Re: Sharing: Capone, by Rachael [pdf]

2013-08-03 Thread Federico Bruni
2013/7/9 Rachael Thomas Carlson rachael.thomas.carl...@gmail.com In the Fingerstyle world, notating String-dampening or string stopping is of the utmost importance. Michael Hedges is the composer who comes to mind who used it with beautiful results. With Finale, you have to use a separate

Support for Uke chords?

2013-08-03 Thread Clark Milioti
Greetings, I just discovered LilyPond. I am blown away by the concept of its text-based input. Very clever and easy to pick up. While I intend to read the learning.pdf manual this weekend, I was wondering if anyone can help steer me toward using LilyPond for simple chord tab charts for the

Re: Support for Uke chords?

2013-08-03 Thread Federico Bruni
2013/8/3 Clark Milioti clark.mili...@officesystematics.com Greetings, I just discovered LilyPond. I am blown away by the concept of its text-based input. Very clever and easy to pick up. Good to hear this, you are one of us ;-) While I intend to read the learning.pdf manual this

Re: Support for Uke chords?

2013-08-03 Thread David Kastrup
Clark Milioti clark.mili...@officesystematics.com writes: Greetings, I just discovered LilyPond. I am blown away by the concept of its text-based input. Very clever and easy to pick up. While I intend to read the learning.pdf manual this weekend, I was wondering if anyone can help steer

Re: LilyPond meeting in Waltrop, Germany, 2013-08-16 to 2013-08-20

2013-08-03 Thread Jan Nieuwenhuizen
Marc Hohl writes: I am sorry to say that I am in Great Britain during the LilyPond meeting this year, so I won't be able to join :-( Do you have any opportunity to join in on irc? Jan -- Jan Nieuwenhuizen jann...@gnu.org | GNU LilyPond http://lilypond.org Freelance IT http://JoyofSource.com

Re: Support for Uke chords?

2013-08-03 Thread immanuel litzroth
Here's a small example of something I started a while back -- it's unfinished but should get you going Regards, i On Sat, Aug 3, 2013 at 1:34 AM, Clark Milioti clark.mili...@officesystematics.com wrote: Greetings, I just discovered LilyPond. I am blown away by the concept of its

Re: Right Hand Fingering Colision

2013-08-03 Thread bb
Am 03.08.2013 02:30, schrieb Kale Good: Hello, I'm working with right hand fingerings and finding some pretty nasty collisions. Any way to mend this? Thanks, Kale \version 2.16.2 rh = #rightHandFinger basslineOne = { \set strokeFingerOrientations = #'(down) { c,4\rh #1 e g c, | b d g b,} }

Re: Right Hand Fingering Colision

2013-08-03 Thread David Kastrup
bb bblo...@arcor.de writes: Try #(define rh rightHandFinger) instead of rh = #rightHandFinger Why? -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Right Hand Fingering Colision

2013-08-03 Thread Nick Payne
On 03/08/13 18:55, bb wrote: Am 03.08.2013 02:30, schrieb Kale Good: Hello, I'm working with right hand fingerings and finding some pretty nasty collisions. Any way to mend this? Thanks, Kale \version 2.16.2 rh = #rightHandFinger Try #(define rh rightHandFinger) instead of %rh =

Re: Right Hand Fingering Colision

2013-08-03 Thread bb
Am 03.08.2013 11:10, schrieb David Kastrup: bb bblo...@arcor.de writes: Try #(define rh rightHandFinger) instead of rh = #rightHandFinger Why? It is written this way in the handbook so I always use it this way. But I compiled it after that change with version 2.17.23 flawless. The

Re: Right Hand Fingering Colision

2013-08-03 Thread David Kastrup
bb bblo...@arcor.de writes: Am 03.08.2013 11:10, schrieb David Kastrup: bb bblo...@arcor.de writes: Try #(define rh rightHandFinger) instead of rh = #rightHandFinger Why? It is written this way in the handbook so I always use it this way. But I compiled it after that change with

