before, but in the example below, all the
re noteheads that are stem up that should be open (half note, dotted half
note) are filled. Whole notes are not affected.
\version 2.16.2
notation = { \aikenHeads \time 3/4
\key c \major
d2. d' d'' d'''
d'2 d'4
Greetings Samuel
You wrote:-
Hello
I use FOMUS to output data from AC Toolbox (algorithmic composition
software)
to a Lilypond file and a pdf. However, as my data is quite dense, some
systems
are colliding making it impossible to distinguish the independent notes.
I am
not working with
Greetings Carl,
You wrote:-
I think I might have noticed this before, but in the example below, all
the re noteheads that are stem up that should be open (half note,
dotted half note) are filled. Whole notes are not affected.
\version 2.16.2
I can't reproduce that problem either in 2.16.2 or 2.17.14. Arch Linux.
I do see that the notes on lines are quite tight, with not much air, but
they are not solid.
Andrew
On 14/05/13 12:25 PM, Carl Peterson wrote:
I think I might have noticed this before, but in the example below,
all the
This is what measures 2 and 3 of my output looks like. The problem goes
away if I manually specify thin noteheads instead of the standard aiken
heads.
I am using 2.16.2 on Mac OS X 10.8.3. The earlier timestamp (larger file)
image is zoomed in from Preview. The later timestamp is from Adobe
Hello there. I've never seen this before. I got "already have slur" I checked and all looks well but this is an odd one.Here is the .ly file. I got rid of all the bar checks except for a few that looked correct. did I miss something? again?
final score.ly
Description: Binary data
I hope one day I
Hmm. I thought I closed the slur with ) that was the first thing I checked.
Yeah they are 2 note slurs.
r8 b8(\p\ cis) d4. r8 fis,8( ais) cis4.
2 2 note slurs in the measure. I even tried the 3 note slurs with the rest in
the middle and it still errors out.
Suggestions? I want to have this
If I generate the PDF's on Arch Linux, but view in Preview in Mac OS X
10.8.3 or with Adobe Acrobat on the Mac the problem is not visible. That
narrows the issue down to lilypond on Mac, not the display programs.
Raise a bug report?
Andrew
On 14/05/13 1:13 PM, Carl Peterson wrote:
This is
Reposting a previous question with code example. Note that depending on how
the alignment is defined, about a notehead of space is added to one side of
the lyrics or the other.
Thanks,
Carl
\version 2.16.2
\score {
\new Staff = top { \new Voice = tester { c' e' g' c'' } }
\new Lyrics
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