Re: Right Hand Fingering Colision

2013-08-03 Thread bb
Am 03.08.2013 12:38, schrieb David Kastrup: bb bblo...@arcor.de writes: Am 03.08.2013 11:10, schrieb David Kastrup: bb bblo...@arcor.de writes: Try #(define rh rightHandFinger) instead of rh = #rightHandFinger Why? It is written this way in the handbook so I always use it this way. But

Re: Henle piano template

2013-08-03 Thread Karol Majewski
Am 16.07.2013 20:23, schrieb Kieren MacMillan: Hello all, I'm getting close with my Henle piano stylesheet(s) see attached. Once this is ready, I'm going to document it and put it up on the Lilyblog. I think the last thing I need is an "oval BarNumber enclosure" (see photo). Can anyone

Re: Henle piano template

2013-08-03 Thread Urs Liska
My copy from 1975/76 _does_ have both the number and the ovals. Urs Karol Majewski karo...@wp.pl schrieb: Am 16.07.2013 20:23, schrieb Kieren MacMillan: Hello all, I'm getting close with my Henle piano stylesheet(s) — see attached. Once this is ready, I'm going to document it and put it up

Re: Henle piano template

2013-08-03 Thread Karol Majewski
I have found some images of Henle's Moonlight Sonata. Old edition: http://www.ackermanmusic.co.uk/img/P/412339_1.jpg And the new one (from 2013): http://www.di-arezzo.com/multimedia/images/henle/part/hn1062.jpg Same publishing house, but so many differences :) Dnia 3-08-2013 o godz. 13:54

Re: LilyPond meeting in Waltrop, Germany, 2013-08-16 to 2013-08-20

2013-08-03 Thread Marc Hohl
Am 03.08.2013 10:07, schrieb Jan Nieuwenhuizen: Marc Hohl writes: I am sorry to say that I am in Great Britain during the LilyPond meeting this year, so I won't be able to join :-( Do you have any opportunity to join in on irc? Hm, I don't know whether I have access to wireless lan during

getting musical examples to an exact textwidth with a style file

2013-08-03 Thread Kevin Patrick Barry
Dear Lilypond users, I am creating musical examples for a text block with a fixed width (100.8mm) and am trying to create a style file that I can use for all of the examples (there will probably be a couple of hundred). I thought I could do this by modifying some combination of page-width,

Re: getting musical examples to an exact textwidth with a style file

2013-08-03 Thread David Kastrup
Kevin Patrick Barry barr...@tcd.ie writes: I am creating musical examples for a text block with a fixed width (100.8mm) and am trying to create a style file that I can use for all of the examples (there will probably be a couple of hundred). I thought I could do this by modifying some

Re: Sharing: Capone, by Rachael [pdf]

2013-08-03 Thread Rachael Thomas Carlson
Hello Federico: I wonder what's the meaning of the staff lines highlighted in purple... The TabStaff lines that are highlighted in purple indicate string-damping. This is where the indicated right-hand finger rests or plants upon the string indicated causing that string to *not* vibrate.

Re: Sharing: Capone, by Rachael [pdf]

2013-08-03 Thread Federico Bruni
2013/8/3 Rachael Thomas Carlson rachael.thomas.carl...@gmail.com ** Hello Federico: I wonder what's the meaning of the staff lines highlighted in purple... The TabStaff lines that are highlighted in purple indicate string-damping. This is where the indicated right-hand finger rests or

Re: getting musical examples to an exact textwidth with a style file

2013-08-03 Thread Urs Liska
Depending on where you want to store the source code of your examples you might also have a look at http://www.openlilylib.org/musicexamples But in addition to David's comment I'd say you don't even show that you are using LaTeX for your document (although it would be an obvious choice...). If

Maybe bug? Lyrics on a tied note at end of system

2013-08-03 Thread James Harkins
I ran into the attached spacing problem while typesetting a lead sheet. I can't make a minimal example right this second; will try in the next couple of days. When a tied note has a lyric syllable, LP (2.16.1) left aligns the syllable to the note, on the assumption that tied-to note column will